Always Singing Dale Warland pdf download - $1.00 GP-W001 SATB div. choir, a cappella Dale Warland Always Singing for a cappella SATB div. choir There was such a lot of singing and this was my pleasure, too. The boys all sang in the fields, and at night we all sang. The chapels were full of singing. It was singing, singing all the time. I have had pleasure. I have had singing. - Fred Mitchell from AKENFIELD: PORTRAIT OF AN ENGLISH VILLAGE by Ronald Blythe (paraphrase by the composer) 67'8'9::; Commissioned by the Unity Singers of Unity Church-Unitarian, St. Paul, MN, 4/<'/=#*"=$/'>;?:: Ruth Palmer, director, for performance at the 2009 ACDA National Convention. !"#$%&'()*+)*+ Fred Mitchell (!,-'./)0)&)12'$'3$445""$ Dale Warland (Retired farm-worker from Akenfield, England, age 85, Paraphrase by the composer) rall. a tempo With excitement, ca. 80 sub q = I have had sing- ing, P f F , Soprano # # f , , Alto # # 3 œ & 4 ˙ œ ˙ ˙ œ ˙ ˙œ. ˙ œ œ ˙ ˙ œ œ , ˙ œ ˙ œ ˙ SingFor- ing,perusalsing- ing,purposesI have hadonly.sing Do- ing, not singcopy.- ing. Sing- ing, sing- ing, sub sing-ing.P f F f Tenor œ ˙ , , œ , # ˙ œ ˙ , ˙ œœ ˙ œ˙. ˙˙ ˙ œ Bass ? # # 3 œ œ œ œ ˙ # 4 œ œ ˙ Sing- ing, **sing- ing, I have had sing- ing, Sing- ing, sing- ing, Slightly Slower poco rall. a tempo rall. ( = ca. 72) q 8 f f I have had sing- ing, F There was ƒ , F SA # # ˙ # # œ ˙ œœ ˙ œ œ œ 4 6 j‰ 4 3 & œ ˙ ˙ œ œ 4 ˙ ˙˙ 4 w œ œ 4 œ 4 œ Œ ˙ ˙. ˙ œ˙ , sing- ing, sing- ing, I have had sing- ing,Publishingsing- ing, sing- ing, f ƒ f F P œ ˙ œœ ˙ , ˙ ˙ , TB # œ ˙ œ œ ˙ ˙ ˙ ˙ ˙˙. ˙ ˙ ? ## # œ œ 4 a˙ ˙ 6 Œ ˙ ˙. 4 3 4 4 ˙ 4 ˙ ˙ 4 sing- ing, sing- ing, I have had sing- ing, sing- ing, sing- ing, Warmly ( = ca. 72) rall. q and this was my pleas- ure too, 14 f # , P , ˙ SA ## # 3 4 œ œ œ œ œ ˙ w & 4 œ œ œ For4 perusalœ purposes only.˙ Do not copy.œ œ ˙ œ œ œ œ œ ˙˙. œ ˙. œ œ œ œ. ‰ œ Œ such a lot of sing- ing, sing- ing,. and this was my pleas- ure too, pleas- ure F P f , , œ œ œ œ œ œ œ ˙ TB # œ œ œ œ œ ˙˙. œ œ ˙ œ œ œ œœ œ œ. ˙ œ ? ## # 43 œ œ œ œ 4 œ œ œ ˙. œ œœ. ‰ œ Œ œ œ œ œ œ ˙. such a lot of sing- ing, sing- ing, and this was my pleas- ure too, pleas- ure ** All three-part chords should be equally balanced. @$"5'9$A"$*/ !"#$%&'()*+)*+ 67'8'9::; (rall.) a tempo ( = 72) q sub full sound, very sustained Broadly 20 P f sim. j - - - , SA #### ˙ œ œ ˙ ˙ ˙ ˙ & ‰ œ ˙ ˙ œ ˙. œ ˙ n˙ ˙˙ n˙ ˙ œ œ ˙ ˙ ˙ œ œœ ˙. œ œœ ˙ ˙ too.J The boys all sang in the fields, and at night we all sub P f sim. j - - - œ ˙ ˙ ˙ œ œ , œ œœ ˙ ˙ ˙ ˙ TB ? # # ˙ œ ˙ ˙ ˙ œ œ ˙. ˙ ˙ ˙ ˙ # # ˙ œ‰ œ ˙ ˙ ˙ œ ˙. J ˙ sim. œ ˙. too. The boys- all- sang- in the fields, and at night we all rall. a tempo ( = 72) For perusal purposes only. Do not copy. q sang. Women: in the 26 ƒ background, gently , F U SA # # # # w ˙. 6 œ 4 ˙ ˙ " ! & ˙ , œ œ ˙. 4 ˙œ ˙. 4 ˙. œ œ ˙ ˙ Ó œ ˙. œ ˙. œ ˙. œ ˙ ˙ p œ sang, we- all- sang.- The chap- els were full of sing- ing.u It was f ƒ - - - F U "O , , œ ˙ TB ? # # ˙ œ œ ˙. œ 6 œ œ ˙. œ 4 ˙. œ ˙ ˙ " w # # ˙ œ œ ˙. 4 . œ 4 ˙. œ ˙ ˙ w œ œ ˙. ˙ ˙ enw dehors ("St. Anne") sang, we- all- sang.- The chap- els were full of sing- ing.u "O It was sing-ing, sing- ing all the time. 32 # p Publishing" ,P SA ## # Œ œ œ œ œ œ w w ˙ ! 6 & œ ˙ œ œ œ œ ˙ œ œ ˙ w w S2 ˙ ˙ 4 œ œ J ‰ œ sing-ing, sing- ing all the time. I have had help in ag- es past" God, our P I have had unis. P ˙ ˙ w B1 ˙ ˙ ˙ ˙ ˙ , TB ? # ## ˙ ˙ ˙ ˙ ˙ ˙ !˙ 6 # ˙ ˙ ˙ ˙ ˙ ˙ 4 God,˙ our help in ag- es past"w w , For perusalRefle cpurposestive only. Do not copy. Tempo Primo ( = ca. 80) Slowing rall. q poco sub 37 f U p P , F SA # # !. " 3 œ ˙ " 4 & # # 46 4 ˙ œ ˙ œœ ˙ 4 ˙ ˙ twen. œ œ ˙ ˙ ˙ œ œ ˙ ˙ pleas- ure. I have had sing-ing, sing-ing, I have had sing˙ - ing.˙ poco sub ten. P f U F p œ ˙ , œœ ˙ TB ? # # 6 ˙ w 3 ˙ œ ˙ " 4 ˙ œ œ ˙ ˙ # # 4 ˙ w " 4 œ œ 4 ˙ œ œ ˙ ˙ ˙ twen. ˙ œ œ ˙ ˙ pleas- ure. I have had sing-ing, sing-ing, I have had sing- ing. B Dale Warland Dale Warland, celebrated American musician, has made an indelible impression on the landscape of contemporary choral music both nationally and internationally. During his time with the Dale Warland Singers, he shaped a vocal ensemble known for its exquisite sound, technical finesse, and stylistic range. From that platform, Warland not only mastered the traditional repertoire, but also commissioned over 270 new choral works. Since the closing of the Dale Warland Singers organization Warland has continued to remain active as guest conductor, composer, teacher, and producer of choral programs for public radio. His many honors include the Robert Shaw Award in Choral Music, Honorary Doctorates from the University of Cincinnati, Macalester College, Augustana College and the University of Minnesota; Chorus America’s Michael Korn Founder’s Award, ASCAP’s Victor Herbert Award, the Cultural Leadership Citation Award from Yale University, and the McKnight Distinguished Artist Award. Warland’s compositions and arrangements have been performed and recorded by choruses throughout the country. As editor, he has established choral series with G. Schirmer, Hal Leonard, earthsongs, Colla Voce, and Walton Music. More information about Dale can be found at www.dalewarland.com Other choral works for mixed voices from Graphite Publishing: Paul Ayres GP - A002 So Hallow’d and so Gracious is the Time SATB, piano Paul Ayres GP - A005 Jubilate SATB, organ Abbie Betinis GP - B004 Blessed Be the Lord, My Rock SAB, piano, organ, or a cappella Matthew Culloton GP - C001 Two Carols SATB, a cappella Matthew Culloton GP - C002 Sussex Carol SATB, cello, harp Christine Donkin GP - D019 In Flanders Fields SATB, a cappella Christine Donkin GP - D020 In Paradisum SSAATTBB, a cappella Edward Eicker GP - E001 Ave Maria SATB, a cappella Edward Eicker GP - E002 Our Father SATB, a cappella Frederick Frahm GP - F001 To See God SATB, T (or S) solo, organ Frederick Frahm GP - F003 Never Weather-Beaten Sail SAB choir, piano or organ Christopher Gable GP - G003 December Carol SATB, harp Jocelyn Hagen GP - H001 I Saw Three Ships SSAATTBB, a cappella Jocelyn Hagen GP - H003 I Lift Up My Eyes (Psalm 121) SSATB, a cappella Jocelyn Hagen GP - H004 O Come, O Come Emmanuel SATB, SATB soli, a cappella Scott Robinson GP - R001 Sea Fever SATB, a cappella Scott Robinson GP - ROO3 The Stolen Child SATB, string trio Scott Robinson GP - R004 A Stuff Will Not Endure (cycle) SATB, piano Wayland Rogers GP - R005 Rejoice and Be Joyful SATB, organ Wayland Rogers GP - R006 Rise, Rise, My Soul SATB, organ Wayland Rogers GP - R007 Whatsoever Things are True SATB, organ Paul J. Rudoi GP - R009 What Child is This? SATB (div), a cappella Paul J. Rudoi GP - R010 Amazing Grace SATB (div), SAT soli, a cappella Timothy C. Takach GP - T001 ‘Twas in the Moon of Wintertime SATB, a cappella Timothy C. Takach GP - T002 A Sign of Day to Come SATB, a cappella Timothy C. Takach GP - T010 Neither Angels, Nor Demons, Nor Powers SSATBB, a cappella Dale Warland GP - W001 Always Singing SATB div, a cappella Dale Warland GP - W002 Benedicamus Domino SSATBB, a cappella Graphite Publishing sells digital scores (via pdf documents) at www.graphitepublishing.com. The music published by Graphite includes quality compositions where excellence and accessibility meet: unique yet emotional; challenging yet appealing; innovative and enjoyable to experience. 3714 Sheridan Ave N. Minneapolis, MN 55412.