Department of Musicology Faculty of Music International Journal of Music Belgrade, II/2019 ISSN 0354-818X = New Sound UDC 78:781(05) COBISS.SR-ID 102800647 International Journal of Music Belgrade, II/2019 Publisher: Department of Musicology Faculty of Music Kralja Milana 50, 11000 Belgrade Editorial Board: Mirjana Veselinović-Hofman Ph.D. (Editor-in-chief) Vesna Mikić Ph.D. (Deputy editor-in-chief) Academician Dejan Despić Sonja Marinković Ph.D. Ana Kotevska M.A. Miloš Zatkalik M.A. Marcel Cobussen Ph.D. (The Netherlands) Pierre Albert Castanet Ph.D. (France) Chris Walton Ph.D. (South Africa/Switzerland) Eduardo R. Miranda Ph.D. (Brazil/UK) Nico Schüler Ph.D. (Germany/USA) Cover design: Jovana Ćika Novaković Secretary of the Editorial Board: Ivana Miladinović Prica Ph.D. Editorial Board and Office: Faculty of Music Kralja Milana 50, 11000 Belgrade E-mail: [email protected] www.newsound.org.rs The Journal is published semestrally. The Journal is classified in ERIH – European Reference Index for the Humanities CONTENTS Editorial ............................................................................................................... 7 CONVERSATIONS Branislava Trifunović An Important Thing that Western Contemporary Music has Forgotten about: Joy. An Interview with the Composer Ana Sokolović ................................... 9 STUDIES Selena Rakočević Bouncing as a Distinguishable Structural Feature of Srpsko Kolo: Aspects of Identification and Notation ........................................................ 19 Rūta Stanevičiūtė Lithuanian and Polish Musical Networking during the Cold War: Political Curtains and Cultural Confrontations .......................................... 44 Giorgos Sakallieros The Symphonic Concerto for Piano and Orchestra (1935) by Manolis Kalomiris: Reaffirming the National-Ideal Topos through the (Old) Western Canon ...................................................................................... 68 Žarko Cvejić From “Bach” to “Bach’s Son”: The Work of Aesthetic Ideology in the Historical Reception of Carl Philipp Emanuel Bach .................................. 90 Radoš Mitrović Improvised Music as Socially Engaged Art: Poetics of Cardew and Rzewski ..................................................................................... 109 NEW WORKS Ana Gnjatović The House that is Here but is not That: Оn the Lonesome Skyscraper by Ivana Ognjanović ..................................................................................... 123 3 ANALYTICAL PERSPECTIVES Miloš Zatkalik C, F-sharp and E-flat: The Tragic, the Sublime and the Oppressed (with C-sharp as Nemesis): Reflections on Eine Kleine Trauermusik by Milan Mihajlović ........................................................................................... 131 REVIEWS Selena Rakočević Vesna Karin, Plesna praksa Dinaraca u Vojvodini [The Dance Practice of the Dinaric People in Vojvodina], Novi Sad: Akademija umetnosti, 2018. ............................................................................................ 161 Marija Maglov Bojana Radovanović, Eksperimentalni glas: Savremena teorija i praksa [Experimental Voice: Contemporary Theory and Practice], Belgrade: Orion Art, 2018. ........................................................................... 164 Sanela Nikolić Ivana Bašičević Antić, Trijumf reči u vizuelnoj umetnosti dvadesetog veka. Dimitrije Bašičević Mangelos i Marsel Brodars [The Triumph of Words in Twentieth-Century Visual Art. Dimitrije Bašičević Mangelos and Marcel Broodthaers], Beograd: Orion Art, 2018. ..................................... 168 Ira Prodanov Ivan Čavlović, Nauka o muzici u Bosni i Hercegovini [The Study of Music in Bosnia and Herzegovina], Sarajevo: Fondacija “Čavlović”, 2019. ........ 171 Marijana Kokanović Marković International Scholarly Conference Jugoslovenska ideja u/o muzici [The Yugoslav Idea in/of Music], Novi Sad, Matica srpska, 25–26 May 2019 ............................................................................................ 173 Milica Aleksić Scholarly Conference with International Participation “Maternja melodija” Momčila Nastasijevića: Interdisciplinarne refleksije [The Native Melody of Momčilo Nastasijević: Interdisciplinary Reflexions], Belgrade, Faculty of Music, 23–24 November 2019 ................................................... 178 DEFENDED DOCTORAL DISSERTATIONS Ivana Petković Lozo The Musical Universe of Claude Debussy. In Search of Immediacy of Correspondence between the Ear and the Eye ....................................... 183 4 Ivana Miladinović Prica The Effects of American Experimental Music in the Domain of Contemporary Art and Theory ................................................................... 185 Igor Radeta The Piano Music of Maurice Ravel: Hermeneutical Reflections of Logoseme ............................................................................... 187 CONTRIBUTORS TO THE ISSUE ................................................................. 190 5 New Sound 54, II/2019 6 Trifunović, B.: An important thing that western contemporary music has forgotten about: Joy On the penultimate day of October, in the finishing stages of preparing this issue of New Sound, our dear and esteemed colleague, Dr. Vesna Mikić (1967–2019), a dedicated member of our editorial team for many years and deputy editor-in-chief of New Sound, left us. Few and far between are those people who do not abandon us even when they are gone. As one of them, Vesna Mikić remains with us, with her spirit of curiosity and an oeuvre that has left a deep mark; she remains as a pillar upholding the solid system of values that she stood for, both as a scholar and pedagogue in the musicological profes- sion; she remains with us through her optimism, which she radiated generously, stimulating activity, supporting thoroughness, responsibil- ity, and efficiency, friendship and good ethics, encouraging creativity and critical thinking, professional and personal courage. We dedicate this issue of New Sound to her, with gratitude and grief. M. V. H. 7 New Sound 54, II/2019 8 Trifunović, B.: An Interview with the composer Ana Sokolović CONVERSATIONS Article received on June 20th 2019 Article accepted on November 28th 2019 UDC: 78.071.1 Соколовић А. Branislava Trifunović*1 Ph.D. Student University of Novi Sad Academy of Arts Department of Musicology and Ethnomusicology AN IMPORTANT THING THAT WESTERN CONTEMPORARY MUSIC HAS FORGOTTEN ABOUT: JOY. An Interview with the Composer Ana Sokolović The oeuvre of Ana Sokolović (b. 1968) is a paradigmatic example of a very successful relationship between two distinct cultural spheres – Serbian and Canadian. For over two decades now, this artist has cultivated a successful career as a composer in Canada. She began studying composition with Dušan Radić at the Academy of Art in Novi Sad and continued her studies at the Faculty of Music in Belgrade, under the supervision of Zoran Erić. She earned her master’s degree in composition at the University of Montreal in 1995, *1Author contact information: [email protected] 9 New Sound 54, II/2019 where her mentor was José Evangelista. Today, she is considered one of the most important names on the contemporary music scene of Canada, which is attested to by awards such as the Joseph S. Stauffer Prize (2005), Prix Opus Composer of the Year award (Conseil québécois de la musique, 2007), two Jan V. Matejcek Awards (2008 and 2012), and the National Arts Centre Award (2009), which included com- missions and a five-year lectureship. Her opera Svadba (“Wedding”, 2012) was nominated for Dora Mavor Moore Awards in five catego- ries (Outstanding Lighting Design, Outstanding Production, Outstand- ing Musical Direction, Outstanding Performance, and Outstanding New Credit: André Parmentier Musical/Opera), winning an award in the Outstanding New Musical/ Opera category. The same year, the Quebec Contemporary Music Society (Société de musique contemporaine du Québec – SMCQ), as part of their tradi- tional “Homage to Our Composers” event (Hommage à nos compositeurs), staged more than a hundred concerts of her music and other events promot- ing her work throughout Canada, which was an unprecedented honour in the history of Canadian classical music. In 2015, she won the Serge-Garant Award presented by the Émile-Nelligan Foundation and, in 2019, the Juno Award for her piece Golden Slumbers Kiss Your Eyes. Sokolović has authored some 70 works for various performing forces, from solo to orchestral pieces, including stage music, opera, modern ballet, and film music. Her creative activities encompass a keen interest in theatre and ballet, which has spawned successful collaborations with leading Cana- dian arts institutions and organizations, such as the Queen of Puddings Music Theatre, Canadian Opera Company, Ensemble contemporain de Mon- tréal PLUS, Nouvel Ensemble Moderne, Vancouver New Music, and Théâtre UBU, among others. In addition to contracts with renowned soloists and en- sembles, Sokolović has released 13 CD recordings of her works: Nouvelle mu- sique montréalaise II (1999), Nouveaux territoires (Ensemble contemporain de Montréal, 2000), Figment (Matt Haimovitz, 2003), Odusia (Mario Brunello, 2008), So You Want to Write a Fugue (Christina Petrowska Quilico, 2008), Édifices naturels (Brigitte Poulin, 2008), 5x3 (Fibonacci, 2010), Thirst (Mu- 10 Trifunović, B.: An Interview with the composer Ana Sokolović sica Intima & Turning Point Ensemble, 2014), Higgs Ocean (Music for Gamelan and String Quartet,