Intelligent Multimedia Danièle Bourcier, Melanie Dulong de Rosnay, Pompeu Casanovas, Maracke Catharina To cite this version: Danièle Bourcier, Melanie Dulong de Rosnay, Pompeu Casanovas, Maracke Catharina. Intelligent Multimedia. Danièle Bourcier, Pompeu Casanovas, Mélanie Dulong de Rosnay, Catharina Maracke. European Press Academic Publishing, pp.412, 2010, Series in Legal Information and Communication Technologies. halshs-00671623 HAL Id: halshs-00671623 https://halshs.archives-ouvertes.fr/halshs-00671623 Submitted on 17 Feb 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Series in Legal Information and Communication Technologies Volume 8 IntelligentMultimedia.tex; 28/05/2010; 20:00; p.1 Volume Editors’ Biographies Daniele Bourcier, doctorate in Public Law, is director of research at the Centre National de la Recherche Scientifique, CERSA, Paris. She is associ- ated professor at the University of Paris 1 in eGovernment. Scientific lead of CC France, she works on Commons Governance and Regulation. She wrote 16 books (collective or not) and many papers in the field of IT, Cognition and Law. She is an appointed member of the Comite d’Éthique des Sciences (CNRS). Pompeu Casanovas, director of the UAB Institute of Law and Technol- ogy (http://idt.uab.cat) and professor of Philosophy of Law at the Universitat Autònoma de Barcelona. He has an extended PI experience in several inter- national and national research projects on legal ontologies, sociolegal studies, and the Semantic Web. He is the author of many books and scientific papers. He is general editor of La Razón Aurea (Ed. Comares, Granada), IDT Series (Ed. Huygens, Barcelona) and, with Giovanni Sartor, of Law, Governance and Technology (Springer, Berlin, Heidelberg), and EPAP Series in Legal Information and Communication Technologies (Florence). Melanie Dulong de Rosnay is a researcher in law and information science. She is the publications manager of Communia, the European network on the digital public domain coordinated by Politecnico di Torino. Member of the Creative Commons Netherlands team at the Institute for Information Law of the University of Amsterdam in 2009-2010, she was a fellow at the Berkman Center for Internet & Society at Harvard Law School and at Science Com- mons in 2007-2008. She co-founded Creative Commons France at CERSA of University Paris 2 in 2003. Catharina Maracke is a German qualified lawyer and Associate Professor at the Graduate School for Media and Governance, Shonan Fujisawa Campus, Keio University. She graduated from the University of Kiel and the Ham- burg Court of Appeal, Germany, with the first and second state examination. While studying she obtained a scholarship from the Max-Planck-Institute for Foreign and International Patent, Copyright and Competition Law in Mu- nich to write her PhD thesis on the History of the German Copyright Act of 1965. As international Director at Creative Commons she has overseen the international licensing projects for more than 3 years. IntelligentMultimedia.tex; 28/05/2010; 20:00; p.2 INTELLIGENT MULTIMEDIA Managing Creative Works in a Digital World Edited by Danièle Bourcier, Pompeu Casanovas, Mélanie Dulong de Rosnay, Catharina Maracke EUROPEAN PRESS ACADEMIC PUBLISHING IntelligentMultimedia.tex; 28/05/2010; 20:00; p.3 Book cover photo: Leonardo da Vinci, Manuscript B, f. 3r (reproduction, 1990) Some rights reserved. The articles of this book are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported license available at http://creativecommons.org/licenses/by-nc-sa/3.0/ ISBN 978-88-8398-063-3 Copyright c 2010 by European Press Academic Publishing Florence, Italy www.e-p-a-p.com www.europeanpress.eu Printed in Italy IntelligentMultimedia.tex; 28/05/2010; 20:00; p.4 Contents Foreword (by the editors): Intelligent Multimedia: Research Projects and Related Workshops 7 Introduction: Intelligent Multimedia, Creative Commons and Web 3.0 Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay, Catharina Maracke 9 SECTION I CREATIVE COMMONS AND DIGITAL RIGHTS: A NEW KIND OF GOVERNANCE Commons Digital Works: Thinking Governance Danièle Bourcier 23 From Free Culture to Open Data: Technical Requirements for Access and Authorship Melanie Dulong de Rosnay 47 Creative Commons International. The International License Porting Project – Origins, Experiences, and Challenges Catharina Maracke 67 Open Sourcing Regulation: The Development of the Creative Com- mons Licences as a Form of Commons Based Peer Production Prodomos Tsiavos, Edgar Whitley 89 Is a Tech Commons possible? Enabling a Commons of Technological Register Rights Content Suitable for Open Innovation John Hendrik Weitzmann 115 Open Licensing’s Impact on Higher Education Resources: Colombian and Catalan Approaches Carolina Botero, Ignasi Labastida 131 The Use of Creative Commons Licensing to Enable Open Access to Public Sector Information and Publicly Funded Research Results. An Overview of Recent Australian Developments Anne Fitzgerald, Neale Hooper, Brian Fitzgerald 151 Legal Commons and Social Commons. Creativity and Innovation in the Global Peripheries Ronaldo Lemos 175 Collecting Societies and Creative Commons Licensing Herkko Hietanen 199 IntelligentMultimedia.tex; 28/05/2010; 20:00; p.5 The SeLiLi Project: Free Advice on Free Licenses Juan Carlos De Martin, Andrea Glorioso 223 SECTION II MULTIMEDIA AND LAW:MANAGING DIGITAL CONTENTS Virtual Culture and the Public Space (Position Paper) Victòria Camps 241 Regulation and Co-Regulation in the Public Space 2.0 (Position Paper) Joan Barata 253 A Catalan Code of Best Practices for the Audiovisual Sector Emma Teodoro, Núria Galera, Jorge González-Conejero, Pompeu Casanovas 261 Privacy-Preserving Digital Rights Management Antoni Roig 277 Enhancing Electronic Contracts with Semantics. The Case of Multime- dia Content Distribution Víctor Rodríguez Doncel, Jaime Delgado 289 Natural Language Oriented Engineering of a Copyright Ontology for Controlled Natural Language Presentation Roberto García, Rosa Gil 305 LiquidPublications and Its Technical and Legal Challenges Nardine Osman, Carles Sierra, Jordi Sabater-Mir, Joseph R. Wake- ling, Judith Simon, Gloria Origgi, Roberto Casati 321 Intelligent Multimedia Content Retrieval in Parliaments Elena Sánchez-Nielsen, Francisco Chávez-Gutiérrez 337 The Ontomedia Project: ODR, Relational Justice, Multimedia Marta Poblet, Pompeu Casanovas, José Manuel López-Cobo, Ál- varo Cabrerizo, Juan Antonio Prieto 349 Emotional Speech Analysis in the Mediation and Court Environments Ciro Gracia, Xavier Binefa, Marta Poblet 365 Diarization for the Annotation of Legal Videos Ciro Gracia, Xavier Binefa, Emma Teodoro, Núria Galera. 379 Legal Multimedia. Management and Semantic Annotation for Improved Search and Retrieval Jorge González-Conejero, Emma Teodoro, Núria Galera 395 Author Index 409 IntelligentMultimedia.tex; 28/05/2010; 20:00; p.6 Foreword: Intelligent Multimedia This volume stems from the encounter between two communities: Creative Commons (CC) and Artificial Intelligence and Law, especially those people devoted to the development of Multimedia Technology. The Institute of Law and Technology (IDT-Universitat Autònoma de Barcelona) and the CC French chapter (CERSA-Université de Paris 2), together with leads from other CC jurisdictions, are united in one common effort to discuss CC values, technology and innovative solutions. We think that authors contributing to this volume share the following trends: 1. Commons-oriented management: Humans are able to organize collective action on a much larger scale than predicted by theories of individualistic rationality. Intelligent multimedia means that collaborative work on access and reuse is more efficient for building a common good of digital texts and images. 2. Open Access: Technologies develop and promote interoperability standards when building ontologies, interfaces, documents, platforms, and in the reuse of software and tools to facilitate the efficient dissemination of content. The Open Access Initiative (Declaration of Budapest, 2001) has its roots in the open access and institutional repository movements. Universal access to information and knowledge is a key principle in UNESCO's overall mandate to promote the free flow of information and thus to place information and knowledge through multimedia platforms at the doorsteps of communities. 3. Free Culture and public data: This movement states that all citizens are free to participate in the transmission and evolution of knowledge and culture, without setting artificial boundaries on who can participate or how to. The Free Culture movement seeks to develop knowledge, creativity and participation by promoting principles such as public domain, communication and free expression or citizens' civil liberties, and offer technological means to practice and develop their liberties. 4. A common interest in multimedia creation, imaging and management: Accessibility means flexibility and the possibility of an easier and more effective readability and use of the shared