Morton Subotnick, Return

Morton Subotnick, Return

Morton Subotnick Return NA 010 "The music celebrates the universe, creation, life and art . It inspires an indescribable awe for nature and the world . After Return, the night sky was alive, and the earth felt precious, like something that must be preserved'Mark Swed, LOS ANGELES HERALD EXAMINER Morton Subotnick's Return was commissioned to celebrate Morton Subotnick was born in 1933 in Los Angeles, Califor- the 1985-86 return of Halley'sComet. The computer-generated nia and is widely acknowledged as a seminal figure in the field electronic score depicts the comet's passage through time, of electronic music. the first half representing from the beginning of the universe I n 1967 Su botnick was the first composer to be commissioned to 1758, while the second traces the comet from the 18th cen- to write an electronic composition expressly for recording pur- tury through to the future. At the very opening, we hear a low- poses; Silver Apples of the Moon . This now classic work and pitched darkness, a void from which the elements of the The Wild Bull, also an early electronic commission, have been universe begin to emerge. High above, a shimmering, choreographed and performed by leading dancecompanies luminous sound-the comet-streaks across the darkness. throughout the world and remain in permanent repertory. Another dark, louder explosion follows as more of the universe takes shape. Again, the brilliant light of the comet returns, as Subotnick has also written extensively in other capacities, in- it will throughout the work, this time signalling a wildly energetic cluding works for orchestra, chamber and ensemble pieces, dance of destruction and creation . This is the explosive, violent and music for theatre and multi-media events. Most noteable cauldron where the earth forms. among these is a Bicentennial Commission by the six major Ara Guzelimian, from the album notes U .S. orchestras, a "staged tone poem" premiered at the Los Angeles Olympics Arts Festival, and a recent piece composed for the Kronos Quartet and Joan La Barbara . In addition to composing, Subotnick, tours extensively as a lecturer and composer/performer and is currently a member of the faculty at the California Institute of the Arts..

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