TS Ae May-June 1966 GREE alate ASE. ei: ie 3 AE Kt oS: :id POSE 'A i : pee a eked Pe TER THE SEGOVIA MASTER CLASS OF 1966 re Te SOUVENIR ISSUE: EXCLUSIVE IN GUITARRA ea AE rat Ft AE eet WR SE ek HE re EE ra Guitar at The North Caro- SOUVENIR ALBUM lina School of The Arts. Class Procedure: Segovia The Segovia received a standing courtesy as he entered the class each Master Class day. Students were called to of 1966 perform in a rotating system each performing 2 numbers each time. The average stu- dent was called 7 times. Most students played different pieces each time. Segovia would offer advice and instruction during or aft- er each number. Maestro Segovia was the perfect teacher. He displayed patience when saints would have been profane. His teach- ing encompassed interpreta Segovia and Jesus Silva tion and fingerings. AESTRO SEGOVIA Segovia's Criticism was kind enough to Segovia’s main criticism invite GUITARRA was that some students were Magazine editor James Sher- playing difficult. pieces of ry to writeup, record and music “beyond the circle of photograph his 1966 Master their technique.” This quote Class at the North Carolina should be embedded in the School of The Arts at Win- minds of every guitar teach- ston-Salem, North Carolina. er and student, the meaning The class covered a 2 is priceless. week period from April 12 Most of the class displayed through the 23. The class great talent and some will time was 3 hours per day definitely be the concert art- from 2 pam. to 5 p.m. ists of tomorrow. Auditions Segovia’s wit combined All performers were au- with his wisdom made the ditioned from tape recordings entire 2 weeks a memorable by Jesus Silva Professor of and fascinating experience. 3 THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer: David Arnold from Arlington, Va. with Andres Segovia iE i Performer: Kenneth Biel from Milwaukee, Wis. with Andres Segovia THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer: Javier Calderon from La Paz, Bolivia with Andres Segovia Performer: Fred Draper from Milwaukee, Wis. with Andres Segovia THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer: Carol Van Feggelen from Toronto, Canada with Andres Segovia Performer: Regis Ferruzza from Washington, D. C. with Andres Segovia THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer: Robert Guthrie from Bryan, Texas, with Andres Segovia Performer: Lisa Hurlong from Arden, Del. with Andres Segovia THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer: Lawrence Johnson from New York, N. Y. with Andres Segovia Performer: Michael Lorimer from Berkley, Calif. with Andres Segovia 10 THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer: John Marlow from Vienna, Va. with Andres Segovia Performer: Jeffery Meyerriecks from New York, N. Y with Andres Segovia il THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer: Aldo Minella from Milan, Italy with Andres Segovia Performer: Christopher Parkening from Los Angeles, Calif. with Andres Segovia i2 THE SEGOVIA CLASS OF 1986 SOUVENIR ALBUM Performer: Richard Phillips from Baltimore, Md. with Andres Segovia Performer: Martin Polacsek from Toronto, Canada with Andres Segovia 43 THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Performer; Ray Reussner from Mission, Kansas with Andres Segovia Performer: Michael Riskin from San Francisco, Calif, with Andres Segovia 14 THE SEGOVIA CLASS OF 1966 SOUVENIR ALBUM Auditor Clark Mitchell, performers Fred Draper and Aldo Minella and auditor Fred Nance Auditor Joe Fava, performers Dante Brenna, Aldo Mineila, Guillerno Fierens, auditor Ben Creech, performer Robert Guthrie and auditor Darryl Saffer 18 THE SEGOVIA CLASS OF 1986 SOUVENIR ALBUM On. behalf of the entire class James Sherry and Clark Mitchell present Andres Segovia and Mrs. Segovia with gifts as tokens of their appreciation Farewell photo: Jesus Silva, James Sherry, Mrs, Segovia. Maestro Segovia and Mrs. Silva 1g ANDRES SEGOVIA MASTER CLASS OF 1966 PPAR STUDENT AUDITORS PPPOE George Allan, Bethlehem, Pa. G._David Mende, weorge baer, Rye, N. Y. Plymouth, Mich. Marian Baer, Rye, N. Y. John Mitchell, ‘an Baily, Uhévy Chase, Md. Greensboro, N. C. ‘Robert Beck, J. Clarke Mitchell, Winston-Salem, N. C. Greensboro, N. C. James Bertram, Al Morgan, Washington, D. C_ Chattanooga, Tenn. Mary Brett, Westport, Conn. Mrs. Al Morgan, Viadimir Bobri, Chattanooga, Tenn, New_York, N. Y. Fred Nance, Charlotte, N. C. Loyd Brown, Charlotte, N. C. Mrs. Fred Nance, Greensboro, N. C. Charlotte, N.C. Julia Bynum, James Norris, Chicago, Ill. Barbara Coleman, Sophocles Papas, Toronto, Canada Washington, D. C. Ben Creech, Dearborn, Mich. Tom Ralston, Toronto, Canada EdwinGreensboro, Davis, N. C. George Reiser, Joe Fava, Oak Park, Mich. Brookline, Mass. ‘Terrence’ Flaherty, Darryl Saffer, Dallas, Texas Marblehead, Mass. James Sherry, Chicago, Il. Silva Fletche: Guy B. Simeone, oadway, Mass. Amarillo, Texas Mrs. Guy B. Simeone, Barbara‘Lincolnton, Ford, N. CG. Roadway, Mass. Herman Smith, Mrs.‘Winston-Salem, Robert Guthrie, N.C. Greensboro, Clarke Steabner, Willie Grant, Ottawa, Canada MarkGreensboro, Hanson, N. C. Charles Stein, ‘Winston-Salem, N, C. Chattanooga, Tenn. Paul Hefferman, Patrick Sullivan, Glenn Dale, Md. Greensboro, N. C. Ralph Thompso: Alice Holbrook, Greensboro ,N.'C. Ridgefielé, Conn. ©._A. Turner, Alfredo Infante, Jacksonville, Fla. fii‘Washington, Kassner, D, C. H._Burton Whiteside, ‘Willowdale, Canada ‘Burgaw, N.C. Ronald Kritter, HP. Whiteside, Milwaukee, Wis. Burgaw, N. C. Mrs. H. P. Whiteside, PriscillaKenenth Laws, Carlisle,Carlisle, Pa. Burgaw, N. C. Walter Lister, John Williams, Duntroon, Canada ‘Winston-Salem, N. C. Helen Lurie, New York, N. Y. Sarah Williams, Carole Marlow, Vienna, Va. Southern Pines, N. C. John‘Washington, McCarthy, D. C. 2 THE SEGOVIA CLASS OF He gave the answer to our 1966 SOUVENIR ALBUM silent question: “I ’m not 3 rry I'm old for I have seen ~ dreams come true — — are 600,000. classic eilarists: Before I pee a concert fe ig them ate John mis, Alirio Diaz, Oscar espect for the guitar and its music. Before him stood } dents and audience al him an unpa: stood an old mi over countless” years: nee Segovia _ sign is of 2 autographs. ‘mmemor- How could all of usv repay able perhaps historical even- him. ing. 23 THE GUITAR IN THE ARTS Beeecnes by Vidal Benito Revuelta A Spanish student of the guitar of yesteryear (Continued from March-April issue) “Sainz de la Maza, a sin- one of the most interesting gular figure in our musical artists of Spanish youth, in- life, a musician and huma- teresting because of his life nist, historian of the vihuela and because of his art. He and the guitar critic, com- 1s, like Llobet and Segovia, poser and accademician”, a knight errant who with his triumphed at a very early guitar over his shoulder age in Granada, in the Gra- traverses land after land, nada of Garcia Lorca, on the drinking in the countries and twenty seventh of May, 1920. leaving the places through Gorcia Lorc which he passes full of an- Of the musician Sainz de la cient melancholy music. Re- Maza, the poet Garcia Lorca gino Sainz de la Maza is, tells ‘us this: “On Thursday above all, a man full of un- the 20th there was presented easiness, and he is also a before the public of Granada melancholy man, Melancholy 25 MUSICIANS OF CANTIGAS (THIRTEENTH CENTURY) like all who want to fly and from the old arches where realize that they are wear- covered with cobwebs they jing iron shoes: melancholy slept perhaps the sleep of the like he who goes full of illu- forgotten, the Spanish vih- ‘sion to the grotto of a witch uela players of the sixteenth and finds it decorated with century, and this is what we English furniture: Melan- owe with sincere gratitude to choly like all we who cannot Sainz de la Maza. This great shine with the — splendid artist of the guitar has known wings which God has atta~ how to put at the side of ched to our shoulders. The those whose patiently set ideal for Sainz de la Maza about discovering and un- is to walk, to see new things, covering the ancient Spanish to change horizons; this is music. It is one double task why he feels so much admi- of the artist and the patriot. ration for Frank Wedekind, These admirable Spanish mu- that marvellous wanderer sicians of the sixteenth cen- who wanted to know how tury, who saw the birth of the globe is made. This same the fugue and the canon, and beal of searching for life, who opened the path which of enjoying new flowers and Bach and Mozart were ‘to strange flowers jin one’s path» cross, have awoken in their is carried in art to remove dusty tombs thanks to this 26 MUSICIANS OF CANTIGAS (THIRTEENTH CENTURY) valient and passionate young has in his keeping further man who makes us look at personal works of composi- these ancient flowers through tion. Studies, Preludes, Solea, a nervous and vibrating tem- Cantilena, Boceto andaluz, perament. The Melancholy and Castilian songs, amongst and happiness of a Luis de others, “born of that marvel- Narveaz and Mudarra, and lous world of music in con- the hidden sadness of that tact with the guitar, which delicate artist Luis de Milan, has been and is for Regino are heard once more in the Sainz de la Maza the irre- Spanish twentieth century placeable instrument”. He thanks to this eminent guitar- himself tells us that the ist, who has searched with guitar “became my guide and affection for the yellowing was my lazarillo through the parchments and has allowed infinite wood of music, and the greatest emotion to run on penetrating a glorious past through those six lyrical I could percieve and verify viens which the most diffi- in a direct way the important cult instrument possesses.” which the guitar assumes in The man from Burgos, that vast area of the instru- Sainz de la Maza, like the mental music.” Catalan Llobet and like other To be continued in July- great concert players, also August issue of Guitarra) af BE BOeeCe Laurindo Almeida in Chicago's Orchestra Hall BEEEEOOOOe Vincenzo Scarlatti Laurindo Almeida N MARCH 19, the Variations On A Theme by Brazilian guitarist Mozart; Prelude No.