1 0 0 1 1 1 1 1 0 1 1 1 1 0 1 1 0 0 1 0 0 1 0 1 0 0 1 0 0 0 0 1 1 1 1 SCHOLARLY EDITING IN DIGITAL ADVANCES 1 0 1 0 1 1 0 1 0 0 0 1 1 1 0 1 0 0 1 1 1 1 0 1 1 1 1 1 1 0 1 1 1 0 1 1 1 1 1 1 1 0 0 0 0 1 1 0 1 0 0 0 1 1 1 0 0 1 0 1 0 0 0 1 1 0 1 0 0 1 0 1 1 1 0 1 1 1 1 1 0 1 1 1 1 1 1 0 0 0 0 0 1 0 0 1 0 1 1 1 1 0 0 1 0 0 0 1 1 0 0 0 0 1 0 0 1 1 0 1 1 0 1 1 1 0 0 0ADVANCES1 1 1 0 0 1 1 0 1IN1 DIGITAL0 1 0 1 1 1 1 1 1 1 1 0 0 0 0 1 1 1 0 0 0 1 1 0 1 0 0 1 1 0 1 1 1 0 1 1 0 0 1 1 0 1 1 1 1 1 0 0 1 1 0 1 1 0 1 1 0 1 0 1 1 0 0 0 1 1 0 SCHOLARLY0 0 0 0 0 1 EDITING 0 1 0 1 0 1 0 1 0 0 1 1 1 1 1 1 0 1 1 0 1 1 1 0 1 0 1 1 0 0 1 0 0 1 0 1 1 1 0 0 1 0 1 0 PAPERS As1 the papers in this volume testify, digital scholarly editing is a vibrant 0 0 1 1 1 0 0 0 0 0 1 0 1 0 0 1 1 0 0 1 0 0 1 0 1 1 0 1 1 1 0 0 1 0 0 0 0 1 1 1 1 PRESENTED AT practice. Scholarly editing has1 a long-standing tradition in the humanities. 1 0 0 1 1 0 1 0 1 0 0 0 1 0 0 0 1 1 It is of1 crucial1 0 importance0 0 0 within0 1 disciplines1 1 such0 1as literary1 0 studies,1 1 phi0 -1 0 1 1 1 1 0 THE DIXIT 1 1 0 1 0 0 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 lology,0 1 history,1 1 philosophy,1 1 0 library1 0 and0 information0 0 1 science,0 1 and0 bibliog0 1 -0 0 1 0 0 0 1 0 CONFERENCES 0 1 1 1 0 1 1 1 1 1 1 1 0 0 0 0 1 1 0 1 1 1 1 1 1 raphy.1 0 In0 fact, digital scholarly editing1 represents1 1 one1 of0 the0 longest0 tradi0 -0 1 0 0 1 1 1 0 0 1 1 0 0 1 0 0 0 1 1 1 0 0 1 0 1 0 0 0 1 1 0 1 0 0 1 0 IN THE HAGUE, 0 tions0 in the field of Digital Humanities — and the theories, concepts, and 0 1 1 0 1 0 0 1 1 1 0 1 0 0 1 0 0 1 0 0 1 0 1 0 1 0 0 0 1 1 1 0 1 1 1 1 1 0 1 1 1 1 1 1 0 0 0 0 0 1 0 0 COLOGNE, practices that were designed for editing in a digital environment have in 1 0 1 0 0 1 1 1 0 1 0 0 0 0 0 1 0 0 0 1 0 1 1 1 1 0 1 0 0 1 0 1 1 1 1 0 0 1 0 0 0 1 1 0 0 0 0 1 0 0 1 1 0 1 1 AND ANTWERP turn deeply influenced the development of Digital Humanities as a disci- 1 1 0 0 0 1 1 0 0 1 1 0 1 0 1 1 1 1 1 1 1 1 1 1 0 0 1 1 0 1 0 1 1 0 1 1 1 0 1 0 1 0 0 0 1 1 1 0 1 0 0 1 1 0 1 1 pline. By bringingf together the extended abstracts from three conferences 0 0 0 1 1 1 0 0 0 1 1 1 0 0 1 1 0 1 1 1 0 1 1 0 0 0 0 1 0 1 0 l 0 0 0 0 1 0 1 0 1 0 1 0 1 1 0 0 0 0 1 organised withinu 1 the 0DiXiTb project1 0 (2013-2017), this volume shows how 1 1 0 1 1 0 0 1 0 0 0 0 0 1 1 0 1 1 0 1 1 0 1 0 1 1 0 0 0 1 1 edited by 1 1 1 0 1 1 1 0 0 1 0 1 1 digitali scholarly1 n editing1 isu still developing0 1 1and 0constantly0 p redefining0 0 0 itself.1 0 1 0 0 1 1 1 0 1 1 1 0 1 0 1 1 0 0 1 0 0 1 0 1 0 1 1 0 0PETER1 0BOOT0 0 c 1 0 1 0 0 u 1 1 1 c 1 0 0 1 1 0 0 1 1 1 0 0 1 0 0 0 1 0 1 1 0 0 1 1 0 0 1 0 0 1 0 1 1 0 1 1 ANNA CAPPELLOTTO DiXiT (Digitald Scholarlyi Editing Initial Training) is one of the most in- 0 1 c c 1 0 0 0 0 0 1 1 1 0 1 1 0 0 0 0 0 1 1 1 0 1 1 0 1 1 0 1 0 0 1 1 1 WOUT0 DILLEN1 1 e 0 0 1 1 b 1 0 o 1 0 novative trainingi networksl for a new generation of scholars in the field of 1 0 0 0 0 0 0 1 1 1 1 1 0 1 0 0 0 0 1 0 1 0 0 1 0 0 1 0 0 0 1FRANZ0 0 FISCHERc r l 1 e o 1 1 0 digitaln scholarly editing,1 established by1 ten leading1 0 Europeanl institutions0 d 1 1 1 1 1 1 0 0 1 1 1 1 0 0 1 0 0 0 1 0 0 1 1 AODHÁN KELLY n d 1 0 0 1 1 0 0 1 0 1 1 o o from academia, in close collaboration1 with the private0 sector and culturall c d l i 0 0 1 0 1 0 0 0 1 1 1 0 0 1 0 0 1 0 1 0 1 0 0 1 0 0 ANDREAS MERTGENS s g i i 0 0 1 0 0 1 ANNA-MARIA0 0 SICHANI wheritage institutions, and funded under the EU’s Marie Skłodowska-Curiea 2 1 0 0 1 1 0 1 0 0 0 1 0 1 0 1 1 1 1 0 1 0 0 1 0 1 1 d 0 m e 1 1 s r i o x 1 0 0 0 0 1 ELENA1 SPADINI d Actions. The partners togethern represent a wide variety0 of technologiest and 0 0 1 1 0 0 1 1 0 1 0 f 1 1 0 1 1 1 0 1 0 1 0 0 0 1 1 1 0 1 0 0 DIRK VANi HULLE0 m i t g i 0 1 approachess to European gdigital scholarly editing. h h 0 0 1 1 0 1 l 0 u 1 0 b 1 0 0 0 0 1 0 1 0 1 0 1 0 1 0 0 0 1 x 1 u 1 i i n 1 1 1 1 1 0 1 1 i t t 0 1 1 i 1 n 1 u 0 1 1 0 0 p 0 0 0 1 0 1 0 0 0 o 6 e 0 0 1 i 0 n The extended abstracts of the convention contributions assembled in thisi n e . 0 0 1 0 0 ADVANCESc 1 0 i 1 0 0 u 1 1 1 c 1 0 1 0 n d 0 c volume showcase the multiplicity of subjects dealt with in and aroundn the c r 0 1 0 1 c 0 1 1 1 0 o 1 0 c 1 0 0 t 1 i c g . o 1 e i 0 l b topics of digital editing: from issues of sustainability tog changes in pub- 1 0 0 c r 1 1 1 0 0 l 1 e o d 1 1 1 o c u i 0 n n d l . t lication cultures, from the integrity of research and intellectual rights to a a p 1 0 1 1 o o 1 0 l c d l i 0 0 1 n l t s g i i o mixed methods applied to digital editing — to name only a few. n 0 0 d 0 m w 1 1 a r i o x 2 1 t x i l e e n s f t a 1 1 i 0 m d IN DIGITAL0 t i t g i 0 0 m l e t n s g h h e u g 0 1 x 1 u 1 i t i n t 1 h l l s w 0 0 i 6 e e .