MONDAY 11 July Session A Session B Session C Panel: Tales of the Village: New Perspectives on the Sources and Cultural Contexts of Panel: Rethinking Romantic Form: Antonín Dvořák’s operas Jakobín and Čert a Mendelssohn's Instrumental Music (BT/SVM) Káča Transatlantics Benedict Taylor (Edinburgh): Mendelssohn and Emma Parker (UCSB): Dvořák and Jakobín’s Charlotte Bentley (Cambridge): Challenges oF 11:00 Sonata Form: The Case oF Op. 44 No. 2 librettist, Marie Červinková-Riegrová. transatlantic opera Julian Horton (Durham): Mendelssohn's Piano Eva Myslivcová (Charles University, Prague): Joshua Navon (Columbia, NYC): Transmitting 11:30 Trio Op. 66 and the Analysis oF Romantic Form Dvořák’s Čert a Káčaand late style Musical Pedagogy From Germany to the US Steven Vande Moortele (Toronto): Expansion Christopher Bowen (University of North and Recomposition in Mendelssohn's Carolina at Chapel Hill): The cultural context César Leal (Sewanee): Constructing 12:00 Symphonic Forms of Čert a Káča International Aesthetic Identities Thomas Schmidt (Manchester): Form through Sound: Klangfarbe and texture in Eva Branda (Western University Canada): José Manuel Izquierdo König (Cambridge): 12:30 Mendelssohn's instrumental compositions Czech Critical Perspectives on Dvořák Latin American Symphony LUNCH East/West Songs and Stages Libretti and Historicism Anne Marie Weaver (Rochester): Glinka and Oskar Cox Jensen (KCL): 'True Courage': A Daniil Zavlunov (Stetson): Opera and 14:00 Russian Cosmopolitanism (proxy) song in stages Censorship David Brodbeck (UCI): How Hungarian was Katy Hamilton (Independent): Natalia Edward Jacobson (Berkeley): Donizetti’s 14:30 Goldmark? MacFarren Historicism Jonathan Bellman (Northern Colorado): Sarah Gerk (Oberlin): Irish Musical Methods Alessandra Jones (Berkeley): Verdi’s Un Ballo 15:00 Pictures oF the West: Schumann oF Expressing US Civil War Trauma in maschera Micaela Baranello (Smith): Austro-Hungarian Katherine Gray (Berkeley): Wagner Vocal Claudio Vellutini (Indiana/Vancouver): 15:30 Operetta Techniques Writing Opera Business TEA Jessica Gienow-Hecht (Berlin): Music & nation Jessica Gienow-Hecht (Berlin): Music and Jessica Gienow-Hecht (Berlin): Music and branding in 19th-century international nation branding in 19th-century nation branding in 19th-century 17:00 relations (tbc) international relations international relations 18:00 Wine reception Wine reception Wine reception TUESDAY 12 July Session A Session B Session C Time, Space, Form C. 1800 Theatrical Illumination Carlo Caballero (Colorado): Chopin’s Meditation Shaena Weitz (CUNY): Excavating the Feng-Shu Lee (THU): Illusory Reality: Shadow 09:30 on Time potpourri in Romantic Music Chairat Chongvattanakij (Toronto): Franck’s Katherine Hambridge (Durham): Genre Tamsin Alexander (Goldsmiths): Light and 10:00 Variations symphoniques Consciousness Illusion in Gustavus the Third Sebastian Wedler (OxFord): Webern’s Annelies Andries (Yale): The Paris Opéra Tomaso Sabbatini (Chicago): 19th-Century 10:30 Langsamer Satz Staging Le Sueur Féerie COFFEE Panel: On (re)hearing Delius: Contexts, Legacies, and Traditions (DG) Vienna French Theatre Daniel Grimley (University oF OxFord): ‘Unto Brigg Fair’: Cosmopolitanism, Delius, and the Anne Hyland (Manchester): String Quartet in Sarah Hibberd (Nottingham): Temporal 11:30 Identities oF Place Schubert’s Vienna Expression in Robert le Diable Joanna Bullivant (University oF OxFord): 'My music has never been played as well by anyone else': Sir Thomas Beecham and Delius in Erica Buurman (Canterbury): The Viennese Diana Hallman (University oF Kentucky): Au 12:00 PerFormance Minuet tombeau at the Paris Opéra Sarah Collins (University oF New South Wales): Sarah Gutsche-Miller (Toronto): Liberated The 'Zarathustra Mood': Delius, anti- Women and Travesty Fetishes: Mixed intellectualism and the problem oF musical Samuel Girling (Auckland): Percussion in Gender Messages in Parisian Music-Hall 12:30 Nietzscheism Viennese Court Ballet (proxy) LUNCH Panel: New Approaches to Opera and Opera in Translation Character (Kirsten Paige) Historiographies Karen Leistra-Jones (Franklin & Marshall Myron Gray (HaverFord): Transnational College): Hans von Bülow and the 14:30 Localism in Freischütz (proxy) Nina Penner (Duke University, Music) ConFessionalization oF Kunstreligion Michelle Meinhart (Durham/Martin Methodist Dan Wang (University oF Chicago, Music) Katherine Fry (KCL): Musical Idealism in 15:00 College): Wagner, Antebellum Nostalgia Adeline Mueller (Mount Holyoke, Music) Victorian Culture Francesca Vella (Cambridge): Lohengrin’s 1871 John Kapusta (UC Berkeley, Music) Kirsten James Grande (KCL): Natural History oF 15:30 Caravan Paige (UC Berkeley, Music) German Music Hanae Tsukada (Okinawa PreFectural Laura Stokes (Indiana): Prussia, Nationalism and University oF Arts (Japan): Political 16:00 Integration Exploitation oF Berlioz TEA Daniel Chua (University oF Hong Kong): De- Daniel Chua (University oF Hong Kong): De- Daniel Chua (University oF Hong Kong): De- 17:00 secularizing Beethoven secularizing Beethoven secularizing Beethoven 19:00 Conference dinner Conference dinner Conference dinner WEDNESDAY 13 July Recreations Gender, Identity, Representation Opera Outdoors Sarah Kirby (University oF Melbourne): Songs at Natasha Loges (RCM): Paul Heyse and Laura Protano-Biggs (Johns Hopkins): 09:30 the 1851 Great Exhibition Brahms Falstaff and the Resonant Soundscape Ian Maxwell (Cambridge): Chamber Music Timothy McKinney (Baylor University): Flora Willson (KCL): 'Musique du plein-air’? 10:00 Clubs Tonal Pairing and Gender in WolF’s Songs Operatic realism and Charpentier’s Louise Gabrielle Cornish (Eastman): Liza's Transmigration: Urban Decay and Fin-de- Ellen Lockhart (Toronto): LiFestyle Modernism Brian Thompson (HK): The Critic, Public and Siècle Suicide in Chaikovsky's The Queen of 10:30 in Italy Femme Fatale Spades (proxy) COFFEE Opera and the Staging of Musical Cures (Sarah Hibberd) Writing and Encoding Class Carmel Raz (Columbia): Operatic Fantasies in Frederick Reece (Harvard): Forging James Deaville (Carleton University): 11:30 Early Nineteenth-Century Psychiatry Schubert’s Gastein Listening in the Domestic-Public Sphere Jacob Olley (Westfälische Wilhelms- Wiebke Rademacher (Cologne): Chloe Valenti (Cambridge): Pitched Battles? Universität Münster): Orality, History, PerFormance and Reception oF Classical 12:00 Vocal Health and the English Pitch Debate (Ethno)musicology Music Celine Frigau Manning (Paris): Opera, Hypnosis, Katrina Faulds and Penelope Cave (Lecture and Auto-Suggestion: A Singer's Theory oF Robert Eshbach (UNH): Ferdinand David Recital): ReFlections on music in the 12:30 IdentiFication and the Mendelssohn Violin Concerto Jerningham Family correspondence Ditlev Rindom (Cambridge): Listening with 13:00 Schumann LUNCH Panel: Giuseppe Verdi in Context (Greenwald) Colonialism Morals, Ethics, Physiologies Helen Greenwald (New England Conservatory): Jonathan Hicks (KCL): PerForming Tourism 14:30 Which Verdi, How, and Why? in 1850s London Bennett Zon (Durham): Animal Music Francesco Izzo (Southampton): The Verdi edition and periodization: Some Gavin Williams (Cambridge): Sound, Colony: Mark A. Pottinger (Manhattan): Physiology 15:00 methodological questions The Gramophone and the Science oF Hysteria Kerry Murphy (Melbourne Conservatorium Mark Everist (Southampton): Taming Verdi’s oF Music): Henri Kowalski (1841-1916): A Erin Johnson-Williams (Trinity Laban): 15:30 Bull French Musician in Colonial Australia Economies oF Victorian Music Linda B. Fairtile (Richmond)/SteFano Castelvecchi (Cambridge): Editing Late Verdi and Early Puccini: Correspondences and Catherine Schwartz (McGill): Claire Croiza 16:00 Contrasts and the Art oF the SelF (proxy) .