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Volume 6, Issue 2, February – 2021 International Journal of Innovative Science and Research Technology ISSN No:-2456-2165 An Anthropological Approach to Traditional Martial Art of Angampora Charith Mudalige Dinindu Dewapura Department of Anthropology Department of Anthropology University of Sri Jayewardenepura University of Sri Jayewardenepura Gangodawila, Nugegoda, Sri Lanka. Gangodawila, Nugegoda, Sri Lanka Abstract:- Sri Lanka, as an island with great cultural Historical Evidence Pertaining to Angampora heritage, has its indigenous martial art of Angampora, There are many ideologies with regard to the origin of which has changed with the dynamics of cultural Angampora, and evidence tread 33,000 years back in time. changes. For centuries Angampora was kept obscure and Chronicles and folklore suggest that many ancient kings have confined as the early traditional Angampora masters used this traditional martial art to train their armies. There taught this traditional martial art in secrecy. However, have been a number of kings and queens who applied this today Angampora is popular among the modern martial art in warfare. generation. According what was found in the research, there is a new tendency among the modern generations When King Vijaya arrived to Sri Lanka, Kuveni, who to learn this precious martial art over other foreign was a princess of Sri Lanka, could fight with the army of martial arts. The research was based on the fifty Vijaya with the support of this traditional martial art informants were purposively selected from Piliyanadala (Amalka, 2015). and Kalutara areas. Mainly, data was collected through a questionnaire survey. Furthermore, general Among them King Dutugamunu and his giants had observation, case studies and interview method based on taken the maximum use of this martial art. They used semi- structured interview schedule were occupied in the Angampora techniques in the battles against the Warlord research. Collected data was analysed narrative analysis. Elara, whcih can be proved through the great chronicle of Most of them claimed that they have not met Angam Mahawansa (Mahavansa, 2009). masters they can satisfy about. The results of this survey revealed the importance of conserving this traditional Similarly, Kataragama Mahasen, who belonged to martial art, and therefore suggest the importance to Yakka tribe, is a well-known great Angam warrior. The identify qualified Angam masters in the island. A popular mythological character King Ravana is also a person national policy should be established to fulfill this timely descends from Yakka tribe who was an elite Angam warrior. need, which will contribute to get rid of fake Angam According to historical resources Angampora was introduced masters. Similarly, the quality and status of this to Sri Lanka with the arrival of Mahinda Thero who brought indigenous martial art should be improved. The research Buddhism to the island. There is much evidence to support recommends learning and preserving Angampora as an this idea; for instance a wood carving at Embekka Devalaya intangible cultural heritage for the future generation is a of 14th century AD, depicts Angam fighters engaged in one of national necessity. the main locks in Angam. Moreover, the two ancient scripts named the Varga Purnikawa and Pancha Rakkhawaliya give Keywords:- Culture, Angampora, Martial Art, Intangible, details of this traditional martial art and that it is founded by Generation. nine hermits. I. INTRODUCTION II. METHODOLOGY Sri Lanka is a country which enriched with a great The study was conducted at Piliyandala and Kalutara in intangible cultural heritage and Angampora is one of the Western Province. The study area and sample were selected most fundamental and traditional martial arts within this purposively. 50 informants were selected from two above culture. The martial art of Angampora has changed as a result mentioned areas. Moreover, purposive sample of the study of different kinds of cultural changes. Today Angampora is will sufficiently consist of Angampora artists, Angampora popular among the younger generation, although it had been students, villagers, informative elders, community leaders suppressed for decades. Early traditional Angampora masters and officials. This research thoroughly examined the family taught this traditional martial art in secrecy. However, the backgrounds of the people who expressed their ideas on the modern generations have gained exposure to this art through traditional martial art of Angampora. As a subject field of various sources. This research, which reveals many factors Anthropology, family plays a vital role in learning new pertaining to Angampora that are veiled and kept in things. Similarly, family plays a vital role as a passer of restricted, can be considered as a research which combines cultural elements. both ancient and modern aspects of this martial art. IJISRT21FEB419 www.ijisrt.com 392 Volume 6, Issue 2, February – 2021 International Journal of Innovative Science and Research Technology ISSN No:-2456-2165 Collection of data comes to Dewdath Thero he has practiced Samatha Collected data are categorized into four main meditation profoundly and achieved the state of a magician. categories: written primary data, unwritten primary data, the one who masters Angampora is not merely a fighter but written secondary data and unwritten secondary data. Data also a master in indigenous practices, healing, spiritual deals with the qualitative approach while adopting practices, astrology and the like. Hence, the person who quantitative data. It was obtained written primary data via learnt this naturally becomes a multitalented person. Before reports, information and data Divisional Secretariat Offices someone practices Angampora he or she worships Lord, of relevant areas. General observation, case studies and Buddha and prays for King Ravana. They have two types of interview method based on semi- structured interview worships pertaining to this. First, they worship Lord Buddha schedule were used as unwritten primary data collection and they use a certain style for pray for Ravana. Secondly, methods in this study. Related publications and e- sources they worship their master. were used as secondary data. Worshipping of the sun was done for God “Raa” in Data Analysis Egyptian civilization. It is mentioned that Ravana is God Data analysis was done using mixed methods ‘Raa’ in a Ravana ola leave book (Obesekara, 2012). (qualitative and quantitative). Qualitative data were given the prominent place in the analysis. Analysis was done based They think that they need a spiritual power to engage in on main perspectives such as relationship with Angampora this art this and they invoke the powers of the earth and and personal attitudes. Hence, the analytical method of the universe. Before they start practicing, they light a lamp, study was narrative analysis and its focused experiences which they believe, provides them power to acquire energy. shared by people to answer the research problem. Hence, they do not let it blow out until they finish their practice session. According to other beliefs they can invoke III. RESULTS AND DISCUSSION power from demons like “Mahason”. Then they cannot control their bodies by themselves. They use the assistance of According to many opinions pertaining to Angampora, some other spiritual powers to control it. This martial art is the origin of Angampora is not clear, but also it can be adapted according to different geographical differences of the proved as an indigenous martial art of Sri Lanka based on country; wallows, streams, forest covers and many other different factors. Accordingly, it is clear that Angampora is geographical differences. Therefore, the enemies could not an ancient martial art that originated in Sri Lanka. First understand how to face for these warriors. Sometimes human was born around one million years ago. Emergence of Angampora fighters were waiting for enemies on trees, rocks, martial arts can be considered a result of finding solutions to mountains and other secret places. Similarly, also they problems faced by people in challenging environments. This practiced “Nila Shasthra” using goats. can be identified as a circumstance that contributed to the origin of Angampora. As an indigenous martial art Angam martial artists could recognize the week points Angampora is consists of its own styles. of humans. Similarly, they knew the art of attacking enemies to die within few days (Hettige, 2005). Due to different circumstances everything is rapidly changing in the world. Angampora has also faced that fate. Even today there are many masters who know this On the other hand, it has become popular as a highly method. This Martial art is practiced by both males and disciplined martial art in the world. It is not taught to females, as a way of maintaining their body shapes. Similarly unqualified people who are not disciplined. Similarly, passing this art from one generation to another was very checking the horoscope of the recruits and inspecting their important and therefore they deliberately had to learn this art potential to learn it is also a part of this art. Similarly, the without rejecting or hesitating. This martial art is consisting Angam masters checks the horoscopes of the recruits for their of an identical healing system; any injury when practicing hidden spiritual powers. One of the duties of Angam masters was recovered by touching sensitive points of the body. is developing spiritual potentiality

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