World Congress on Innovations and Research in Arts, Culture, Literature, Languages, Philosophy and Spirituality The Unsung Warriors: A Comparative Study of Kavita Kane’s Karna’s Wife and Sita’s Sister Yashvi Manglik Research Scholar, Department of English Studies Dayalbagh Educational Institute, Agra E-mail: [email protected] Abstract—Revisionism can be defined as the retelling of originally evidence and critical theories and approaches. Literary and conventionally time-honored myths and dictums. Literary revisionism, as Harold Bloom (1997) conceives of it, is a form revisionism, as Harold Bloom (1997) conceives of it, is a form of of intellectual revisionism which can be perceived in a variety intellectual revisionism which can be perceived in a variety of of fields, e.g. religion, poetics, history, political theory. genres, e.g. religion, poetics, history, political theory. Myths are considered as the legitimate records concurring to which a society 2. NEED OF REVISIONISM. should function. So myths have been revised by many Indian authors because they have formulated a certain set of mind according to The myths have formulated a certain set of mind according to which women are expected to behave. Women in Indian mythology have been depicted as a meek voiceless object who were only given which women are expected to behave. Myths are considered birth to succumb to the conventional social order. Ramayana and as the legitimate records concurring to which a society should Mahabharata are the great epics written by Valmiki and Vyasa function. According to Roland Barthes in Mythologies, the respectively. They have projected women as a voiceless creature who term myth suggests something which is false and illusionary. can be bought or sold through the institution of marriage. So the Myths represents the fabricated demonstration harboring on female re-interpretation is required to unravel the phallocentric invalid beliefs which are accepted as “natural” and authentic nature of myths and challenge their androcentric nature. in the society. Barthes suggests that myths are nothing but perceived reality and they mark the strict line in accordance to The proposed research paper attempts to make a comparative study which people should behave. Adrienne Rich in her poem The of Kavita Kane’s Karna’s Wife and Sita’s Sister. The comparative study will project that both the epics are written on the same tangent Strange criticizes the trivial mindset of mythmakers and says as far as treatment of woman is taken into consideration. It aims to “I am the living mind you fail to describe/In your dead project that how two different women of two different epics have language”. suffered the same fate. Indian mythology have always been male Women in Indian mythology have been given very low focused and have glorified Ram, Laxman, Arjuna, Krishna and many more. Women like Sita, Urmila, Vrushali, Mandodari, Gandhari, stature. They have been depicted as a meek voiceless object Kunti existed only on periphery of the grand narrative of the epics. who wereonly given birth to succumb to the conventional The aim of the paper is to show that both the epics are male-oriented social order. Womenwere compelled to yield first as an and have marginalized characters like Urmila and Uruvi. It also obedient daughter, then as a dutiful wife and in the end as a shows that revision of Kane hasrevived the epicsand the feminine sacrificing mother. Her sole aim was to take care of family oriented study has bestowed contemporaneity to the epics. and to give birth to her husband’s children. She lived in a world where she was always burdened with expectations and 1. INTRODUCTION had no permission to harbor any aspirations. Ramayana and Mahabharata are the great epics written by Valmiki and Re-vision –the act of looking back, of seeing with fresh eyes, Vyasa respectively. They have projected women as a voiceless of entering an old text from a new critical direction is for creature who can be bought or sold through the institution of women more than a chapter in cultural history. It is an act of marriage. So the female re-interpretation is required to unravel survival. -Adrienne Rich. the phallocentric nature of myths and challenge their Revisionism can be defined as the retelling of originally and androcentric nature. conventionally time-honored myths and dictums. Revisionism 2.1 Indian Mythological Revisionism. per se denotes any effort made to rectify fallacious interpretations of history; it signifies the revising of our ‘Mythological Revisionism’ aims to emancipate women from conceptions of historical events in the light of new factual shackles of patriarchy-oriented myths and epics. It also aims at The Unsung Warriors: A Comparative Study of Kavita Kane’s Karna’s Wife and Sita’s Sister 31 expansion of contemporaneity of the epics. Indian mythology she was devoid of the marital bliss and was side-lined by her have been subjected to revisionism by many Indian authors. own husband. The novel is a journey of Urmila which projects The authors present their perspective of character by taking her emotional upheaval and unflinching strength. protagonist as mouthpiece. Many Indian authors are revitalizing myths by re-telling them. Anusha Parthasarathy in 4. KARNA’S WIFE: THE OUTCAST’S QUEEN: THE an article of The Hindu titled “Myths for Mordern Times” VOYAGE OF AN OBSCURE WARRIOR. states that the definition of myth has been reworked by many writers. She says in the article that for Amish Tripathi, “the Karna’s Wife: The Outcast’s Queen (2013), in the words of very word mythology which is derived from the Greek term Ashwin Sanghi is “A terrific blend of mythology and ‘mythos’ means to hide the truth and it is up to us to discover contemporary storytelling” The novel is a re-telling from the it through the story” (Parthasarathy). He further quotes perspective of Uruvi, the wife of Karna which runs parallel to Tripathi thus: enmity between Kauravas and Pandavas and the Great War of Kurushetra. Kavita Kane has expanded the horizon of the epic Probably the only ancient civilization that has kept its myths Mahabharata and has given voice to hitherto forgotten alive even today is India. This is not because the other myths character. The novel projects the multi-layered journey of aren’t as rich as ours but because we have understood the Uruvi who was a Kshatriya princess but rendered helpless philosophy behind them. Myths are not about the stories but after willingly marrying a son of charioteer. She is in quest of about the message you spread through them. And as societies identity and marital happiness. Uruvi is dually victimized, first and beliefs change, myths have to change along with them. as the wife of socially outcast man and second through Modernising and localising myths are ways of keeping them personal trials and tribulations. She is doubly marginalized; by relevant in modern times. Otherwise, they would die out. the society and by her husband as all his loyalties were Whether they would make them relatable is something readers devoted to Duryodhan. Kavita Kane has attempted to answer will have to decide. (qtd. in Parthasarathyn.p.) all the questions which have been ignored in the main Generally, women characters have been focused in the re- narrative. The novel is a story of a woman filled with spirit of tellingas they are severely marginalized in Indian epics. In resistance, unbound love and integrity. 1980s, the era of re-telling myths from personal perspective The present paper attempts to make a comparative study of commenced with an Indian feminist Muppala both the novels. The comparative study will project that both Ranganayakamma’s Ramayana Vishavrukhsya. It is Marxist the epics are written on the same tangent as far as treatment of rendition of Valmiki’s epic. In 2003, Amit Banker published woman is taken into consideration. It aims to project that how series of Ramayana which is first re-telling in the context of two different women of two different epics have suffered the India. The contemporary female writers like Chitra Banarjee same fate. Indian mythology have always been male focused Devukarni and Kavita Kane have tried to uplift the stature of and have glorified Ram, Laxman, Arjuna, Krishna and many women in the Indian epics. They have attempted to relocate more. Women like Sita, Urmila, Vrushali, Mandodari, the identities of women from subservient abla-nari to Gandhari, Kunti existed only on periphery of the grand assertive strong opinionated women. narrative of the epics. The aim of the paper is to show that both the epics are male-oriented and have marginalized 3. SITA’S SISTER: THE TALE OF AN UNSUNG characters like Urmila and Uruvi.It also shows that revision of SACRIFICE. Kane has revived the epics and the feminine oriented study has bestowed contemporaneityto the epics. Sita’s Sister, Urmila is one of the most overlooked characters in the Ramayana. The epic has always been talked from ‘Ram- 5. KANE’S UNSUNG HEROINES: A COMPARATIVE centric’ or ‘Sita-centric’ perspective. Kavita Kane has chosen, STUDY. in Robert Frost’s terminology, the road not taken. She has depicted the plight of Urmila who was exiled in Ayodhya by The re-vision of Indian mythology has assisted in breaking her husband Laxman. In Valmiki’s epic, Urmila was sternly ideal stereotypical structures. Urmila and Uruvi are two such marginalized as she was subjected to nidra (“sleep”) of long women who have been re-visioned by Kavita Kane for fourteen years while Laxman was away with Ram and Sita. crumbling the old image of meek voiceless woman and for But, Kane’s Urmila was the woman with immense courage building the image of assertive independent woman.