Doctor of Philosophy The magic of the city: representing places of the dead in the contemporary Western metropolis Rachel Trigg February 2009 Joseph Cornell (1936) Untitled (Soap Bubble Set) Source: The Voyager Foundation 2004 Faculty of the Built Environment University of New South Wales THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Trigg First name: Rachel Other name/s: Helen Abbreviation for degree as given in the University calendar: PhD School: N/A Faculty: Faculty of the Built Environment Title: The magic of the city: representing places of the dead in the contemporary Western metropolis Abstract 350 words maximum: This thesis posits that throughout history, the Western city has been made and understood according to a shared image of the cosmos. It argues that though the contours of this cosmos have changed over time and place, collectively held understandings of the city endure to the present day. Drawing on literary and cultural theory, this way of understanding the city may be conceptualised as ‘magical’, that is incorporating knowledge which is hermeneutic and mythical, as well as empirical. The specific example of places of the dead, understood as cemeteries, memorials and other locations at which the dead are actually or symbolically interred, is used in this thesis to test the notion that that the city may continue to be understood as a reflection of world view. Places of the dead provide an appropriate test case for this task, as their forms and locations have clear associations with temporally and culturally specific understandings of the city. This thesis applies textual analysis and discourse analysis to seven case studies of contemporary places of the dead in order to examine the way in which the magic of the city may operate in one typology of place. It considers the representation of these case studies in a large array of texts, with particular emphasis on fictional, and thus potentially ‘magical’, texts such as novels, television series and architectural drawings, as well as postcards, movies, cartoons, photographs, songs and paintings. The results of the case studies are used to argue not only that the city continues to be understood using a wide variety of ways of knowing, but also that these alternative epistemologies offer insights into contemporary cities which are not gained through the use of conventional methodologies. Declaration relating to disposition of project thesis/dissertation I hereby grant to the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or in part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all property rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstracts International (this is applicable to doctoral theses only). …………………………………………………………… ……………………………………..……………… ……….……………………...…….… Signature Witness Date The University recognises that there may be exceptional circumstances requiring restrictions on copying or conditions on use. Requests for restriction for a period of up to 2 years must be made in writing. Requests for a longer period of restriction may be considered in exceptional circumstances and require the approval of the Dean of Graduate Research. FOR OFFICE USE ONLY Date of completion of requirements for Award: THIS SHEET IS TO BE GLUED TO THE INSIDE FRONT COVER OF THE THESIS Abstract This thesis posits that throughout history, the Western city has been made and understood according to a shared image of the cosmos. It argues that though the contours of this cosmos have changed over time and place, collectively held understandings of the city endure to the present day. Drawing on literary and cultural theory, this way of understanding the city may be conceptualised as ‘magical’, that is incorporating knowledge which is hermeneutic and mythical, as well as empirical. The specific example of places of the dead, understood as cemeteries, memorials and other locations at which the dead are actually or symbolically interred, is used in this thesis to test the notion that that the city may continue to be understood as a reflection of world view. Places of the dead provide an appropriate test case for this task, as their forms and locations have clear associations with temporally and culturally specific understandings of the city. This thesis applies textual analysis and discourse analysis to seven case studies of contemporary places of the dead in order to examine the way in which the magic of the city may operate in one typology of place. It considers the representation of these case studies in a large array of texts, with particular emphasis on fictional, and thus potentially ‘magical’, texts such as novels, television series and architectural drawings, as well as postcards, movies, cartoons, photographs, songs and paintings. The results of the case studies are used to argue not only that the city continues to be understood using a wide variety of ways of knowing, but also that these alternative epistemologies offer insights into contemporary cities which are not gained through the use of conventional methodologies. magic of the city i rachel trigg Originality Statement I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial portions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of the thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged. Rachel Trigg 18 February 2009 magic of the city ii rachel trigg Copyright Statement I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). I have either used no substantial portions of copyright material in my thesis or I have obtained permission to use copyright material; where permission has not been granted I have applied/will apply for a partial restriction of the digital copy of my thesis or dissertation. Rachel Trigg 18 February 2009 magic of the city iii rachel trigg Authenticity Statement I certify that the Library deposit digital copy is a direct equivalent of the final officially approved version of my thesis. No emendation of content has occurred and if there are any minor variations in formatting, they are the result of the conversion to digital format. Rachel Trigg 18 February 2009 magic of the city iv rachel trigg Contents Abstract.....................................................................................................................i Originality Statement................................................................................................ ii Copyright Statement ............................................................................................... iii Authenticity Statement ............................................................................................ iv Figures................................................................................................................ viiiiii Acronyms............................................................................................................... xii Acknowledgements............................................................................................. xiiiiii Chapter 1 Introduction: a premonition of magic .................................................1 1.1 Introducing the magic of the city ........................................................................2 1.2 Introducing places of the dead ...........................................................................6 1.3 Explaining the structure .....................................................................................9 1.4 Introducing the author ......................................................................................15 Chapter 2 Cosmologies I: the history of the city and its places of the dead ..18 2.1 Introduction ......................................................................................................19 2.2 Cosmos............................................................................................................21 2.3 The tomb and the monument in the ancient city ..............................................23 2.4 The cathedral and the graveyard in the medieval city......................................26