TABLE OF CONTENT COVER APPROVAL……………………………………………………….………………….i DECLARATION OF OWNERSHIP…………………………………………….....ii ABSTRACT…………………………………………………………………………iii ABSTRAK…………………………………………………...………...…………….iv PREFACE…………………………………………………………………………....v ACKNOWLEDGMENT…………………..………………………………………..vi MOTTO……………………………………………………………………………..vii BIOGRAPHY……………………………………………...………………………viii TABLE OF CONTENT…………………………….………...…………………….ix LIST OF TABLES…………………………………….………...…………………..xi CHAPTER I INTRODUCTION……………………………..……………………..1 1.1 Background………………………………………..…………………..1 1.2 Research Question………………………………….…………………5 1.3 Research Objective…………………………………...……………….6 1.4 Significance of the Study……………………………..……………….6 1.5 Definition of Key Terms…………………………………...………….6 1.6 Organization of the Paper…………………………………..…………7 CHAPTER II THEORETICAL FRAMEWORK…………………………………9 2.1 Pragmatics……………………………………………….…………….9 2.2 Deixis………………………………………….………….………….10 2.2.1 Types of Deixis………………………………………………………13 2.2.1.1 Person Deixis………………………………………..……………….13 2.2.1.2 Spatial Deixis………………………………………..……………….15 2.2.1.3 Temporal Deixis…………………………………….……………….17 2.2.1.4 Discourse Deixis…………………………………….……………….18 2.2.1.5` Social Deixis…………………………………………………………19 2.3 Reference…………………………………………………………….20 2.4. Context………………………………………………...……………..23 CHAPTER III RESEARCH METHODOLOGY…………………...……………25 3.1 Reseach Design…………………………………………...………….25 3.2 Data……………….………………………………………………….25 3.3 Technique of Collecting Data……………………………..…………26 3.4 Technique of Analyzing Data ………….……………….…...………27 CHAPTER IV FINDING AND DISCUSSION………………………...…………30 4.1 Kind of Deixis in Song Lyrics…………………………….…………30 4.1.1 Person Deixis……………………………………………….………..30 4.1.2 Spatial Deixis……………………………………………….………..36 4.1.3 Temporal Deixis……………………………………………………..37 4.1.4 Discourse Deixis……………………………………………………..39 ix 4.1.5 Social Deixis…………………………………………………………41 4.2 Reference of Paramore Brand New Eyes Album…………….………43 4.2.1 Refrence of Song “Careful” …………………………………...…….43 4.2.2 Refrence of Song “Ignorance” ………………………………………45 4.2.3 Refrence of Song “Playing God”…... ………………………….……48 4.2.4 Refrence of Song “Brick by Boring Brick” …………………………50 4.2.5 Refrence of Song “Turn it Off” ………………………………..……53 4.2.6 Refrence of Song “The Only Exception” ……………………...……54 4.2.7 Refrence of Song “Feeling Sorry” …………………………………..57 4.2.8 Refrence of Song “Looking Up” ……………………………………59 4.2.9 Refrence g of Song “Where the Lines Overlap” ……………………61 4.2.10 Refrence of Song “Misguided Ghosts” ………………………….…..62 4.2.11 Refrence of Song “All I Wanted” ………………………………...…64 4.3 The Types of Reference…………………………………………...…66 4.3.1 Exophora…………………………………………………………..…67 4.3.1.1 Exophora of Person Deixis……………………………………….….67 4.3.1.2 Exophora of Spatial Deixis……………………………………….….69 4.3.1.3 Exophora of Temporal Deixis……………………………………….70 4.3.1.4 Exophora of Discourse Deixis…………………………………...…..71 4.3.1.5 Exophora of Social Deixis………………………………………..….72 4.3.2 Endophora………………………………………………………...….74 4.3.2.1 Anaphora………………………………………………………….….74 4.3.2.1.1 Anaphora of Person Deixis………………………………………..…74 4.3.2.1.2 Anaphora of Spatial Deixis………………………………………..…76 4.3.2.1.3 Anaphora of Temporal Deixis…………………………………….…76 4.3.2.1.4 Anaphora of Discourse Deixis…………………………………….…77 4.3.2.1.5 Anaphora of Social Deixis………………………………………...…79 4.3.3 Cataphora………………………………………………………….…79 4.3.3.1 Cataphora of Person Deixis……………………………………….…80 4.3.3.2 Cataphora of Spatial Deixis……………………………………….…80 4.3.3.3 Cataphora of Temporal Deixis…………………………………….…81 4.3.3.4 Cataphora of Discourse Deixis………………………………………82 4.3.3.5 Cataphora of Social Deixis…………………………………….…….83 CHAPTER V CONCLUSIONS AND SUGGESTIONS……………………...….90 5.1 Conclusions……………………………………………………….….90 5.2 Suggestions……………………………………………………….….92 REFERENCES………………………………………………………………….….94 x LIST OF TABLES Table 4.1: Person Deixis in eleven songs Table 4.2: Spatial Deixis in eleven songs Table 4.3: Temporal Deixis in eleven songs Table 4.4: Discourse Deixis in eleven songs Table 4.5: Social Deixis in eleven songs xi .