The Inventory of the Nat Hentoff Collection #474 Howard Gotlieb Archival Research Center HENTOFF, NAT Gift of 1969 Manuscripts Box 1 1) PEACE AGITATOR: THE STORY OF A.J.MUSTE. New York, Macmillan, 1963. Carbon typescript with holograph corrections, 23 pp.; Holograph, 2 pp. 2) "Profile: John V. Lindsay". The New Yorker, October 7 and October 14, 1967; May 3 and May 10, 1969. a) "Original manuscript". Carbon typescript with holograph corrections, 119 pp. b) "Second draft". Carbon typescript with holograph corrections, 121 pp. Box 2 c) Galleys for articles, 4 sets with Hentoff's holograph corrections. 3) A POLITICAL LIFE: THE EDUCATION OF JOHN V. LINDSAY. New York Knopf, 1969. a) "First draft and additional material". Carbon typescript with holograph corrections, 193 pp.; Holograph, 17 pp. Galleys on Lindsay (May 3 and 10, 1969) with Hentoff's holo­ graph corrections (May 3, page 13 missing; May 10, p. 6 missing); 4 newspaper clippings about New York City government, 1968~1969. Box 3 b) "Author's Original 111a,J1uscript". Photocopy of typescript with many holograph corrections, 156 pp. c) "Manuscript'A'". Typescript with holograph corrections, 59 pp.; Photocopy of typescript with holograph corrections, 20 pp.; Carbon typescript with holograph corrections, 62 pp. d) "Late draft". Carbon typescript with holograph corrections, 146 pp. Largely manuscript of The New Yorker series, May 1969. e) "First draft of last chapter". Carbon typeseript with holograph corrections, 47 pp.; Photocopy of typescript and holograph corrections, 3 pp.; Typescript with holograph corrections, 1 p. page 2 HENTOFF, NAT Gift of 1969 7 newspaper clippings, March 20, 1969. Box 4 f) "Final draft". Carbon typescript with holograph corrections, 424 pp. g) Carbon typescript, 356 pp.; Photocopy of typescript, 1 p. Box 5 4) CALL THE KEEPER. Novel. New York, Viking, 1966. a) "Original manuscript". Titled THE DYING OF THE LIGHT. Typescript with holograph corrections, 130 pp. b) "First draft of first version". Carbon typescript with holograph corrections, 149 pp. c) "First draft entitled CALL THE KEEPER". Typescript with Hentoff's holograph corrections and printer's marks, 149 pp, d) 1 set of galleys. e) Letter: Hentoff to Segal, Dave. 1 CTL, June 12, 1963 about a proposed novel which became CALL THE KEEPER. Box 6 5) ONWARDS. Novel. New York Simon and Schuster, 1968. a) "Working Papers". Carbon typescript with holograph corrections, 235 pp.; Holograph; 6pp. b) "original manuscript". Carbon typescript with holograph corrections, 176 pp. c) "First 2 versions". (Originally titled IS rHERE LIFE BEFORE DEATH?). Carbon typescript with holograph corrections, 168 pp. Box 7 d) Carbon typescript with holograph corrections, 168 pp. e) "Third Version". Typescript with holograph corrections, 162 pp. 11 f) "Fourth Version • Carbon typescript with holograph corrections, 158 pp. page 3 HENTOFF, NAT Gift of 1969 Box 8 6) OUR CHILDREN ARE DYING. New York, Viking, 1966. a) "Original manuscript". Photocopy of typescript with Hentoff's holograph corrections and printer's marks, 225 pp. b) "Final draft" Carbon typescript with holograph corrections, 169 pp. c) "Author's Galley Proofs". 3 sets with holograph corrections. Box 9 7) JAZZ COUNTRY. New York, Harper and Row, 1965. a) "First draft". Typescript with holograph cor2ections, 141 pp. b) "Original manuscript". Typescript with holograph corrections, 171 pp.; Photocopy of typescript, 1 p.; Proof of book jacket. c) "Galley proofs". 1 set with author's holograph corrections. d) Letter': Hentoff, Nat. CTL to Robert Mills (Literary agent), February 28, 1964 about proposed novel (JAZZ COUNTRY). 8) I'M REALLY DRAGGED BUT NOTHING GETS ME DOWN. Novel. New York, Simon and Schuster, 1968. a) "Original manuscript". Carbon typescript with holograph corrections, 135 pp. b) "First draft". Typescript with holograph corrections, 131 pp, with Hentoff's signature on title page. Box 10 c) "Second draft". Typescript with holograph corrections, 135 pp. d) 1 set of galleys with Hentoff's holograph corrections. 9) THE JAZZ LIFE. Novel. New York, Dial Press, 1961 a) "Original manuscript". Typescript with holograph corrections, 312 pp. Box 11 b) 3 sets of galleys with printer's marks. 10) A DOCTOR AMONG THE ADDICTS. Chicago, Rand McNally, 1968. a) "First draft". Carbon typescript with holograph corrections, 170 pp. Box 12 b) "Second draft". Carbon typescript, 159 pp. c) 1 set of galleys. page 4 HENTOFF, NAT Gift of 1969 11) "Eldridge Cleaver". Interview iri Playboy. a) "Working papers". Carbon typescript with holograph corrections, 19 pp.; Holograph, 2 pp.; 2 newspaper clippings about blacks, September 1968. b) Typescript,97pp. c) Carbon typescript with holograph corrections, 90 pp. d) Revised pages. Carbon typescript with holograph corrections, 36 pp. e) Galleys of ELDRIDGE CLEAVER, edited by Robert Scheer, New York, Random House, 1970. Hentoff's interview with Cleaver appears on pages 163-211. Box 13 1 12) , "Joan Baez' • Interview in Playboy, November 1, 1968. a) "Raw Interview". Carbon typescript, 93 pp. b) "Finished Interview". Typescript with holograph corrections, 99 pp. 13) "William Sloane Coffin". Interview in Playboy, August 1968. a) Questions for Interview. Carbon typescript with holograph corrections, 7 pp. b) Complete interview. Typescript, 99 pp. c) Newspaper clippings about draft resisters, New York Times, March 8, 1968. 14) "The Teacher". Short Story. Boy's Life, March 1968. Carbon typescript with holograph corrections, 17 pp. 15) Book review of THE AIRTIGHT CAGE by Joseph Lyford. Carbon typescript with holograph corrections, 12 pp. 16) "The Beatles as Barometers". Typescript with holograph corrections, 9 PP• 17) Record reviews for The Reporter, various issue 1960-1970. Carbon typescript, 70 pp. page 5 HENTOFF, NAT Gift of 1969 18) "Behold, the New Journalism- It's After You". Article in Evergreen Review. Carbon typescript, 9 pp. 19) "Uninventing the Negro". Article about the "Negro Writer's Vision of America". Carbon typescript with holograph corrections, 23 pp. Published in Evergreen, November 1965. 20) "Something's Happening and You Don't Know What it Is, Do You, Mr. Jones?". Article about Rock Music. Carbon typescript with holograph corrections, 10 pp. 21) Book review of DARK GHETTO: DILEMMAS OF SOCIAL POWER by Kenneth Clark. New Yorker, July 31, 1965. 1 set of galleys with author's holograph corrections. 22) "War on Dissent". Article in Playboy, 1 set of galleys with author's holograph corrections. Printed Material (By Nat Hentoff). In chronological order. Box 14 1) "The Major Minors". Article on small record companies. Saturday Review, September 29, 1957. p.67+ 2) "The Growth of Jazz on Long Playing Records. Schwann Catalog, I June 1958, p.9. 3) "Britain's First Lady of Jazz". Article on Marion McPartland. Mayfair, February 1958. p.28+ 4) "The Post-Bop Legitimacy of Modern Jazz". Article in The Reporter, February 6, 1958. p.39+. 5) "Steve Allen's Humour Does Appeal to Britons". TV Times, March 2, 1958. p.13. 6) "Turning Point for a Wunderkind". Article on Leonard Bernstein. Mayfair, March 1958. p.32+. page 6 HENTOFF, NAT Gift of 1969 7) "Reading the Blues". Article on Books about Jazz. The Nation, March 15, 1958. p.240+ 8) "Lost Soloists Along the Concert Trail". The Reporter, April 3, 1958 p. 35+. 9) "Paul Robeson Makes a New Album". The Reporter, April 17, 1958. p. 34. 10) "Ruby Braff: Missing link of Jazz". Esquire, March 1958. p.60+ 11) "Movie Music Comes Into Its Own". The Reporter, June 12, 1958. p.28+ 12) "The Magic Mornings of Captain Kangaroo". The Reporter, October 2, 1958. p.39. 13) "Chats About Poems, Plays and Books"; Esquire, October 1958. pp. 6 and 20. Tearsheets. 14) Book review of THE HORN by John Clellon Holmes, New York, Random, 1958. The Nation, November 15, 1958. p.366. 15) "The Lost Elders of Jazz". The Reporter, December 11, 1958. p. 39+ 16) "A Gypsy's Guitar". Article on Carlos Montoya. The_ Re.potter, January 8, 1959. p.44+ 17) "He Knows Why I'm Crying". Article on Jewish music in America·,' The Reporter, February 5, 1959. 18) "Profile: Gerry Mulligan". Part L The New Yorker, March 21, 1959. P• 51+. 19) "Profile: Gerry Mulligan". Part II. The New Yorker, March 28, 1959. p. 39+. 20) "The Strange Case of the Missing Musicians". Reprint from The·Repotter, May 28, 1959. 21) "The Strange Case of the Missing Musicians''. The Repo:t~er, May 28, 1959. p. 25+ page 7 HENTOFF, NAT Gift of 1969 22) "Race Prejudice in Jazz: It Works both Ways". Harper's, June 1959. p. 72+ 23) "Jazz- In or Out of the Kitchen?". Chicago Review, Autumn 1959. p. 121+. 24) "Miles Davis Now Recording". Hi Fi/Stereo Review, February 1960. p.52+. 25) "Jazz Without Tears". The Reporter, March 31, 1960. p. 40+. 26) "The Endless Connection". The Reporter, April 14, 1960. p. 47+. Box 15 2 7) "Record Notes". Review of several records. The Reporter,_ April 28, 1960. p. 42+ 2 copies. 28) "A Peaceful Army: Negroes on the March". The Comiilonwealth, June 10, 1960 p. 275+ 29) "Record Notes". Review of several records; The Rep()rter, July 7, 1960. p. 52+ 30) "Quackery on the Keys". The Reporter, September 15, 1960. p. 45+. 31) "Record Notes". The Reporter, September 29, 1960. p. 50. 2 copies. 32) "The King Meets the Dukes". Article about Louis Armstrong. Hi Fi/Stereo Review, November 1960. p. 57+. 33) "Jazz's 1:hird Stream". Article on Jazz-classical music. Metronome, January 1961. p. 9+ 34) "The Man They Sing To". Article on Alan Lomax. · The Reporter, February 2, 1961. p. 52+. 35) "Ornette Coleman: Biggest Noise in Jazz"; Esquire, March 1961. p. 82+. 36) "Jazz and Jim Crow". the Commonweal, March 24, 1961. 37) Book review of THE BLACK MUSLIMS IN AMERICA by C. ERic Lincoln. The Reporter, April 27, 1961. p. 52+. 38) "John Lewis".