
..– . . . . . .. . . Page of A. H. MacKay’s ledger of phenological observations Judge’s ribbon, Western Counties Divisional Exhibition, 1896 . . .. “Zoological Garden” created and displayed by taxidermist Benjamin Doane, Jr. The . that we couldn’t tell whether the rest of him was there or not. .. .dn’t be . c] over Mr. Doane’s workmanship she said to her husband: “ .” “.” “ I’m so glad. I never saw an owl before; and what is that great ugly looking head ” “.” “” .. “” . . ——. . .. “pointed nose .streaked tail” was described as “a strange animal, ” fter being “brought out for examination … only the most ancient hunters could classify it” as a raccoon, though the . .. . from access to the full range of cultural meanings circulating in one’s society. The . an outsider. To note that “she couldn’t be from Kempt,” . been visiting from “the city.” . .. . ... out the logs at a merry rate. … A rather unique lumbering crew may be seen hauling logs to Ogilvie’s Brook. Peter Hurle. .. . . . . . .. — . .. . .... . . . . . a set of “large scales” at his store, the newspaper correspondent remarking that this was something “new in our valley, and no doubt will be kept in const ” . . ... . positioned an ostensibly sighted newspaper reader in relation to the “rather unique” experiences of Hurley, Streatch, and Shaw, provok of the reader’s own eyesight. . Barrington Passage … is well marked by buoys; and the value of the [ship’s] . . . .. . . . .. — .— . ... . . . . .... . . . ... . . . .. . .. arching “way of seeing” that is part of the . .. concept of “skilled visions,” which she “in the plural, to acknowledge a .. within different kinds of apprenticeship, and are differently embodied.” Studies “stress the importance of local rules and highlight the processes by which .. socially.” “one ‘learns to see’ in cultural ways,” and in ways that are embedded in multi. . . Cristina Grasseni, “Skilled Visions: Toward an Ecology of Visual Inscriptions,” in ..... . Grasseni, “Skilled Visions,” . . . . . . . . . . . .. . .. . . effects, cultural forms, and transformations of what Lynn Thomas has called “the ideological and institutional formations that make up modernity,” in ways that illuminate . . . cultural forms that changed rural Canada in the nineteenth century “were not the .... .. .. “Historians and the Question of ‘Modernity’: Roundtable,” – Lynn M. Thomas, “Modernity’s Failings, Political Claims, and Intermediate Concepts,” . .. . . . Queen’s University Press, 1994 . .. Queen’s . pernicious effects of modernity’s penetration of a traditional countryside but were instead ts of the modern world.” . . . .. . structure) were not sites of “resistance,” but rather sites of . . . . “it might be more productive to others come to be deemed global and universal.” . . . . Queen’. Tina Loo, “High Modernism, Conflict, and the Nature of Change in Canada: A Look at ,” – . . ... . . . . . . .. . .. . Queen’s University Press, 2000); Stephen Hornsby and John G. Queen’s University Press, 2005); Colin D. Howell, . . . . .. . . that Canada had become “urban” by 1921. In fact, it . . . .. . (Toronto: University of Toronto Press, 1995); Sasha Mullally, “Unpacking the Black Bag: Rural 1950” (PhD diss, .. . ... Canada’s Rural Majority: Households, Environments, and Economies, 1870 .
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