Syria and Its Cultural Riches Is Eye-Opening

Syria and Its Cultural Riches Is Eye-Opening

June 24, 2007 The Road Back to Damascus By SETH SHERWOOD I FELT someone staring at me. As I discreetly tried to photograph a Damascus sidewalk stand of militant Islamic religious posters — including the Hezbollah leader Sheik Hassan Nasrallah and his Kalashnikov-toting guerrillas — I looked around and realized that the young, rough-shaven salesman had spotted my camera. “Where you from?” he said, in English, as women in headscarves battled for plastic shoes from an adjacent sidewalk dealer. “New York,” I answered, lowering my lens and awaiting a tirade against my country — or worse. Instead, he broke into a smile. “New York, great city!” he said. “Ahlan wa sahlan bi Sham.” Ahlan wa sahlan bi Sham: Welcome to Damascus. During a weeklong visit in May — during which I explored the Old City of Damascus (including its proliferating nightclubs), the Silk Road bazaars of Aleppo and the ruins of ancient Palmyra — unexpected welcomes seemed to erupt from every corner of this ancient nation of Bronze Age, Classical, Biblical and Islamic history. No matter where I was or whom I encountered, local greetings were never long in coming. Though most Americans might be wary of sojourning in a country whose authoritarian government stands accused of some serious charges — financing Hezbollah, allowing foreign fighters into neighboring Iraq and assassinating the former Lebanese Prime Minister Rafik Hariri — a week among the regular citizens of Syria and its cultural riches is eye-opening. When I boarded Syrian Air in Paris, I knew only that Damascus claimed to be the oldest inhabited city on Earth and that some favorite writers — Mark Twain, Gustave Flaubert, Agatha Christie — had been swept away by the country’s lore-filled past and landscapes. Many people told me vaguely to be careful, though none had ever been to Syria. My few acquaintances who had braved the country despite its tarnished reputation assured me that all would be fine. Head straight to the legendary Umayyad Mosque in Damascus, they said. Fill up whenever you can on excellent grilled lamb, baba ghanouj and pomegranate juice. And leave your preconceptions at passport control. The country I discovered, in addition to being friendly and largely free of crime and related hassles, even showed glimmers of creaking open to the West after decades of closure. Under its London-educated, 41-year-old president, Bashar al-Assad, Syria has instituted private banking, removed a number of long-standing import barriers and passed measures allowing foreigners to own property. A Four Seasons hotel opened in Damascus with great fanfare in 2005; a five-star Inter-Continental is under construction. A huge two-panel billboard in central Damascus embodied the changes afoot. One side trumpeted the “3rd Annual Tourism Investment Market Forum.” On the other, the avuncular white-bearded face of Colonel Sanders, ringed in red Arabic script, heralded the arrival of Kentucky Fried Chicken in Syria. GO back as far as you will into the vague past, there was always a Damascus,” wrote Twain, who visited in the 1860s. “To Damascus years are only flitting trifles of time. She measures time not by days and months and years, but by the empires she has seen rise and crumble to ruin. She is a type of immortality.” He was scarcely embellishing. The Babylonians blasted through under Nebuchadnezzar, before the Persians did likewise under Darius and Xerxes. The Romans captured the country in 63 B.C., and Mark Antony campaigned there against the Parthians. It was on the road to Damascus, most famously, that the Jewish traveler Saul was blinded by the light, initiating his conversion to Christianity and a new identity as the Apostle Paul. And it was on the road to Damascus, six centuries later, that the Prophet Muhammad stopped in his tracks and refused to enter the city, saying that “man should only enter paradise once.” In succeeding centuries, the Egyptians, Ottomans and French all took their turns as occupiers before Syria became independent in 1946. Today, the route to the inner sanctum of the eighth-century Umayyad Mosque — the spiritual and historical heart of Damascus’s Old City — seems culled from some time-worn star map. First you cross under the Roman archway, just south of the tomb of the fabled Islamic warrior Saladin, who defeated Richard the Lionhearted during the Crusades. Then you enter the vast gates of the mosque, whose stony expanses rest atop a former Byzantine church, which overlays a mostly vanished Roman temple to Jupiter, itself erected on the former site of a disappeared Aramaean shrine. Finally, you make a quick jog across the courtyard, past the mausoleum of John the Baptist and into the tomb of Hussein, a grandson of Muhammad and a martyr venerated by Shiite Muslims. The afternoon I visited, the stone room echoed with clicking prayer beads, muttered Koranic verses and sobs. Men prostrated themselves, pressing their foreheads to the stone. Student-age girls and toothless, wizened old women in black veils wept openly. One bespectacled young woman cried uncontrollably, grabbing at the walls. Places of powerful faith fill every corner of Damascus. In a small, silent street in the Christian Quarter of the Old City, I tracked down the Church of Ananias, the man who cured St. Paul of his blindness and baptized him into Christianity. Though entirely empty of worshipers, some handwritten notes and trinkets from visitors were stuck between the stones. “Clean and serene for 60 days,” read a green keychain, in English. Utterly different again, and equally haunting, was the reconstructed ancient Jewish synagogue in the National Museum, an evocative time capsule of relics from forgotten Bronze Age cities, vanished Roman outposts and other Ozymandian monuments pulled from Syria’s sands. Found at the city-state of Dora Europos, a trade center decimated by the Persians in the third century, the towering stone walls of the synagogue glowed with painted panels of temple priests, strange animals, sad-eyed women, scrolls, menorahs, winged angels, horse dancers and serene-faced desert wanderers. “It’s astonishing to find a synagogue that has paintings,” said Michel al-Maqdissi, the museum’s director of archeological excavations, speaking in French. A small radio filled his office with an opera aria. “The Jewish religion forbids painted representation, just like in Islam. It accepts decorative elements, but not the human form. That’s why it’s such a unique piece.” Nearby, the lanes of the Old City brimmed with energy. Black-veiled women led teenage girls — some in loose robes, others in punishingly tight jeans — into fabric stalls. With chiming bells, bicyclists parted the crowds to deliver loaves of bread while old men rolled Sisyphean pushcarts of pastries and bottles of deep blue bilberry juice. “Ahlan wa sahlan,” said Tony Stephan as he ushered me into his antiques and craft emporium along Souk al-Hamidiyeh, the most famous of Damascus’s venerable bazaars. Elderly and courtly, he gave me a tour of his store, which was stocked floor to ceiling with inlaid wooden boxes, elaborate backgammon sets, hammered urns, mosaics, Bedouin jewelry and rich textiles — many of them woven on a click-clacking loom in back. “That’s Jimmy Carter, that’s Warren Christopher, and that’s Nancy Kissinger,” he said, pointing out photos of the famous figures who, in times of less fraught international relations — before the White House had declared the country a “rogue nation” and a member of the “junior varsity axis of evil” — had snapped up furnishings and fabrics in his shop. Much more recently, in April, the House Speaker Nancy Pelosi and her delegation had strode through the souk during an official visit — the first in recent memory by a top American official — prompting local talk of a possible rapprochement. Twilight in the Old City evokes a certain wistfulness. As the final call to prayer echoes through the blue-black evening, strolling couples and families fill the paved lanes around the mosque, licking at ice creams from the venerable parlor Bakdash. In the cafes, old men in threadbare suits sip Turkish coffee and chat. I whiled away more than a few nights among those smoking narghiles, as water pipes are called there, and drinking mint tea at the old world Al Nafoorah coffeehouse, as the nightly pageantry of Damascus flowed past. It was the perfect place to meditate on the city, a great palimpsest on which so many peoples, faiths and empires wrote their stories. To see the most famous of Syria’s crumbled cities, Palmyra, I set out at dawn. The bus rolled across the arid emptiness, past loping camels, past goatherds in checkered headdresses, past tents of Bedouin nomads. Finally, three hours later, the majestic, blocky ruins emerged. Corinthian columns, eroded archways, theaters, ornate hillside tombs and temples to forgotten gods — Bel, Nebo, Arsu, Baalshamin — spread across the landscape. Here, in Syria’s largest oasis, an ancient Silk Road trade center flourished some two millenniums ago. Someone surveying the landscape then would have seen a thriving market city, echoing with talk in Aramaic and filled with arriving camel trains bearing ebony, dried foods, spices, perfume, ivory and silk from as far away as India and China. From Palmyra the exotic goods would be shipped westward to Rome — which for a time controlled Palmyra — where they fetched up to 100 times their original cost. Today, a surreal Hollywoodesque scene was playing out among the ruins as hundreds of Syrian teenage boys dressed in gladiatorlike costumes prepared a tightly choreographed dance number for the annual Palmyra Festival, which was scheduled to kick-off at dusk. In the well-preserved amphitheater, workmen were deploying a stage, curtains and lighting banks to accommodate the Bolshoi Ballet and various orchestras on the festival program.

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