CONTENTS PRESET 1 VOICE LIST ................................................. 1 PRESET 2 VOICE LIST ................................................. 5 PRESET, CUSTOM, INTERNAL VOICE LIST ................... 9 VL-XG VOICE LIST .................................................... 10 EFFECT TYPE LIST ..................................................... 12 EFFECT TYPE MAP..................................................... 14 EFFECT PARAMETER LIST.......................................... 17 EFFECT DATA VALUE ASSIGN TABLE .......................... 21 EFFECT DEFAULT DATA .............................................. 24 MIDI DATA FORMAT.................................................. 26 MIDI IMPLEMENTATION CHART ................................ 44 PRESET 1 VOICE LIST Preset 1 Recommended No. Voice Name Note Range Comment 001 Mad Tube C1 - B4 An extremely aggressive sound that lies between synth lead and distortion guitar. 002 VintgLd B-1 - C6 Multi-oscillator type synth lead. 003 SpaceZoo *** Try moving PB, MW, and AT in various ways. 004 GuitHero G0 - C5 A distortion guitar. Controlling the feedback with AT is particularly effective. 005 StoneHng F0 - G6 MW produces a sustained sound. 006 Whizzer G#0 - F#5 Long sustaining synth tone similar to bass guitar harmonics. 007 SimpleBa C0 - C6 Straight ahead synth bass with some distortion. 008 ClavBass C0 - E3 Bass sound with both electric/acoustic and synthesizer qualities. If you use FC (CC#4) you can get “clavinet” style overtones. 009 SuperBas C0 - F#3 DX7 style slapped bass. 010 New Slap C0 - D5 New type slap bass with punchy power. 011 RockPigs C0 - E4 Organ-type synth lead sound. AT produces a neighing effect. 012 Igneous C0 - C5 Feedbacked synth lead sound. 013 50 / 50 C0 - F5 Simple Square wave synth lead. 014 Cybastrg C-1 - C6 Metallic driller killer sound. 015 Wynth A-1 - G5 Filter wind synth with control from BC and velocity. 016 BuzzSaw E-1 - C6 Play with lots of MW filter control. 017 ZubZub B-1 - C6 Biting analog synth sound. MW controls filter. 018 Blue G0 - D3 Fizzy synthesiser sound. 019 OsciLead C0 - G5 Octave synth lead sound. 020 SqrLead D#0 - C6 Nice Square lead tone. Lowering FC (CC#4) closes filter. 021 Bigger C-1 - C6 Big analog synth sound - velocity controls filter and volume. 022 AnaSquid G-1 - C6 Analog synth type sound with MW filter control. 023 SharpSyn G0 - C6 Slightly mode unstable velocity sensitive sound. 024 AnaWave C0 - E4 Analog synth type sound with MW filter control. 025 AnaWurl C0 - C6 Velocity sensitive sound somewhat like a Vintage EP passed through a resonant filter. 026 Babalog C0 - C6 Velocity controlled synth wind sound. 027 FngerBass B-1 - C4 Vigorous finger bass sound. 028 Upright B-1 - C4 Simulation of accoustic bass. 029 Fnground A-1 - C4 Finger bass with particular sound of rear pick up. 030 Birdland A-1 - C4 Midway between an analog synth and an electric bass sound. The high range produces harmonics. 031 FlageoBs G0 - C4 Harmonics of a fingerd electric bass. 032 DampBass G-1 - C3 Damped Pluck-Bass with a dry speaker sound. 033 Fretles! E-1 - C4 Fretless bass usable for either rhythm or melody. 034 Frtles!2 B-1 - C#4 Another fretless bass, good for melody play. 1 PRESET 1 VOICE LIST Recommended No. Voice Name Note Range Comment 035 ThumBass C0 - C3 Thumped Bass. 036 RockBass G-1 - C4 Heavy overdrive rock bass sound. 037 SmooBass B-1 - A#3 Expressive synth bass sound with filter control by velocity and “vintage analog” character. 038 WarmBass B-1 - C4 Warm electric Precision bass sound. Use FC (CC#4) to make sound brighter or darker. 039 YamaBass A-1 - C4 Yamaha 5-string electric bass with brand new strings and “studio EQ”. 040 Box Bass C0 - C4 Similar to FM synth bass with filter control on MW. Uses resonator for “boxy” effect. 041 BassCab B-1 - G#4 Slightly distorted electric bass with Resonator simulation of speaker cabinet tone. 042 FruitBas C0 - C4 Fruity electric bass sound. 043 AcidBas! B-1 - C5 Bass sound for acid jazz. 044 SqrBass! B-1 - G4 Square wave synth bass. 045 PulsClav A-1 - G5 Synth-Clavinet for funky licks. 046 MogueBas B-1 - C#7 A classic synth bass sound. 047 BoppaBas B-1 - C4 Synth bass with sub-octave undertone. 048 BuzzrBas D0 - E4 FM style, bright and buzzy electronic keyboard bass. For fast tempo trance, acid, house, and techno style sequenced basslines. 049 MuteHrBs C0 - C5 Upper register bass harmonic sound, with accentuated fingering “pop” similar to playing muted guitar style with the palm of the picking hand on the bridge. 050 TekBass B-1 - C4 Synth bass with sub-octave undertone. 051 TranzBas C0 - F#4 TB303 style synth bass. For fast tempo trance, acid, house, and techno style sequenced basslines. 052 Chamlion C0 - B4 Dry Synthbass. 053 ParaSyn A-1 - C4 Strong, up-front synth bass, ideal for 70’s Jazz-Funk. If you like that sort of thing. 054 SteamBas C0 - C#7 Use lots of PB (Embouchure) for finger slides. Gives greater tonal variety. 055 BooBass B-1 - C5 MW controls filter and gives sharper attack. 056 WhelkBas E-1 - C#5 Synth bass. MW controls filter as does velocity. 057 AtackSyn G0 - B4 Synth bass sound with strong attack. 058 Q.Klav A-1 - C#4 Deeply funky clav sound. Try with Phasing on in Chorus section, or alter low and upper mid with Equaliser in modifier section. Altering the Aural Exciter parameters will also have a big effect. 059 Sitar! G0 - E4 Simulation of Sitar. 060 India F#0 - C6 Sitar-type ethnic sound. 061 YamSteel A2 - C6 Steel drum-type ethnic sound. 062 StungSt F#0 - B5 FM style, metallic overtone synth. Can use as lead or bass . 063 Mu *** MW brings in noise. CC#13 can be used to modify the character of the noise. 064 Waterphn *** Mysterious percussion instrument. Attack is softened with MW. Squeakiness (embouchure) on CC#13. Violent SCRAPE sound with AT. * Aural Exciter® is a registered trademark and is manufactured under license from Aphex Systems, Ltd. 2 PRESET 1 VOICE LIST Recommended No. Voice Name Note Range Comment 065 DinoPerc *** Use with different combinations of MW and PB to produce complex noise percussion. 066 Formula *** Engine-like sound effect. 067 Jurassic *** Use PB, MW, and CC#13 to produce the cries of various dinosaurs. 068 Devil *** A sound effect using extreme oscillation. Try moving PB, MW, and CC#13 in various ways. 069 SpcHorse *** While applying MW, add AT to create a neighing sound. 070 Jason *** Use the MW to turn this into a strongly noisy sound effect. 071 Suedhead F-1 - C6 Sound effect. Make liberal use of Pitch and MWs. 072 Spanish F-1 - E4 Spanish type acoustic guitar. 073 JazzGtr! B-1 - A4 Electric guitar suitable mainly for jazz. 074 JazzyGtr A-1 - C6 Velocity dynamic jazz style sustaining guitar lead. 075 L7 Pluck B-1 - E4 A classic pluck sound. 076 WetPluck B-1 - E4 A guitar sound that readily accepts effects such as flanging. 077 Comp Gtr B-1 - A4 Compressed, clean electric strat guitar sound. 078 FunkyGtr B-1 - D5 Snappy “70’s style” funk guitar, for rhythm and comping. 079 Thin Gtr B-1 - G5 Clean uncompressed electric guitar with “thin gauge” new strings, good for country, R&B, lead solos etc. Using a high velocity input results in a continuous sound. 080 Carlos B-1 - G4 Overdrive guitar, front pick up type. 081 Destiny C0 - C5 Distortion guitar made from a sustained sound with strong attack. CC#13 for feedback effect. 082 Gonzo B-1 - G5 Velocity controlled. PB down controls noise effect. 083 Grunge C0 - B6 Dirty synth lead. 084 Ossyncro B-1 - G5 Cross modulation-type synth lead. 085 Talk Box F#0 - E7 Voicy Lead, somehow like a guitar-Talkbox. 086 SyncLed B-1 - E6 Sync type lead tone. Use with Exp or BC - with no pressure sound has stacatto muted tone. Increase for full tone. FC (CC#4) at full produces wide open tone. Lowering darkens timbre. Try striking at hard velocity with no BC, pitchbend up, and slowly. 087 Old Mini A-1 - A5 A classic analog synth solo sound. 088 Fat Mini G-1 - A5 A classic analog synth solo sound with fatter timbre. 089 Parlopho B-1 - C5 If it was possible to mix an accordion with a trumpet it might sound like this. 090 SimpleSy B-1 - E5 Breath controlled filter synth sound. 091 Choronic C0 - G5 Synth brass solo sound. 092 SlitMinu F0 - C6 AT control of Rotor Speed of FX. 093 SynHarmo B-1 - G6 Filter changed by velocity. 094 Flaggoot C0 - D4 Vibrato will cause sound to drop an octave except in lower range. 095 SynSkex C0 - A#5 Analog/acoustic hybrid lead sound with resonant filter. 096 ResoSqr A-1 - D5 Lowering FC (CC#4) opens filter. 097 WurliLd B-1 - C6 Dark, reed electric piano style synth lead. 098 FlatLead G#1 - G5 Analog / digital lead with thick, fat non-dynamic character. 3 PRESET 1 VOICE LIST Recommended No. Voice Name Note Range Comment 099 PhilTur B-1 - C6 Bright, resonant synth brass lead with accentuated filter dynamic range. 100 ChalPuls B-1 - C6 Synth lead with an indefinably “acoustic” atmosphere. 101 Pluck Ld B-1 - C6 Speedy Synthlead with Guitarlike attack. 102 Brassyn B-1 - C6 Bright analog synthbrass. 103 AcoSynLd A-1 - C6 Analog synth lead-type sound with an acoustic flavor. 104 Moby G-1 - F5 A strange sound in which gradual application of AT increases the fundamental. The key lies in how you use AT. 105 Digitrn C0 - C6 Digital wavetable style wind controller synth lead. 106 LyricOff B-1 - C6 Pulse wave style analog wind controller synth lead. 107 Rezzawi B-1 - G5 Bright, resonant sawtooth style analog wind controller synth lead. 108 Macro B-1 - C6 Assignable Controller(CC#16) control of harmonic enhancer gives a variety of timbres.