International Journal of Management Volume 11, Issue 10, October 2020, pp. 1307-1312. Article ID: IJM_11_10_117 Available online at http://iaeme.com/Home/issue/IJM?Volume=11&Issue=10 Journal Impact Factor (2020): 10.1471 (Calculated by GISI) www.jifactor.com ISSN Print: 0976-6502 and ISSN Online: 0976-6510 DOI: 10.34218/IJM.11.10.2020.117 © IAEME Publication Scopus Indexed BHARAT RATNA BHUPEN HAZARIKA'S SONG REFLECTS THE UNITY AND HARMONY OF THE PEOPLES OF NORTH EAST INDIA Smita Das JRF Scholar, Department of Assamese, Dibrugarh University, Assam, India ABSTRACT The northeastern part of India is a united place of different ethnic groups. This place, which is rich in linguistic, socio-cultural aspects, was formerly known as Bor Assam. In Bor Assam, there are more or less people from all ethnic and linguistic backgrounds, from all language families. Therefore, the social and cultural fabric of this part of India is very diverse. Born in the land of Sankara-Ajan- JyotiVishnu, Bhupen Hazarika is a worthy successor to his mature ideals and consciousness. As a result, Hazarika was attracted by the traditions and culture of the people of the North East in such a way that he felt a spiritual connection with the people of different ethnic groups. Therefore, he was associated with the society of each community and through his songs he tried to improve the unity and harmony among these peoples. Bhupen Hazarika has portrayed the language, culture and simple life of the people of different states of the North East in the midst of the song at different times. The purpose of these songs is to create unity in the mountains and valleys for a long time and to spread the message of harmony in the world. However, Bhupen Hazarika's song below sheds some light on how he tried to break the bonds of unity and harmony through the assimilation of different communities. Key words: Bharat Ratna Bhupen Hazarika, Song, Unity and Harmony, People, North East India Cite this Article: Smita Das, Bharat Ratna Bhupen Hazarika's Song Reflects the Unity and Harmony of the Peoples of North East India. International Journal of Management, 11(10), 2020, pp 1307-1312 http://iaeme.com/Home/issue/IJM?Volume=11&Issue=10 1. INTRODUCTION Bhupen Hazarika, a lyricist, composer, vocalist, filmmaker, director, writer and journalist, was a rare genius. He was a true artist of the people, so he tried to strengthen the bonds of unity, humanity and nationalism in all of them through songs. The northeastern part of India is a place full of linguistic and cultural diversity. With full of different ethnic groups like http://iaeme.com/Home/journal/IJM 1307 [email protected] Smita Das Bodo, Miching, Karbi, Rabha, Hindu, Muslims, Khashi, Garo, Mar, Kuki Naga, Galang, Apatani, Misimi, Monpa etc.. Northeast India is a unique place in terms of annual socio- cultural aspects. In his songs, Hazarika sought to make these ethnic groups more universal by combining the cultural traditions of mountains or valleys with the equal representation of these ethnic groups in his songs. In order to keep the society healthy, strong and dynamic, there must be a strong bond of harmony among the various communities living there. Assam and Northeast India are home to many ethnic groups. The unity or harmony of these ethnic groups much depends on the future of the region. In his song, Bhupen Hazarika, a visionary of the future, called for strengthening the bonds of unity among these peoples. His songs have been contributing in strengthening the unity and harmony of the peoples of mountains and valleys. In fact, playing the role of a real sociologist, he planned a society in which race, religion and colour would prevail, for which he wanted to build a bridge of harmony between the mountains and valleys. Therefore, the thoughts and creations of the songs expressing his unity and harmony are important from many angles. 2. OBJECTIVES In this paper it has made an attempt to discuss the reflects the unity and harmony of the peoples of North East India in the song of Bhupen Hazarika. 3. METHODOLOGY The study uses the secondary data which are collected from various sources like articles, books, journal, internet etc. The study uses the analytical and descriptive method. 4. DISCUSSION 4.1. Bodo kacharis The Bodo Kasharis are one of the oldest and largest groups of people in the northeastern part of India. The formation of the largest Assamese nation has the invaluable contribution of the Bodo Kacharis. The unity of Assam and the North East cannot be imagined without these Bodo Kacharis, so Hazarika must have realised. This is why he has tried to strengthen the bonds of harmony by honoring the contributions of the great Bodo Kasharis by mentioning the contributions of all the greats in the various contexts of the song. For example, the origin of the word Bordoisila in the song titled 'Bordoisila ne haru doisila' and the concept of Bordoisila-centered Bodo's folk-lore refers to the contribution of all Bodo to the heritage of the Assamese nation. Through the song, it is claim that without Bodo Kacharis, the history of Assam is incomplete. In addition to this song, 'Rangpur Houk Tumare Naam ',' Agniyugar Firingati 'and many other songs have been written about the contribution of the great Bodo Kacharis and with them he have dreamt a ray of hope. 4.2. Mising's Bhupen Hazarika had a good spiritual relationship with the Mising’s living in different parts of the North East. He has tried to strengthen the line of harmony by giving equal space to all Mising's in the content of the song. The song titled 'Bulu O Mising Dekati ', composed in the sixties, draws on various aspects of Mising’s life like their dressing, eating and including their musical instruments. The lyrics of the last part of the song prove the importance of Mising’s in the development and harmony of Assam- Ajir Panei Nomore Aru Jongkiyu Nekande Ei Jonki-Paneiyor Mising Xomaj http://iaeme.com/Home/journal/IJM 1308 [email protected] Bharat Ratna Bhupen Hazarika's Song Reflects the Unity and Harmony of the Peoples of North East India Nijei Disang Abong Hoi Axomire Bor Luitor Hutti Borhabo Moromore Ei Jugti 4.3. Karbi Bhupen Hazarika in his songs mentions the contribution of Karbi's in the formation of a larger Assamese nation-culture. In the song 'Diphu Hol Tumare Naam' written for the Karbi’s, Chomangkan dance, Karbi's folk-tale Haimu etc. are mentioned and Karbi’s son Semsonsing Ingti, writer Rongbong Terang's contribution is acknowledged and fulfilling the national duty. In addition to this, the song 'Ami Vaiti Vonti' also conveyed the message of harmony. As for Example- O Diphure Vonti Aru Sadiyare Vanity Kokrajhar Ravar Hote Luhitmukhor Konti Imman Xupa Ami Asu Kiman Je Furti Monor Manuhoru Dilot Premor Kheti Hoi 4.4. Arunachal's various tribes The land of rising sun, Arunachal is rich in its ethnic and cultural aspects and the most beautiful place in the country. A state with very diverse community, Arunachal was very close to Bhupen Hazarika. He found a genuine affection in this community- Siyongore Galong Lohitore Khampti Aru Sirapore Wangshue Muk Kiyo Matise? Axomire Poduli Uduli Je Muduli Morom Senehor Haat Bohise.. Apatani Vonitik Dhorilu Xaboti Besrupe Nile Muk Athe Bethe Mati Kole Aji Kiyo Rongore Sokulu Dhorise In fact, this song, written in 1961, reveals the close connection of Assamese with the NEFA's Khamti, Galong, Wangshu, Monpa, Sherdukpen, Apatani, etc. Bhupen Hazarika's goal was to strengthen the love and affection of Bor Assam by tying everyone with a single thread. Therefore, in an effort to make this consciousness public, keeping in view the need for unity and harmony, it has spread to the masses. That’s why he said- Aji Pahare Bhoiyamore Kolija Sinise O Sherdukpen Aru Tangsai Oka Aru Boriye Seneh-Enajorire Kati Barhise The song titled 'Tirap Simanto' composed by Hazarika also shows a humble attempt to strengthen the bond of unity and harmony. Through the song, he expresses costumes, ornaments and lifestyles of various tribes of Arunachal like Nokte, Wangshu, Lusa, Tangsa, etc. which brings us more closely. Xouwa Tirapore Kishore Wangshu - Taar Muthit Junga Jathi Pakmu Dingit Likmoni, Murot Kachang Xoru Fanat Mari Nasise Swang Sutikoi Mithare Abora Kokal Dingi Bhangi Gabhorue Diye Kinu Taal? http://iaeme.com/Home/journal/IJM 1309 [email protected] Smita Das In the midst of this song, what Sri Ram Ata mentions about the long-standing bond of eternal harmony is considered important in terms of the unity and harmony of the mountains and valleys- Ahom Swargadeu Dinote Lun Bandhi Namisil Nokte Tahanir Shri Shri Ram Atae Nokte Nriptik Disile Xoron Kori Noktei Hikhya Naamkoron Nararu Uttom 'Naruttom' Koisil Manu Manuh Hole Ejone Hijone Xabotile Nohoi Jati Kul Bhorsto In the same way, he wrote the message of harmony in another song- Kameng, Siang, Lohit Aru Tirap Subansiri Siro Luit Kusum Rupe Xubhe Himgiri Poncho Phoolor Thupa Xaji Ananda Ucchol Puwar Xuruje Suma Khua Dekh Amar Arunachal 4.5. Different communities of Meghalaya Bhupen Hazarika's song has played a significant role in maintaining the bond of unity and harmony between Meghalaya and Assam. A famous song composed for the unity and harmony of this mountain and valley is- 'Hey hey hey Dhole Dogore'. The theme of the song reflects love of harmony. The song says - The generous clouds of the wet sky of Cherrapunji hugs the Lohit river, like the same way the people of valley of Meghalaya , welcomed the Khasi King( CM).