all my fathers Written by Paul David Young Directed by Evan Yionoulis The Downstairs 66 East 4th Street, NYC, 10003 October 3 - 20, 2019 All My Fathers Written by Paul David Young Directed by Evan Yionoulis Cast: Richard Gallagher*..............David Younger 1 Brian Hastert*....................Dr. Woodman Deborah Hedwall*..................Regina 2 Younger Jonathan Hogan*............Bill Younger Lighting Design by Donald Holder Set Design by Ao Li Costume Design by Teresa Snider-Stein Video and Sound Design by Melissa Friedling Christine J. Colonna*: Stage Manager Staff Listing Assistant Lighting Designer: Zachary M. Brienza Assistant Costume Designer: Sara Vandenheuvel Assistant Director: Heather Arnson Sound and Projections Programmer: Käri Berntson Wardrobe Master: Emily Pisarra Light Board Operator: David Bonilla Special Thanks Brooklyn College Department of Theatre Darren Deverna, PRG Lighting Footnotes: 1 Lorraine Hansberry, Raisin in the Sun (New York: Random House, 1994) (character name for family). 2 Lillian Hellman, Six Plays by Lillian Hellman (New York: Random House, 1979) (ThenLittle Foxes, individual character name). All My Fathers is co-produced by Skylight Productions Theater in association with Deborah Green (Hadestown). ACTORS EQUITY ASSOCIATION (AEA), founded in 1913 was the first of the American Actors’ Unions and now represents more than 45,000 actors, singers, dancers, and stage managers nationally. Equity members are dedicated theatre professionals who uphold the highest artistic standards. Historically, AEA has stood at the forefront of many issues, including: civil rights (from the historic 1947 boycott of the then-segregated National Theatre in Washington D.C. to the 1986 founding of the Non-Traditional Casting Project); preserva- tion of historic theatres (it initiated the land-marking of all of the Broadway theatres); national, state and local funding for the arts (AEA helped to create the National Endowment for the Arts); and arts lobbying to advance, foster, and benefit all those connected with the art of theatre. A member of the AFL-CIO, AEA is affiliated with the Federated International Artists (FIA), an international organization of performing arts unions. For more information, visit AEA’s website at www.actorsequity.org. Richard Gallagher (David) Credits include Broadway: Harry Potter and the Cursed Child, 1984, The Front Page, The Lyons, The Importance of Being Earnest, Other NY credits include: The Pearl (Major Barbara), WP Theater, Lark Theatre, 59E59 Theaters. Selected regional credits include: Actors Theatre of Louisville (Angels in America parts 1 & 2), McCarter Theatre, Studio Theatre (Tribes), Baltimore Centerstage, Yale Repertory Theatre and The Norman Conquests at Northern Stage, Dorset Theatre Festival (directed by Evan Yionoulis) and Weston Playhouse. Film: Naked Singularity (with John Boyega & Olivia Cooke), El Camino (with Elisabeth Moss). TV: Recurring roles in Orange Is the New Black and Turn: Washington’s Spies. Other television: Blacklist, Quantico, Chicago P.D., Person of Interest, Blue Bloods, Law & Order, As the World Turns, Looking for Kathleen, Wallflowers. MFA, Yale School of Drama. Brian Hastert (Dr. Woodman) Recent stage credits include the New York premier of Tectonic Theatre Project’s Uncommon Sense, Of Good Stock (Manhattan Theatre Company), Mission Drift (The National Theatre, London), A Future Perfect (SpeakEasy, World Premier), The Ragged Claws (Cherry Lane), as well readings/workshops at New Dramatists, The Lark, Manhattan Theatre Club, Ensemble Studio Theatre, Dixon Place, The Working Theatre, The Living Theatre, Terra Nova, and others. TV: Happy!, The Deuce, The Good Wife, Allegiance, Flesh and Bone, I love You… But I Lied, The Vampire Leland (pilot). Film: Walk With Me (upcoming). Radio: Twelve Years (BBC4). Brian is a founding member of The TEAM, a Brooklyn-based theater ensemble under the artistic directorship of Tony award-winning director Rachel Chavkin. With The TEAM, Brian has helped create seven original works and created roles in Particularly in the Heartland and Mission Drift which was recently voted one of the 50 best plays of the 21st century by The Guardian. As an educator, Brian was the founding head of Pace University’s BFA program in Acting for Film, Television, Voice Overs, and Commercials where he oversaw the creation of a new path for training actors and preparing them for a career in a world of digital media. MFA: Yale School of Drama. Similar information with better pictures can be found at brianhastert.com. Deborah Hedwall (Regina) has been acting and teaching in New York for over 30 years. She has created many new roles in original Off Broadway productions; Sight Unseen by Donald Margulies at MTC for which she received an OBIE and Drama Desk Nomination, Savage in Limbo by John Patrick Shanley, Extremities by William Mastrosimone, Amulets Against The Dragon Forces by Paul Zindel at Circle Rep, Blind Date by Horton Foote at Ensemble studio Theater, Fall To Earth, directed by Joe Brancato at 59 East 59, Why We have a Body at The Women’s Project directed by Evan Yionoulis. Regionally she has worked at The Actor’s Theater of Louisville, The Eugene O’Neill Theater Conference, The Arena Stage, The New Play Festival at Sundance, The Long Wharf Theater, Yale Repertory, and Baltimore Center Stage where she appeared in Who’s Afraid of Virginia Woolf directed by Ethan McSweeny. Since then she has worked at the Bay Street Theater in Sag Harbor in Men’s Lives (directed by Harris Yulin), at Barrington Stage in Breaking the Code (directed by Joe Calarco), and at Hartford Stage in Christopher Shinn’s new play An Opening in Time (directed by Oliver Butler). Film and Television credits include Netflix’s Jessica Jones, Homeland, HBO’s Barry Levinson’s You Don’t Know Jack with Al Pacino, The West Wing, Law & Order, The Big C, Delocated, and Vera Farmiga’s Higher Ground, and to be released AFTER YANG directed by Kogonada. For two seasons Deborah played the mother in the Emmy Award winning series I’ll Fly Away. Hedwall has maintained an acting studio in New York for over 25 years. Jonathan Hogan (Bill) On Broadway he appeared in Comedians, Otherwise Engaged, Fifth of July, The Caine Mutiny Court Martial, As Is (Tony and Drama Desk nominations for Best Actor), Burn This, Taking Steps, and The Homecoming. Among the many plays he appeared in as a member of Circle Rep since 1973 were Lanford Wilson’s The Hot l Baltimore, The Mound Builders, and Balm in Gilead (in collaboration with Steppenwolf – Drama Desk Award for Best Ensemble). Other performances Off Broadway include Wilson’s Book of Days, Brian Friel’s Molly Sweeney, London Wall, Samuel D. Hunter’s Pocatello (Drama Desk nomination for Outstanding Featured Actor), Kenneth Lonergan’s Hold Onto Me Darling (Lucille Lortel Award nominee for Outstanding Featured Actor) and Hindle Wakes. Regionally he has performed at the Dorset Theatre Festival, The Berkshire Theatre Festival, Merrimack Repertory, Long Wharf, McCarter, The La Jolla Playhouse, Repertory Co. of St. Louis, George St. Playhouse, and Hartford Stage. Films and TV include In Country, The House On Carroll Street, A Fish In The Bathtub, Revolution #9, several Movies of the Week, L.A. Law, Quantum Leap, all the Law & Orders, House of Cards, The Looming Tower, and Woody Allen’s yet to be released A Rainy Day in New York. Mr. Hogan is a graduate of The Goodman Theatre and School of Drama. Paul David Young’s (Playwright) 2017 Trump satire, Faust 3: The Turd Coming, or The Fart of the Deal, performed by four clowns at Judson Church, was featured in The New York Times, The Huffington Post, New York Magazine, Time Out New York, Village Voice (“Voice Choice”), The Wall Street Journal, and Hyperallergic. Upstage Downstage picked his play Kentucky Cantata, at HERE in New York, as one of the top 13 plays of Off-Broadway and Off-Off- Broadway for 2015. Erik Haagensen of Backstage selected his In the Summer Pavilion in NYCFringe and at 59e59 Theaters as a “Critic’s Pick.” His No One But You won the Kennedy Center’s Paula Vogel Playwriting Award and was a finalist for the Kendeda Fellowship. His one-act Aporia was a finalist for the Kennedy Center’s John Cauble Short Play Award. His translations, with Carl Weber, of Heiner Müller’s Anatomy Titus Fall of Rome and Macbeth were published as Heiner Müller: After Shakespeare. A contributing editor at PAJ (MIT Press), he writes regularly for Hyperallergic. His book newARTtheatre: Evolutions of the Performance Aesthetic, about visual artists appropriating theatre, was issued by PAJ in 2014. He has had residencies at Lower Manhattan Cultural Council’s Workspace, Millay Colony, Djerassi Resident Artists Program, and Ensemble Studio Theatre’s Summer Conference. LMCC awarded him a five- month Process Space residency on Governors Island for 2015, where he conceived and performed Curtain Wall Part 3: An Immersive Landscape Theater Performance of Christopher Marlowe’s Hero and Leander, in which he swam across New York Harbor. www.pauldavidyoung.com Evan Yionoulis (Director) is an award-winning director who has helmed new plays and classics in New York and across the country. She has enjoyed collaborations with major American playwrights, including Adrienne Kennedy (the critically acclaimed productions of He Brought Her Heart Back in a Box, world premiere, and Ohio State Murders, Lortel Award for Best Revival, Theatre for a New Audience) and Richard Greenberg (the premieres and New York productions of The Violet Hour, Biltmore Theatre, Broadway; Everett Beekin, Lincoln Center Theatre; and Three Days of Rain, Manhattan Theatre Club, Obie Award for direction). In her twenty years as a resident director at Yale Repertory Theatre, she directed Richard II, Cymbeline, The Master Builder, George F. Walker’s Heaven, Brecht’s Galileo, Gozzi’s The King Stag (which she adapted with composer Mike Yionoulis and Catherine Sheehy), Caryl Churchill’s Owners, Guillermo Calderon’s Kiss, and numerous other productions.