Kurt Busiek Jimmy Palmiotti Axel Alonso

Kurt Busiek Jimmy Palmiotti Axel Alonso

INSIDE: 14 WAYS TO BEAT WRITER’S BLOCK! $ 95 5 March In the USA MAGAZINE 2003 AXEL BRUCE ALONSO JONES JIMMY PALMIOTTI WRITING LESSONS FROM KURT DENNY BUSIEK O’NEIL . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T k l u H MAGAZINE Issue #3 March 2003 Read Now! Message from the Editor . page 2 Hulking In Interview with Bruce Jones . page 3 State-of-the-Art Editing Interview with Axel Alonso . page 20 NOT the last... Interview with Dennis O’Neil . page 28 “But What Does Danny Think?” Idiots and Outlaws . page 42 Astro City’s Marvel Interview with Kurt Busiek . page 43 From Inker To Editor To Writer Interview with Jimmy Palmiotti . page 57 Feedback . page 76 Books On Writing . page 77 Nuts & Bolts Department Conceived & Edited by Script To Printed Comic: The Incredible Hulk #49 DANNY FINGEROTH Pages from “The Morning After,” by Bruce Jones , John Romita Jr. , and Tom Palmer . page 14 Designer Writer’s Block Without Panic CHRISTOPHER DAY Joey Cavalieri shows you how to start—and restart— Transcribers the creative juices . page 16 DEANNE WALTZ and the LONGBOX.COM STAFF Script Triage In 5 Simple(?) Steps and STEVEN TICE Axel Alonso on the fine art of script-salvaging . page 26 Publisher Comics 101 JOHN MORROW Notes by Dennis O’Neil for the writing and editing classes COVER he teaches at DC Comics . page 33 Penciled and inked by Script To Printed Comic: Azrael #75 MIKE DEODATO JR. Pages from “Fallen Angel,” by Dennis O’Neil , Sergio Cariello Colored by and James Pascoe . page 40 HERMES T Writing for Comics Vs. Writing for Other Media Special Thanks To Kurt Busiek explains how comics are like, and how they’re different from, other entertainment forms . page 47 ALISON BLAIRE From Scribbled Notes To Finished Product 1: The Power Company #10 DAVE CAMPITI APRIL CAMPBELL An enlightening peek into the very beginning of the creative process on “Dealing With Devils,” by Kurt Busiek , AMANDA CONNER Tom Grummett and Prentis Rollins . page 51 CHRIS DAY From Scribbled Notes To Finished Product 1: Avengers Vol 3 #40 JOHNNY GUITAR See the germ of an idea become a story you read, from PATTY JERES “Thoom,” by Kurt Busiek , Alan Davis and Mark Farmer . page 54 STEVE KANE SCOTT KOBLISH Write Now! is published 4 times a year by TwoMorrows Publishing, 1812 Park Drive, Raleigh, NC 27605, USA. Phone: (919) 833-8092. Fax: (919) 833-8023. Danny Fingeroth, Editor. John Morrow, JOHN MIESEGAES Publisher. Write Now! E-mail address: [email protected] . Single issues: $8 Postpaid in the US ERIC NOLEN-WEATHINGTON ($10 Canada, $11 elsewhere). Four-issue subscriptions: $20 US ($40 Canada, $44 elsewhere). MARIFRAN O’NEIL Order online at: www.twomorrows.com or e-mail to: [email protected] All characters are TM & CHRIS POWELL © their respective companies. All material © their creators unless otherwise noted. All editorial matter © the respective authors. Editorial package is ©2003 Danny Fingeroth and TwoMorrows BEN REILLY Publishing. Write Now! is a shared trademark of Danny Fingeroth and TwoMorrows Publishing. VARDA STEINHARDT Printed in Canada. FIRST PRINTING. WRITE NOW | 1 READ Now ! Message from Danny Fingeroth , editor elcome to our Hulkeriffic third issue. (And special the Marvel Knights line. Then thanks to Mike Deodato for the sensational cover!) went off to co-create W Once again, we’re bringing you more tips, insights GateCrasher for Wizard ’s and didactic discussions about writing comics and related Black Bull Comics . Jimmy’s forms of pop fiction. now doing a wide range of creator-owned comics Nuts & Bolts -wise, look who’s peeling back the curtain and material as well as tons o’ Hollywood stuff. He’s done showing you how it’s done. it his way—and keeps doing it his way. You’ll learn a • Ever have trouble starting—or finishing —a piece of lot reading what he has to say. writing? Longtime DC Comics editor and writer Joey • And Kurt Busiek . Hey—he’s Kurt Busiek . Marvels . Cavalieri (who at least one complete stranger on an Astro City . Avengers . The freakin’ Thunderbolts . One elevator once thought was my brother) tells you how day he was a writer in the trenches, the next day to overcome dreaded Writer’s Block! Marvels hit—and his whole life changed! From there it • Red-hot writer Bruce Jones (more on him later) shows was one triumph after another. How’d he do it? Check how The Hulk gets scripted. out the interview, conducted by Peter Sanderson, • Super-editor Axel Alonso explains the mechanics comics scholar extraordinaire. behind the best-selling comics he handles. We were supposed to have Fabian Nicieza ’s interview this • Marvel Knights co-founder Jimmy Palmiotti shows you issue, but that’ll be here next time. It’ll be worth the wait. how he writes the surprise-and-action-filled 21 Down . Fabian’s never been one to be lacking in passion or opinions. • Astro City ’s Kurt Busiek reveals how he goes about Our lawyers are going over this one with an extra- fine tooth structuring and creating a story. comb. • And (postponed from last issue) legendary comics Next issue, there’s an outspoken interview with the, well, master Dennis O’Neil shows you the notes he uses to outspoken Howard Chaykin . Howard’s done an all-new teach his classes in comics structure. You won’t get a American Flagg cover for the issue. Steven Grant ’ll be back clearer description of the process anywhere . with tips on how to navigate the Hollywood maze. Batman Then, in this issue’s “lessons-disguised-as-interviews” we Beyond ’s Paul Dini talks to us from inside that very maze. have a line-up that blows me away. Bet it does the same for Jimmy Palmiotti conducts a no-holds-barred interview with you. Warren Ellis . Batman Group Editor Bob Schreck will give his • First, Bruce Jones . Cousin Brucie is setting the unique point of view on comics writing. Dark Horse Senior comics world on fire with his version of The Hulk Editor Diana Schutz will tell us what she looks for in a comics that’s earned critical and commercial success. Bruce script. And Platinum Studios founder Scott Mitchell is the “overnight sensation” who’s been in the Rosenberg will talk about making comics into hit film and TV business since the 1970s. Did he reinvent himself? projects. Plus, there’ll be more Nuts & Bolts lessons and Or was he always the same and the times just caught pointers from Denny O’Neil and other smart people. up with him? Read the interview and see. Then there’s that special new feature we’ll be starting in • And as far as voucher-signing superstars—AKA issue #5. You know—the issue that’s going to have Will Eisner editors— Axel Alonso is on board. Axel is Bruce’s and J. Michael Straczynski interviewed in it. The special editor on Hulk as well as J. Michael Straczynski ’s on feature? Here’s another hint: it’s the most intensive teaching Amazing Spider-Man and Robert Morales ’s on The tool for comics writing ever attempted in a magazine. Truth . You have to know what Axel is thinking if you Intrigued? I am—and I know what it is! want to understand comics today. Write Away! • And this issue we do indeed have the Dennis O’Neil interview. Denny’s recovered from his bypass surgery and is doing fine. Find out how the man went from young turk of the ‘70s to respected master of today. Danny Fingeroth Want to have a long career? Denny has some insights on how it’s done. Three very worthy people’s names were inadvertently left • Jimmy Palmiotti ’s had a wild career. Started as an out of the image credits in Lee Nordling’s interview last issue. inker. Went off with then-partner Joe Quesada to co- They were Fred Van Lente as the writer for “Cowboys & create Event Comics and Ash . Optioned Ash to Aliens,” Andrew Foley as the writer of “Age of Kings,” and DreamWorks . Co-created, co-edited and co-packaged Brian Joines as the writer of “The Taking of Happyland.” Sorry, guys. Now we’ve set the record straight. 2 | WRITE NOW Hulking In The BRUCE JONES Interview Bruce was also Conducted via e-mail January 2, 2003 given the task of Edited by Danny Fingeroth / Copy-edited by Bruce Jones reviving Ka-Zar the Savage . Bruce a gotta hate Bruce Jones. brought Kevin [Didactic note: A classic “what does he mean by that?” Plunder into the Yopening! You feel compelled to read on, right? Hey—come ‘80s. He made him back!] into a sort of I mean, he’s talented, funny, charming. And, to boot, he’s modern guy who just too damn good-looking. happened to be Bruce looks like a GQ model. When I first met him, I living in the thought some actor or model had gotten lost and come to the hidden jungle of wrong office. the Savage Land. But it was indeed Bruce. I was working as Louise Jones’ It was, especially (later Simonson) assistant back in the year Og. (And, no, for the time, a they’re not related.) Bruce was in town to discuss Ka-Zar, radical re- Conan and a few other assignments. He had worked with imagining of Louise on the classic Warren line of horror comics, including characters—Ka-Zar Eerie and Creepy . Bruce often drew the stories he wrote and Shanna the She-Devil, his significant other—that could there.

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