khalid teenage dream album download DOWNLOAD ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) ZIP. DOWNLOAD Passenger Songs for the Drunk and Broken Hearted (Deluxe) ZIP & MP3 File. Ever Trending Star drops this amazing song titled “Passenger – Songs for the Drunk and Broken Hearted (Deluxe) Album“, its available for your listening pleasure and free download to your mobile devices or computer. You can Easily Stream & listen to this new “ FULL ALBUM: Passenger – Songs for the Drunk and Broken Hearted (Deluxe) Zip File” free mp3 download” 320kbps, cdq, itunes, datafilehost, zip, torrent, flac, rar zippyshare fakaza Song below. DOWNLOAD ZIP/MP3. Full Album Tracklist. 1. Sword from the Stone (03:21) 2. Tip of My Tongue (03:01) 3. What You’re Waiting For (02:37) 4. The Way That I Love You (02:39) 5. Remember to Forget (03:38) 6. Sandstorm (05:01) 7. A Song for the Drunk and Broken Hearted (03:59) 8. Suzanne (04:15) 9. Nothing Aches Like a Broken Heart (04:16) 10. London in the Spring (03:01) 11. London in the Spring (Acoustic) (02:56) 12. Nothing Aches Like a Broken Heart (Acoustic) (03:17) 13. Suzanne (Acoustic) (04:05) 14. A Song for the Drunk and Broken Hearted (Acoustic) (03:56) 15. Sandstorm (Acoustic) (04:10) 16. Remember to Forget (Acoustic) (03:36) 17. The Way That I Love You (Acoustic) (02:37) 18. What You’re Waiting For (Acoustic) (02:36) 19. Tip of My Tongue (Acoustic) (03:00) 20. Sword from the Stone (Acoustic) (03:33) Songs for the Drunk and Broken Hearted (Deluxe) Album by Passenger. Teenage Dream | Listen to Katy Perry Teenage Dream MP3 song. Teenage Dream song from the album Katy Perry - Teenage Dream: The Complete Confection is released on Mar 2012 . The duration of song is 03:48. This song is sung by Katy Perry. 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And though many entries on this list either borrow liberally from hip-hop or cross over in other interesting and unique ways, all of them are decidedly pop, embracing the chance to marry extremely melodic songs with deeply personal storylines. Read on for our best pop picks of the decade. Note: These are albums that missed the cut on our general Best Albums Of The 2010s list, which you can find here. If you don’t see your fave, it might be on the general list. 30. Khalid — American Teen. Khalid‘s stunning debut is an album made by a teenager for teenagers, evidenced by lyrics like, “Damn, my car still smells like marijuana / My mom is gonna kill me.” That doesn’t mean the record lacks maturity, though, as American Teen was one of the most polished (debut) albums of the decade, which deservedly launched a superstar career for its creator.— Derrick Rossignol. 29. Haim — Days Are Gone. In an era when indie-pop broke into the mainstream, the Haim sisters caught the tail end of the wave with Days Are Gone . The album still manages to exert relevance nearly seven years later by crafting a full sound surprisingly produced by just three musicians. With minimal instrumentation, Days Are Gone achieves an upbeat groove with masterful percussion, warm guitar tones, and the melting of three melodic voices. — Carolyn Droke. 28. Fifth Harmony — Reflection. When Fifth Harmony burst on the scene in 2015, no one could’ve predicted they would become one of the most popular girl groups of the era, and produce at least two superstar solo stars after they disintegrated. Reflection was the first step, bringing the voices of a new generation of women to the forefront of pop.— Caitlin White. 27. Taylor Swift — Reputation. It’s incredibly difficult to produce new creative work when it feels like the whole world hates you, but Taylor Swift did just that on Reputation , pushing right past the gross celebrity drama to write an album that doubled as an ode to her new love — one that was all the more precious because it blossomed while the rest of her world seemed to be falling apart. I can’t make any promises now, but I’ll bet, in ten more years, this album is considered one of the finest in Swift’s formidable canon.— C.W. 26. Florence & The Machine — High As Hope. Florence & The Machine’s High As Hope is frontperson Florence Welsh’s means of celebrating her years of success. But rather than joy, the record is laden with emotional ballads and elemental themes. Ominous and introspective, Welsh wrote, recorded, and co-produced the album. High As Hope confronts Welsh’s past fears and paves her path forward to a brighter future while orchestral swells of brass instrumentation lend an epic background to her affecting falsetto.— C.D. 25. Miley Cyrus — Bangerz. Ah, 2013 — we were so young. I maintained, six years ago, that Bangerz was a bold and interesting step from an artist who was just figuring herself out; “We Can’t Stop” was the slow-burning hit, much better than the naked-video-stunt of “Wrecking Ball.” Even if Miley has achieved very little self-awareness over the last six years, Bangerz remains a fascinating snapshot of her potential.— C.W. 24. Camila Cabello — Camila. Camila has everything a strong debut album should have: allusions to the drama that came before (“Real Friends”), a massive, hip-hop adjacent hit (“Havana”), and a love song as addicting as the relationship it describes (“Never Be The Same”). As she readies her second solo album, Camila can rest easy knowing she’s already changed the face of pop.— C.W. 23. Janelle Monáe — The ArchAndroid. As much praise is (rightfully) lavished upon her two most recent bodies of work, Electric Lady and Dirty Computer , the legend and genius of Janelle Monae can be traced back to their origins here, her most adventurous, conceptual work. It’s no surprise it took the mainstream a minute to catch on to what she was doing because she started off 122 years in the future, embracing themes of time travel, science fiction, and Afrofuturism eight years before films like Black Panther would bring such concepts to the fore of Black pop culture. Yet tracks like “Tightrope,” “Cold War,” and “Come Alive (The War Of The Roses)” are deeply rooted in the traditions of Black funk, rock, and R&B, making her a proud product of her time, even as she was so far ahead of it.— Aaron Williams. 22. Mark Ronson — Late Night Feelings. Mark Ronson has never had an issue with singles, whether it is working with Bruno Mars, Lady Gaga, or the late Amy Winehouse. But Late Night Feelings is unlike anything in his oeuvre, an album that uses the voices of pop and indie’s finest — Lykke Li, Angel Olsen, Miley Cyrus, and King Princess, just to name a few –to express his own heartbreak. It’s the personal album few thought Ronson had in him, and expands his resume to be now known as not just a master of singles, but albums, too.— Philip Cosores. 21. Purity Ring — Shrines. Purity Ring debuted alongside indie-pop powerhouses of the early 2010s with Shrines . The Alberta, Canada duo combined everything that was thrilling and divergent about that era of music: shimmery synths, washed-out vocals, and layered rolling electronic beats that craft an eerie and deep soundscape fit for both reflection and unabridged euphoria.— C.D. 20. Ariana Grande — My Everything. While she was still figuring out who she wanted to be, one thing was clear — Ariana Grande’s voice sounded good on any kind of pop song. That’s how My Everything came to include not just the unstoppable sax-trap of “Problem” with Iggy Azalea, or the EDM-bop “Break Free,” but even the blustering posse track “Bang Bang” with Jessie J and Nicky Minaj. She already knew she was everything, it would take another five years for the zeitgeist to catch up.— C.W.