Report Vetiver Training Programme Bangkok, Thailand Vetiver Handicraft Training Program at Bangkok

Report Vetiver Training Programme Bangkok, Thailand Vetiver Handicraft Training Program at Bangkok

Report Vetiver Training Programme Bangkok, Thailand Vetiver Handicraft Training Program at Bangkok Attended by : Zehra Tyabji & Rashmi Ranade from WomenWeave, Mumbai, India Trainer : Ms. Petai Duration of Training : 1st May to 11th May 2007 Training Initiated by : Mr. Richard Grimshaw (The Vetiver Network) Ms. Sally Holkar (WomenWeave, India) Training Supported by : The Vetiver Network Training Organised by : Office of the Royal Development Projects Board, Bangkok, Thailand Location of Training : Bureau of Cottage Handicraft Industries Development, Bangkok, Thailand 01 Vetiver Handicraft Training Program at Bangkok Attended by : Zehra Tyabji & Rashmi Ranade from WomenWeave, Mumbai, India Trainer : Ms. Petai Duration of Training : 1st May to 11th May 2007 Training Initiated by : Mr. Richard Grimshaw (The Vetiver Network) Ms. Sally Holkar (WomenWeave, India) Training Supported by : The Vetiver Network Training Organised by : Office of the Royal Development Projects Board, Bangkok, Thailand Location of Training : Bureau of Cottage Handicraft Industries Development, Bangkok, Thailand 01 Observations and Comments on the Training (please see photographs on pages 10-15 for the entire training process) Program for Training Course on Vetiver Handicraft Training Imparted 1. General information on Vetiver leaves At the Bureau of Cottage Handicraft Industries Development, Department of Industrial Promotion, Ministry of Industries, Bangkok 2. Tools and supporting material requirements 3. Vetiver leaf selection and grading 4. Vetiver leaf-sizing and splicing May 1 to 11, 2007 5. Introduction and method of making foam models 6. Basic weaving patterns 1 May 07 10.00 - 10.30 Introduction 7. Weaving of continuous patterns 10.30 - 12.00 General knowledge on Vetiver Grass 8. Converting the weaves into objects 13.00 - 16.00 Knowledge on materials, tools 9. Making three-dimensional animal forms and material preparation 10. Dyeing 2-3 May 07 10.00 - 16.00 Understanding of the solid foam model and solid foam Our training at the Bureau of Cottage Handicraft Industries model-making Development, Bangkok provided us a comprehensive overview of the entire Vetiver Handicraft process. As designers attending 4 May 07 10.00 - 16.00 Basic weaving patterns the training, we came away with a good feel for the Vetiver and handicraft making grass, its potential and limitations. In truth, we felt thatthe training worked as an excellent opportunity for us not only for 5-7 May 07 Weekend and National holiday the learning of a skill, but more importantly to have had exposure as observers, who will now be able to initiate and 8 May 07 10.00 - 16.00 Basic weaving patterns provide direction to some Vetiver craft programmes in our and handicraft making country. 9-11 May 07 10.00 - 12.00 Weaving of continuous patterns 13.00 - 16.00 Decoration and assembling of We had taken with us in advance some design concepts that patterns into an object we thought might work well as Vetiver designs for India. As can be seen from the photographs, we did manage to successfully integrate some of these with our training 02 03 course material. Observations and Comments on the Training (please see photographs on pages 10-15 for the entire training process) Program for Training Course on Vetiver Handicraft Training Imparted 1. General information on Vetiver leaves At the Bureau of Cottage Handicraft Industries Development, Department of Industrial Promotion, Ministry of Industries, Bangkok 2. Tools and supporting material requirements 3. Vetiver leaf selection and grading 4. Vetiver leaf-sizing and splicing May 1 to 11, 2007 5. Introduction and method of making foam models 6. Basic weaving patterns 1 May 07 10.00 - 10.30 Introduction 7. Weaving of continuous patterns 10.30 - 12.00 General knowledge on Vetiver Grass 8. Converting the weaves into objects 13.00 - 16.00 Knowledge on materials, tools 9. Making three-dimensional animal forms and material preparation 10. Dyeing 2-3 May 07 10.00 - 16.00 Understanding of the solid foam model and solid foam Our training at the Bureau of Cottage Handicraft Industries model-making Development, Bangkok provided us a comprehensive overview of the entire Vetiver Handicraft process. As designers attending 4 May 07 10.00 - 16.00 Basic weaving patterns the training, we came away with a good feel for the Vetiver and handicraft making grass, its potential and limitations. In truth, we felt thatthe training worked as an excellent opportunity for us not only for 5-7 May 07 Weekend and National holiday the learning of a skill, but more importantly to have had exposure as observers, who will now be able to initiate and 8 May 07 10.00 - 16.00 Basic weaving patterns provide direction to some Vetiver craft programmes in our and handicraft making country. 9-11 May 07 10.00 - 12.00 Weaving of continuous patterns 13.00 - 16.00 Decoration and assembling of We had taken with us in advance some design concepts that patterns into an object we thought might work well as Vetiver designs for India. As can be seen from the photographs, we did manage to successfully integrate some of these with our training 02 03 course material. Based on the training, we have divided Vetiver Handicraft into to neatly form a continuation at the termination of the previous the following product categories: strand. We learnt how to conclude a weave by turning the 1. Vetiver basket/mat/box weaving strands back neatly into the weave with the help of a darning 2. Vetiver on-loom weaving needle. 3. Non-woven Vetiver products As we learnt to weave in a circular format, we understood Our training dealt primarily with the first and third categories. how important it was to increase the number of Vetiver leaves While we were able to fully grasp the making of non-woven radially in order to increase the diameter of the circular mat. Vetiver products (mainly three dimensional animal forms), The mat, as you will see from the photographs, remains we must admit that we wished the training had extended incomplete, as the constraints of time dictated that we move to an entire month, as this was our first hands-on experience on to the next topic in our training schedule. with basket weaving! It took us a while to grasp the intricacies of the patterns and the rhythms that create the weaves. To make a three dimensional container, we learnt to turn the (We were surrounded by women of 30 years or more four edges from the two dimensional mat by making a change experience!) We felt that perhaps it might have been useful through the creation of a turned border. This was easy, provided to have taken along a video camera, instead of relying upon that one did not run short of the length of leaf. If that a series of step-by-step still shots taken hastily in between happens, it does get difficult. However we did manage to having to remember the sequence of several loosely strewn produce a couple of rather nice looking coasters complete Vetiver leaf strands. Perhaps a video camera is an essential with turned edges and finished corners. One of them even tool (amongst others) to facilitate teaching/learning by inserting a second colour. of basket weaving skills! A peacock (the Indian National bird) was the result of the Our thanks go to our trainer Ms. Petai, who bore out our training in the third category mentioned on the previous page. inexperience with remarkable patience or what seemed like We were lucky to find the right shades of pre-dyed Vetiver patience, as communication was completely by way of gestures, leaves which helped form its rather large back plumage, given our near total lack of the Thai language and likewise, a feature which we later realised led to the bird standing hers of English. completely off balance and looking more like an exotic Bird of Paradise! Incidentally our peacock has survived Another most essential tool for Vetiver Handicraft training in the rigours of being unceremoniously shoved into bursting Thailand is an interpreter. suitcases, on our travel back to India! Eventually we produced four basic patterns in a 6*6 inch sample Dyeing of the Vetiver leaves is an important and exciting format. We learnt how to introduce a fresh strand of Vetiver leaf process, because the correct selection and use of colours in a finished handicraft product cannot be overstressed. 04 05 Based on the training, we have divided Vetiver Handicraft into to neatly form a continuation at the termination of the previous the following product categories: strand. We learnt how to conclude a weave by turning the 1. Vetiver basket/mat/box weaving strands back neatly into the weave with the help of a darning 2. Vetiver on-loom weaving needle. 3. Non-woven Vetiver products As we learnt to weave in a circular format, we understood Our training dealt primarily with the first and third categories. how important it was to increase the number of Vetiver leaves While we were able to fully grasp the making of non-woven radially in order to increase the diameter of the circular mat. Vetiver products (mainly three dimensional animal forms), The mat, as you will see from the photographs, remains we must admit that we wished the training had extended incomplete, as the constraints of time dictated that we move to an entire month, as this was our first hands-on experience on to the next topic in our training schedule. with basket weaving! It took us a while to grasp the intricacies of the patterns and the rhythms that create the weaves. To make a three dimensional container, we learnt to turn the (We were surrounded by women of 30 years or more four edges from the two dimensional mat by making a change experience!) We felt that perhaps it might have been useful through the creation of a turned border.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    22 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us