& 51 1 2 3 4 5 6 7 8 9 10 2 & NAME _________________________________ CHAPTER 1 PRACTICE EXERCISES HW 5 5 && 1Section1 1. For each note on the piano keyboard, specify the note name and octave register. 1 2 3 4 5 6 7 8 9 10 3 w w w 1w1 22 33 44 55 w66 77 88B w 99 1010 B w ? w w & w w w Section1 2. For2 each3 note on4 the staff,5 specify6 the7 note name8 and9 octave10 register.11 12 2 2 w w w w w ? w B w w & 7 & w B w w w w HW 1 2 3 w 4 5 6 7 8w 9 w 10 11 12 w ? w B w 6 & w B w Section 3. Providew two enharmonicallyw equivalentw notes for each given note. 1 2 3 4 5 6 7 8 9 10 11 12 & Example 1 2 4 11 3 bw & w bœ ‹œ w w #w Example 16 1 2 3 4 HW ? #œ bœ ‹w ‹w bw !w w Music Theory for the 21st-Century Classroom, Practice Exercises, p. 1 2 21 D! major scale A major scale ?NAME _________________________________ & CHAPTER 2 PRACTICE EXERCISES E major scale B! major scale 23 Section 1. Using the WWHWWWH pattern, write the specified major scales without using key HWsignatures. ? & 2 21 A major scale 25 CD˜! majormajor scalescale A! major scale ? & ? & Section 2. Given the key signature, specify the major key. EDOuble major bars? scale new clefs? B! major scale 23 27 HW ? &? b b ### # b ## #### # b____b ____ ____ ____b b ____b ____ ____# # 25 C˜ major1 scale 2 3 4 A! major5 scale6 7 34 ? & # ## b b b # ## # # ## b b b b & # b b b b # # # # b b bb b b bb ____ ____ ____ ____ ____ ____ b ____ 27 8 9 10 11 12 13 14 41 & Section 3. Write the major key signature for each key given. Be sure to use the correct order3 for HWsharps ?and flats.b # # # b b # b b b b # # # b b b b b 55 ____b b ____ ____ ____ ____b ____ ____b b 53 1 2 3 4 5 6 7 48 ? 1. A major 2. B! major 3. F˜ major 4. D! major 5. D major & 60 # # # # # # # # # bbbb b # #### b # ## bbb # ### & ____ ____b b ____ ____ ____ ____ ____ 61 & 8 9 10 11 12 13 14 6. C major 7. E major 8. B major 9. F major 10. C major 55 ! ! ˜ & # 65 ## # # & # ? 69 63 69 & # ## # & # # ? 77 74 & Music Theory for the 21st-Century Classroom, Practice Exercises, p. 2 & 79 85 ? & 83 ? 107 ? 2 21 D! major scale A major scale & ? E major scale B! major scale 23 HW & ? 25 C˜ major scale A! major scale 3 55 & ? DOuble? bars? new clefs? 27 1. A major 2. B! major 3. F˜ major 4. D! major 5. D major 60 # # ? bb b ## # bb b ## ## # ## & ____b ____ ____ ____b ____ ____ ____# 6. C! major1 27. E! major3 8. B4 major 5 9. F major6 10. C7˜ major 65 34 NAME _________________________________ ? # # b b # # # # # b b CHAPTER& #3 #PRACTICEb EXERCISESb bbb # ## # ## b bbbb b bbbb ____ ____ ____ ____ ____ ____ b ____ Section 1. Specify8 the minor9 key10 for each key11 signature given.12 13 14 69 41 HWHW ? ? b b b ## #### b b b # b b 1. E! majorb____b b ____2. C˜ major____ 3. G! ____majorb b____4.b D major ____ 5. F majorb____b b 74 1 2 3 4 5 6 7 48 & # # # # 6. B major# b b 7. D! major# # # 8. F˜ major # 9.# A! major b 10. G# major# # 79 # b b b # # # b # # b b # # & ____ ____b b ____ ____ ____ ____ ____ 9 ? 8 10 11 12 13 14 55 11. C! major 12. A major 13. B! major 14. E major # Section 2. Write the minor key signature and specified minor scale in each example. 83# # & # ## ? & 63 B melodic minor scale F harmonic minor scale (include key signature) # # (include key signature) 4 # # # 85 # & Section 3. Write the minor key signature for the given key in each example. HW ? 89 & A! harmonic minor scale C˜ melodic minor scale ? (include key signature) (include key signature) 87 1. D minor 2. F˜ minor 3. F minor 4. D˜ minor 5. A! minor 94 ? && 6. B minorG natural minor scale7. C minor 8. G˜ minor F˜ melodic9. B! minor minor scale10. E minor (include key signature) (include key signature) 9989 Section 4. Specify the key from the scale degree name. HW ? 1. ___ ?minor: Ab is the mediant 2. ___1. minor: F minor Db is the subtonic2. E minor 3. A minor 4. G minor 5. B minor 104 3. ___ major: B is the dominant ˜ ! 4. ___ major: C is the submediant 5. ___ &minor: D# is the subdominant 6. ___6. major: F minor Bb is the leading7. A minor tone 8. B minor 9. G minor 10. A minor 109 7. ___ minor:˜ Db is the supertonic ˜ ! ? 11. E! minor 12. C˜ minor 13. C minor 14. D˜ minor Music Theory for the 21st-Century Classroom, Practice Exercises, p. 3 4 Beethoven, Op. 127, II, mm. 100-102 42 j j . ‰ # # Œ ‹œ œ #œ ˙ œ w bbbb j #œ nnnn # # ˙. œ œ nœ œ œ œ œ œ & œ. œ œ œ.‹œ#œœ J J J J œ œ J œ Œ ‰ œ ‰ Œ J cresc. J J j j j œ bœ . j œ œ j œ j j ? œ œ bœ œ j # # œ œ œ œ œ œ œ j bbbb œ œ nnnn # # #˙. œ œ œ œ œ œ œ œ Œ ‰ ‰ Œ ‰ Œ œ #˙ œ J J J œ J œ œ J J . J 45 NAME _________________________________w # ## # . & # ‰Œ CHAPTER 4 PRACTICE EXERCISES ? ## # ! 46 Section 1. After listening to each example, specify the meter (e.g., “compouBeethoven, Op.nd 57, triple”). I, mm. 78-80 #1: Lin-Manuel Miranda, “First Burn” https://youtu.be/r2ys-AimNbE?t=45 #2: Al Green,˙. # œ“Let’s Stay Together” https://youtu.be/uSu6tcbMOu0 & #˙. œ ‰ Œ ‰ œnœœœœœœœœœœœœ14œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœ 2 #3: Kenny Kirkland# œ , “Dienda” https://youtu.be/ko1gUVP461A?t=65 #4: Trapditional Scottish Gaelicf tune, “Morning Has Broken” https://youtu.be/qH0iFkxQba4?t=9sœ. œ. #5:? Latch˙. featuring Sam Smith, “Disclosure” https://youtu.be/93ASUImTedo?t=2m6s# œ œœ œ ‰ œ œ ! œ #œ. nœ ˙. œ.& nœ œ Section 2. For eachf example, specify the implied time signature and the meter (e.g., “simple duple”). 49 ? # & ! # Beethoven, Op. 110, III, mm. 124-125 rK 14 214 b r Corelli, Op. 5, œNo. 1, mm. 12-15œ œ œ œ. œ œ œ 2 b œ œ " " bœ œ œ " œ œ 15 & œ Jcresc. # w ˙ poco cresc. ˙ œ œ # # # ˙ ˙ ˙ ˙ w Ó ˙ ˙ ˙ w˙ n p & ! # & & ˙ w ˙ ! ˙ w ? b œ œ œ œ œ b œ œœ œœ œœ œœ œœ œœ œ œ œ œ #œ œ œ œ œ œ œ œ ? # ˙b bn˙œœ œœ ˙œœ œ œ œœ n œ ˙œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ # ˙ ˙ ˙ ˙ Ó Ó n ? # 1. Time Signature: ____ ˙ Meter: __________˙ ____________ ! ? # & ! & # Corelli, Op. 5, No. 1, mm. 12-15 19 51 Corelli, Op. 5, No. 1, mm. 12-15 15 Mozart, K. 283, III, mm. 187-190 15 # w ˙ ˙ œ œ # ## w˙ ˙ ˙˙ ˙˙ w Ó ˙ ˙ ˙ ˙ w˙ ˙ œ œ n # œ bb ! j ! &! # !˙ ! ˙ ! ˙! œ!˙˙ !œww ! ! œ! Ó !˙ ˙ ! ˙! ˙! ˙ !w w! ! ! & œ & ‰ œ & œ #œ œ œ œ œ ˙œ ww J œ ˙ ˙ w J ˙ ˙ ˙ ? ### ˙ ˙ ˙ ˙ ˙ ˙˙p Ó ˙ Ó n# œ #œ œ œ nœ # ˙ ˙ ˙ ˙˙ ˙ Ó ˙ Ó ? # œ œ J j j ˙j ˙ œ 2. Time Signature:‰ ‰ ____ Meter:‰ ‰__________& œ œ ____________‰ œ ? b . œ œ œ 19 b R""Œ‰ ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! p Mozart, K. 283, III, mm. 187-190 19 # œ j 23 œ œ œ # & œ ‰ œ œ #œ œ œ œ œ œ J œ & # ! ! J! ! ! ! ! !# n! ! ! ! œ œ œ œ ! b p œ #œ œ nœ & j ? # J ‰ ‰ ‰ ‰ & j ‰ j #? n œ œ œ & ! b ? ## ! 3. !Time Signature:! ! ____ Meter:! __________! ! ____________! ! ! p ! ! Gervaise, "Pavane Passamaize" from Sixième Livre de Danceries, m. 7 23 24 # & b œ œ œ œ œ ˙ ! ˙ ˙ #œ œ œ œ œ œ & # ? œ & ! ? ˙œ œ œ œ œ œ œ œ œ b ˙ œ bœ œ œ 4. Time Signature: ____ Meter: __________ ____________ 24 25 # & ! ! Music! Theory! for the 21st-Century! Classroom! , Practice! Exercises, p. 4 & b ! ! ! ! ! ! ? # ! ! ! ! ! ! ! ? b ! ! ! ! ! ! 4 89 ? 1. D minor 2. F˜ minor 3. F minor 4. D˜ minor 5. A! minor 94 & 6. B minor 7. C minor 8. G˜ minor 9. B! minor 10. E minor 99 HW ? 1. F minor 2. E minor 3. A minor 4. G minor 5. B minor 104 ˜ ! & 109 6. F˜ minor 7. A minor 8. B minor 9. G˜ minor 10. A! minor NAME _________________________________ ? 11. E! minor 12. C˜ minor 13. C minor 14. D˜ minor Section 3. Use one note value (with one or two dots if necessary) to show the sum of all the rhythmic values given. 113 Example = j 115 ˙.. œ œ œ œ œ œ œ 1. = 116 œ œ œ 117 2. = œ œ 3. = 118 œœœœœœ 4. = œ œ œ œ 119 Section 4. Specify the meter of each time signature. a. The meter of 4/2 is: ? b. The meter of 9/16 is: c. The meter of 3/4 is: Section 5. Correct the incorrect rhythmic notation in each example in order to show the beats.11 Incorrect Correct ( ) ( ) Example œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 375 3 œ œ œ œ œ 3 œ œ œ œ œ œ œ ã 4 J.