LITTLE FEAT RIDER (Dec 2012 / 2013) Personnel Paul Barrere – Vocals, Guitar Booking Agent/ International Sam Clayton – Vocals, Percussion Keith Naisbitt Ken Gradney –Bass APA 405 S. Beverly Dr. Gabe Ford Drums Beverly Hills, Ca 90212 Bill Payne- Vocals, Keyboards [email protected] Fred Tackett- Guitar, Mandolin, Trpt, Voc Label: Rounder Records Scott Harder- Tour Manager contact; Brad Paul Howard Burke- Production Manager 617.218.4413 Plus 3 Techs and Bus Driver [email protected] Management Booking Agent / North America Metropolitan Talent/John Scher (212)419-0300 (ext)755 The Agency Group Ltd Sirius Management/Cameron Sears 1775 Broadway, Suite 515 P.O. Box 2913 New York, N. Y.,10019 San Anselmo, Ca 94970 tel) 212.581.3100 Tel) 415.459.5000 or 212.277.7155 fax) 212.581.0015 Contact: Cameron Sears Agent: Seth Rappaport Email: [email protected] email: [email protected] Production Tour Manager Howard Burke Scott Harder Cell. 707.328.8857 Home.707-829-8558 cell.760.828.3339 Email: [email protected] Email: [email protected] Business Manager Travel Agent Nick Ben-Meir Altour 652 No. Doheny Dr. Debbie Boyd Los Angeles CA 90069 1-800-858-5847 (310) 550-8222 Ph Email: [email protected] (310) 275-3970 Fax Email: [email protected] Publicity Marketing Dennis McNally Bridget Nolan 415.648.4832 212.419-0300 ext 792 [email protected] [email protected] 1 Little Feat Rider In regards to the proposed Little Feat engagement in ____________________ on ____________________. This rider set forth additional terms and conditions regarding said engagement and is hereby made part of the A.F. of M. contract dated_______________ between Business As Usual Tours, Inc. for the services of Little Feat (hereinafter referred to as "Artist") and____________________________ (hereinafter referred to as "Purchaser"). This rider has been prepared to enable Little Feat to give the best performance. In order to accomplish this, it is necessary that the following points of the rider be met. I. BILLING • Artist shall receive 100% sole headline billing in all advertising and publicity including but not limited to air time, newspaper and trade ads, fliers, posters, billboards, websites and marquees, unless otherwise stated on the face of the contract. • Not withstanding the forgoing, if Little Feat is the headlining artist, any and all support acts must be approved prior to adding them to the bill by contacting Sirius Management [email protected] or calling Cameron at 415.459.5000 • The name of Little Feat or any other individual artist furnished hereunder may not be used or associated, directly or indirectly with any product or service without the prior written consent of the Artist. • Purchaser shall not commit Artist to any personal appearances, interviews, or any other type of promotion without the prior written consent of the Artist. Endorsements • It is agreed and understood that Purchaser shall not co-promote or otherwise tie in with any radio station, television station, newspaper or commercial sponsor without the prior consent of the Artist’s representative (Sirius management or Metro Hybrid Talent) Promotion • All Radio Spots and Print ads will be handled through Nancy Block at Bill Young Productions at (281) 240-7400 or [email protected] • All Publicity will be handled through Bridget Nolan at [email protected] • • Upon signing of this agreement it is required that the Promoter immediately fax to Sirius Management the advertising budget and advertising media schedule. This schedule is to include all media print and broadcast. The media schedule must list the weekly expenditure of media dollars allocated per promotion week. • All advertising (print mechanicals and broadcast scripts) are to be submitted Six (6) weeks prior to engagement to Little Feat via email to [email protected] PRE- APPROVAL PRIOR to publication/broadcast. Sirius Management will review all materials within 24 hours of submission. • The following copy points must be included regardless of whether Little Feat Advertising materials are used or not: o Current Photo of Little Feat (To be supplied by our publicists) o Correct date and time of scheduled performance o Performance site/venue with address o Where tickets can be purchased with price(s) 2 o The Little Feat web site is to be listed: www.littlefeat.net • Promoter agrees to forward to Sirius Management,Ticket Sales Figures on a weekly basis and starting no later than six (6) weeks prior to the scheduled engagement. These are to be faxed emailed to: [email protected]. Little Feat and our publicists require these figures in order to lend further support to your office's promotion efforts if necessary. • Promoter is to expect a Little Feat promotional kit from our publicists to aid in your promotional efforts. Be advised that our publicists will be working in parallel with your office to secure engagement publicity in both print and broadcast. If Promoter receives any interview requests for Little Feat collectively or individually you are asked to direct them to our publicists. • Upon completion of the scheduled engagement, Little Feat Mgmt. requires tear sheets of performance advertising and tapes of radio and VHS copies of any television advertising done. (See Section III Letter "K") Little Feat expects receipt within two weeks of the performance. Please forward all materials to: Cameron Sears Sirius Management P.O. Box 2913 San Anselmo, Ca. 94970 • In the event any of these conditions are not met, Little Feat reserves the right to hold the Purchaser percentage of Merchandise soft goods) sales and to exercise our right to explore any other possible remedies at our disposal. II. PAYMENT AND TICKETING In the case of payment based on percentage of sale Little Feat management requires • that at least two (2) weeks prior to the date of this performance, a plot plan and printer's manifest of the house be sent to Sirius Management. (Notarized, signed statement from the printer of the tickets listing the number of tickets printed at each price.) Purchaser further agrees to have on hand at the place and time of the performance all unsold tickets for counting and verification by a representative of the Artist. Artist shall be compensated for the difference between the number of unsold tickets on hand and shown to his representative, and the number of tickets printed as shown by the ticket manifest If Purchaser shall violate any of the preceding provisions of the paragraph, it shall be deemed that the Purchaser has sold a ticket for each seat of the house (and any permitted standing room) at the highest ticket price for which the house is scaled. Purchaser further agrees to give said representative the right to enter the box office at any time during or after the performance and to examine and make extracts from the box office records of the purchaser relating to the gross receipts of the engagement. • A written box office statement, certified and signed by the Purchaser will be furnished to the Artist prior to intermission. Purchase shall not sell tickets to the performance herein as part of a series or other concerts without written consent of the Artist. All artists printed under the manifest shall be of one stub,, one price variety. There shall be no multiple price tickets printed. Examples of tickets prohibited under this agreement are: o One price for students and a different price for general admission on the same ticket. o One price for tickets bought in advance and a different price for tickets bought at the gate on the same ticket. If Purchaser violates this paragraph, he shall be liable for the total amount of tickets sold at the highest price on the tickets. • The tour manager will advise the Purchaser of any cash requirements prior to the engagement. Otherwise all checks should be made payable to: Business As Usual Tours, Inc. 3 Fed. ID # 95-4149022 • No seats behind the downstage lip of the stage or on a level with the side of the stage may be sold without prior written permission of the Artist. Such permission will only be given when every other seat in the house is sold and on the condition that any seats behind the stage that are sold are clearly described as such at the time of sale. These seats should only be sold at the cheapest price for the particular show. • Complimentary tickets for forty (40) good seats shall be held in Little Feat's name. These tickets should be issued to Little Feat's tour manager by 12 noon on the day of the show. These seats should be located within thirty (30) feet of the stage. Complimentary tickets available for Purchaser's use shall be limited to maximum of one percent (1 %) of the capacity of the house. • All tickets shall be printed by a bonded ticket house, or if the performance is at a college or university, the official printing department of the school. Purchaser agrees not to discount tickets or to offer tickets at the premium without first obtaining permission in writing from the Artist. If Purchaser does sell or distribute discount or complimentary tickets without prior approval or in excess of the number printed, he shall be liable for the full ticket price of each ticket sold or distributed. • No standing room may be sold without prior written approval of the Artist. • In the event the performance is being held in a theater with an orchestra pit, Artist's production manager should be notified immediately so that arrangements can be made for these tickets to be put on sale with all others. In this way people buying tickets first will receive the best sales. • The specific capacity, gross potential and ticket price breakdown of the facility where the Artist is to perform under this agreement must clearly printed on the face of the A.F.