By in (Linguistics) December 2005 © Gessiane Lobato Picanço, 2005

By in (Linguistics) December 2005 © Gessiane Lobato Picanço, 2005

MUNDURUKÚ: PHONETICS, PHONOLOGY, SYNCHRONY, DIACHRONY by GESSIANE LOBATO PICANÇO B.A. Federal University of Pará, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Linguistics) THE UNIVERSITY OF BRITISH COLUMBIA December 2005 © Gessiane Lobato Picanço, 2005 Abstract This dissertation offers an in-depth investigation of the phonology of Mundurukú, a Tupi language spoken in the Amazonian basin of Brazil, approached from three interrelated perspectives: phonetic, phonological and diachronic. It examines (i) the Mundurukú vowel and consonant inventories, (ii) syllable structure and syllabification, (iii) phonotactic patterns, (iv) nasal harmony, (v) consonant mutation, (vi) tone system and the tone-creaky voice interaction, (vii) reduplication, and (viii) the phonological behavior of various affixes. The phonetic investigation focuses on several acoustic properties of segments (i.e. vowels and consonants), and on phonological contrasts observed in vowels, in particular the oral-nasal and modal-creaky voice oppositions, in addition to tonal distinctions. This is done with a view to determining how and to what extent such phonetic realizations can be imposed on phonological representations. These issues constitute an important part of the study, and are particularly relevant to the discussion about the coarticulatory effects observed in the realization of stops, nasals and laryngeals. The study also offers a formal account of all major phonological processes attested in the language such as syllabification, nasal harmony, consonant mutation, tone, etc. The theoretical model adopted here is Optimality Theory (OT), which defends a representation of the structural design of grammars based upon a ranking of universal constraints. Each chapter contributes to the development of an OT-based grammar of the phonology of Mundurukú by examining new aspects of the language, and by situating them in a large-scale scenario until the OT-grammar is assembled. This result is presented in the last chapter. In search of evidence for the synchronic analysis, and for a better understanding of some uncharacteristic patterns, the study turns to the historical development of the language. Using data from Kuruaya, a sister language to Mundurukú, hypotheses about the stage that preceded both languages, Proto-Mundurukú, are made available. In recovering this stage, and the stage that preceded the modern period, it is possible to recover many of the changes the grammar has undergone and which culminated in the synchronic patterns. Ultimately, this study argues for an approach to synchronic grammars as a composite of universal and language-specific properties, determined by diachronic changes. ii Contents Abstract .......................................................................................................................................... ii Contents .........................................................................................................................................iii List of tables ................................................................................................................................viii List of figures ................................................................................................................................. x Acknowledgements......................................................................................................................xiii Chapter 1 Introduction 1.1 Wu)yju)yu) “Our people” ......................................................................................................... 1 1.2 The Tupi stock....................................................................................................................... 5 1.2.1 Mundurukú.............................................................................................................. 5 1.2.2 Kuruaya..................................................................................................................6 1.3 Major goal..............................................................................................................................7 1.4 Organization of the dissertation ............................................................................................7 1.4.1 Acoustic analysis.....................................................................................................7 1.4.2 Phonological analysis: Optimality Theory.............................................................. 8 1.4.3 Diachronic analysis............................................................................................... 10 1.4.4 Overview of the chapters ...................................................................................... 11 Chapter 2 Phonetic and phonological structures of vowels 2.1 Introduction..........................................................................................................................13 2.2 Vowel qualities.....................................................................................................................17 2.2.1 Vowel dispersion...................................................................................................18 2.2.2 The acoustic space of Mundurukú vowels............................................................ 20 2.3 Modal vowels: the oral-nasal contrast................................................................................. 26 2.3.1 Acoustic effects of nasalization on vowel height.................................................. 30 2.4 Phonation types....................................................................................................................33 2.4.1 The modal-creaky voice opposition...................................................................... 35 2.4.2 Acoustic properties of the creaky-modal contrast................................................. 37 2.4.2.1 Procedures............................................................................................... 39 iii 2.4.3 Results and discussion .......................................................................................... 40 2.4.3.1 Formant frequencies................................................................................ 40 2.4.3.2 Overall duration .......................................................................................43 2.4.3.3 Fundamental frequency............................................................................43 2.4.3.4 Periodicity ............................................................................................... 50 2.4.3.5 Spectral tilt .............................................................................................. 51 2.5 Conclusion............................................................................................................................55 Chapter 3 Phonetic and phonological structures of consonants 3.1 Introduction..........................................................................................................................56 3.2 The inventory.......................................................................................................................57 3.3 Voiceless stops.....................................................................................................................59 3.3.1 Instrumental analysis: procedures........................................................................ 62 3.3.2 Results…............................................................................................................... 65 3.4 Voiced stops.........................................................................................................................71 3.5 Nasal stops...........................................................................................................................74 3.5.1 Preoralization as a coarticulatory effect................................................................ 76 3.6 Approximants.......................................................................................................................80 3.7 Laryngeals: /h/and ///.......................................................................................................... 82 3.7.1 /// as a complete closure ....................................................................................... 84 3.7.2 /// as constricted voicing...................................................................................... 87 3.8 Features for consonants....................................................................................................... 90 Chapter 4 Syllable structure and syllabification 4.1 Preliminaries ........................................................................................................................93 4.2 The basics of syllabification................................................................................................ 95 4.2.1 Contiguity...............................................................................................................97 4.2.2 Inter- and Intra-morphemic CONTIGUITY ......................................................... 99 4.3 Hiatus…. ............................................................................................................................101 4.3.1 Vowels versus glides........................................................................................... 105 4.4 Onsets ................................................................................................................................111

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    424 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us