NNootteess The Newsletter of Readifolk Reading's folk song Issue 11 and music club Summer 2011 The charitable members of Readifolk have been very busy me in recent months. In May, several members took part in a Welco concert in support of an organisation, Women’s Concerns, which is involved in the integration of Black and Minority ethnic to another Readifolk groups. We were out in force again at the Sonning Common ‘Big Sing’ which was raising funds for the local ‘First newsletter Responders’ medical team. Our charitable activities culminated in our own charity concert on 29th May. This concert was part of the weekend festival ‘Music4Minds’ organised by the EvaB Rumblings from the Roots Foundation. We were wonderfully entertained by Jim McLean, Welcome to the Summer edition of Notes Anthea Neads & Andy Prince and our own local group The . Our editor, Westlanders, all of whom gave their services free. The Stewart, has again produced a very readable mix of reviews, Westlanders even donated their fee from an earlier gig to the general interest articles, and of course the new programme of charity funds. A grand total of £426 was raised from our events at the club. It is worth pointing out that the reviews of the concert, and this has been donated to the Young Minds charity. various performances are largely unedited and represent the views of the individual reviewer. If you have any comments on Well done to all those who contributed to these charitable any of the reviews, or any other aspects of the newsletter, then events. do e­mail them to the editor [email protected] ­ he may Una & Colin be able to include them in a future edition. You will notice that in the next quarter we are introducing mainly guests who are appearing for the first time at Readifolk. We are always keen to encourage new talent and we feel sure that you will not be disappointed with this bevy of newcomers to the club. Do make a note of the date 31 July as on that date the club is closed. We, along with several others from the club, are off to the Sidmouth Folk Week where we will be ‘talent spotting’ for the club and having a good time in the process. For this quarter we are maintaining the admission charges at £5 for Guest Nights and £1 for Singers and Theme Nights. It is likely however that we will be forced to increase charges in the future. This is due largely to an unexpected levy imposed by the Performing Right Society. RISC has been landed with a very large licence fee for its various public music activities. A specific item in the levy of charges relates to the Readifolk events and RISC has little option but to pass on those charges to us. We have been disappointed that our direct protestations to PRS have met with a stonewall response. It seems unfair to us that PRS, an organisation which aims to protect the rights of performers, can penalise small clubs like Readifolk who actively support rising talent. Contact us: Una for bookings and coming events [email protected] Colin for publicity, coming events and the mailing list [email protected] Stewart about the newsletter [email protected] Alison about the website [email protected] Multi­instrumentalist Jo Freya brings music and song to Readifolk on 11 th September Folk Heroes Another of Steve Bingham's splendid potted histories. This time he digs up some background to: AAnnnnee BBrriiggggss It is often stated recordings. She first appeared on the themed albums The that Anne Briggs Iron Muse and Bird In The Bush, produced by A L Lloyd, and is the most then made her first solo album Hazards Of Love. influential woman in English folk In 1965 she was invited to Dublin, where she met Johnny music. There is no Moynihan, who taught her to play the bouzouki ­ she can be doubt that she has heard playing on tracks by Johnny’s band Sweeney’s Men. influenced virtually She spent the summers of the late sixties touring Ireland in a every female horse­drawn caravan. The winters she spent touring British vocalist on the folk folk clubs in order to raise the money for her summer scene for the past expeditions. How successful she was is difficult to say, as she forty years. Maddy had a reputation for not turning up for bookings, and when Prior, Sandy she did show she often performed inadequate sets. She Denny and June suffered from stage fright and began to be dissatisfied with Tabor all say she her voice. She hated the sound of it on recordings. was a major influence on them. In 1971 Topic released the album Anne Briggs which is Even Norma mainly unaccompanied traditional songs. Another album, The Waterson, whose Time Has Come, was released by CBS later in 1971. This influence must be album featured Anne’s compositions with guitar as great as Anne’s, accompaniment. Anne did not support the album and says that she consequently sales were poor and it was soon deleted. learned a thing or two from Anne. Her influence is not limited to female singers. In 1973 Anne made a fourth album, this time with the Christy Moore claims that, after hearing Anne Briggs sing in folk/rock band Ragged Robin. Before work on the album was 1964, he decided to concentrate more on his own singing. At completed Anne had withdrawn to the Hebrides, where she this time in Irish sessions, songs were what happened when remained for several years. Since then she has lived the life the musicians were getting the beer in. Of course, the elder of a recluse ­ rarely appearing in public and hardly ever statesmen of the folk world would have heard Anne sing live, singing. The only recorded occasions of her singing were at a but many of the people she has influenced can only have memorial concert for A L Lloyd in 1990, and she recorded heard the recordings. Anne has recorded about 50 songs but some new material with Bert Jansch in 1992 for a BBC TV only 20 of them were available between 1971 and the 1990s. documentary called Acoustic Roots. One song, Blackwater Side, is cited by most people as the song that made the difference. Listening to Blackwater Side Anne is still cited as a major influence by many of today’s today, there is definitely something about the voice and the younger folk singers. The re­issue of all her recordings during phrasing that makes it a standout track. the 1990s has helped to maintain Anne was born in Beeston, Nottinghamshire, in September the legend. When 1944. Her mother died when she was very young and her the album with father had been severely injured during World War II, so Anne Ragged Robin, was brought up by her Aunt and Uncle. In the summer of Sing A Song For 1959 Anne and a friend cycled from Nottingham to Edinburgh You, was issued in where they met Archie Fisher and other members of the 1996 it was Scottish folk scene. From then on Anne was singing in folk greeted as a long clubs and sessions around Nottingham and in 1962 she was lost masterpiece ‘discovered’ by Ewan MacColl. Ewan MacColl and A L Lloyd and achieved were touring the country as part of the TUC sponsored Centre critical acclaim. 42 project. This was a project that was attempting to stimulate Most of her cultural activities outside London. Anne was persuaded to join recordings are the tour. The Project 42 tour gave Anne the opportunity to currently available meet and work with many figures on the folk scene and when and worth looking it ended, she moved to London, where she was given a job as for. If you want to a liaison officer for Project 42. This job gave her the contacts get some idea of to launch her own singing career. the power of Anne Briggs, look for her In London she appears to have gone a bit wild. She first on YouTube where moved in with Bert Jansch; later the pair of them moved to a you should find house in which several members of the folk scene lived. Anne Blackwater Side was into parties and became associated with several and some of the Anne Briggs, together with Bert Jansch musicians. It was during this period that she made her first BBC TV material. Reviews hymn We Have An Anchor, the anthem of the Boys Brigade. st Night The rousing chorus to this hymn proved very popular, Gue especially with some old Boys Brigadiers in the audience. Were you there? Tell us what you think. There were a number of If you weren't, this is what you missed. songs with interesting parallels with present day The views expressed here are entirely those of the circumstances. A stunning reviewers, and are independent of the Readifolk musical rendition of Rudyard The Dutch In The organising team. Kipling’s Medway told about the lack of Dick Miles supplies and men, leading to the rout of the British fleet. 3rd April Times of recession occur in Steve Tilston’s Pretty Penny, "Dick Miles - what a lovely fellow" evocative of periods of "Oh, yes ­ lovely fellow; had a nice chat with him before the shortages when, as always, show. Amiable chap." the poor get poorer and the "Very amiable. And an interesting voice, too ­ has a nice rustic rich get richer. quality to it." "Rustic ­ just what I was thinking.