THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Bob Dorough Bruce Forman David Haney Gordon Lee Hugh Masekela Glen Moore and David Friesen Byron Morris Buell Neidlinger Brian Smith Joe Rosenberg Greg Tardy International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 2 April, May, June 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU AbeatRecordsBNtraccia.indd 1 14/03/16 10:56 ✧ ✧ CraftyRebecca compositions, flawless TheKilgore original material is a departure from “performances, and hearts full of “Ms. Kilgore’s customary repertoire joy make...Moonshadow Dance an from the Great American Songbook. Her incredibly enjoyable album.” musicianship and that of the accompanying ~Travis Rogers, Jr. musicians make it a success.” The Jazz Owl ~Doug Ramsay Rifftides MOONSHADOW DANCE Introspective, “enchanting, and intimate.” with ~Susan Frances Randy Porter, piano AXS Entertainment Tom Wakeling, bass Todd Strait, drums ...a winner Rebecca Kilgore, Mike Horsfall and Israel Annoh, percussion “throughout...” and Ellen Vanderslice have Dan Balmer, guitar ~Chris Spector teamed up to write new songs. Steve Christofferson, melodica Marco DeCarvalho, guitar Midwest Record David Evans, tenor sax Mike Horsfall, vibes Tim Jensen, flute It’s a very rewarding CD, John Moak, trombone “full of small sweet/tangy Dick Titterington, flugelhorn surprises. I predict that Plus special guest vocalist some of the ‘new’ songs will SUSANNAH MARS become memorable friends in one or two listenings.” ~Michael Steinman Jazz Lives Like our video! cherrypiemusic.com/moonshadowdance www.rebeccakilgore.com/recordings/ available at CD Baby • iTunes • Amazon 5 | CADENCE MAGAZINE | ANNUAL EDITION 2014 NICOLAS WIESE LIVING THEORY WITHOUT ANECDOTES 06’05 A1 DUE TO IDLE A2 SUBFERTILE (A DEAD END THRILL AND A CHEESY ADDICTION) 11’06 A3 DER ELEFANT IM PORZELLANKÄFIG (IM GEISTE DES UTILITARISTISCHEN MENSCHSEINS) 06’34 B1 EL JARDÍN REVISITADO 20’00 additional sound sources / instruments / recording fragments ENSEMBLE ADAPTER (A1/B1), THORSTEN SOLTAU (A3) B1 is based on a collaborative audiovisual work derived with TOM ROJO POLLER composed/assembled/mixed in Berlin between 2009 and 2011. mastered by KASSIAN TROYER sleeve artwork by WENDELIN BÜCHLER typesetting by NICOLAS WIESE www.nicolaswiese.com produced by Corvo Records 2013 www.corvorecords.de core 005 n _ / 300 FIMAV32_Adv_Cadence_28march.pdf 1 2016-03-28 09:32 AM 19 20 21 22 32nd FIMAV.QC.CA MAY 2016 QUATUOR BOZZINI BÉRANGÈRE MAXIMIN KIM MYHR BIG | BRAVE TANYA TAGAQ with THE ELEMENT CHOIR TONY WILSON SEXTET MYRIAM BLEAU LANIAKEA « Soft Revolvers » OLIVIER BENOÎT MARTIN MESSIER GGRIL / ENSEMBLE « Field » SUPERMUSIQUE FET.NAT JULIE TIPPETTS MARTIN ARCHER LUCAS NIGGLI ENSEMBLE ANDREAS SCHAERER JOHN ZORN MICROTUB « Bagatelles » Marathon ERIK M « Blank Memory & Live Akousma » MUSICA ELETTRONICA VIVA ... GEORGE LEWIS « Impromptus » � DAYS OF CONCERTS, SOUND ART INSTALLATIONS AND VISUAL ARTS JAZZHAUSMUSIK „ Kloster Gravenhorst in the summer of 2014 A highly original grand line-up around with a quartet line-up. With pulsating German saxophone player Paul Berberich rhythms and lot of eagerness to experiment from the area Berlin-Dresden. In opposite the compositions of Haberer and Buechi– to a traditional big band line-up CONtrust and the multiple interpretable lyrics of features a rhythm section with vibraphone the singer writing in English for several and a second guitar, tuba, trombone, three years– frame the adventurous improvisa- trumpets and flugelhorns as well as four tion oddity that comes in form of songs, reeds to create its sound. The ensemble is embedded in stories of Greek gods, fighting captivating by its homogenous orchestra religions and talking walls. sound and its repertoire that extends from www.sarahbuechi.com exciting jazz and pop grooves, contempla- JHM 231 Ruby–Pilz–Weber www.christoph-haberer.de tive or free experimental sounds to the & Brochier Rimbaud #4 “missa perpendicula”, a mass for CONtrust, soloists and pendulum clock. Michel Pilz - bcl / Georg Ruby - p / Daniel “D-Flat“ Weber - dr,perc / Élodie Brochier - voice www.contrustjazzorchestra.de Following the successful CD release “Deux- ième Bureau“ of Georg Ruby and Michel Pilz (Germany-Luxembourg) “Rimbaud #4“ refers – not in total but centrally – to four poems of the great French writer Arthur Rimbaud, read by the wonderful, in France living actress and singer Élodie Brochier. The band improvises in different settings while she performs the poems thus con- JHM 236 JassLab de Cologne centrating musical and literary energy. In Eins und Eins addition to that the trio integrates Élodie Barbara Barth - voc, megaphon / Markus Koch - Brochier in some recordings as improvising tp,flgh / Sebastian Büscher - ts / Georg Ruby - p / JHM 238 Meinrad Kneer Quintett vocalist without lyrics into the completely Moritz Götzen - b / Vince Deckstein - dr Oneirology free improvised music, thereby creating On their recent release “Eins und Eins“ the further exciting tracks of improvisation. Sebastian Piskorz - tp / Peter Van Huffel - as / musicians of JassLab de Cologne (Cologne/ Gerhard Gschlößl - tb / Meinrad Kneer - bass, www.georgruby.de Germany) work together with piano player composition / Andreas Pichler - dr www.michelpilz.com Georg Ruby on rearranging some of the New release of the quintet of Meinrad www.dflatful.com most original songs of Hildegard Knef not Kneer, bass player from Berlin, with amaz- www.facebook.com/Puzzlequintette only as instrumental versions but also ingly peculiar material. The repertoire extended by the voice of Barbara Barth. The consists of compositions by Kneer, of which JassLab versions of Knef hits as “Ich hab’ he has written the greater part especially noch einen Koffer in Berlin“, “Für mich solls for this ensemble. His music is influenced rote Rosen regnen” as well as “Eins und eins by various styles as jazz, rock, contemporary das macht zwei” reveal how flexibly and music and free improvisation. That’s why individually the adaptations deal with the and how it inspires the quintet: by creating original material still saving the charm of new interfaces of surprising ensemble the original songs. playing and powerful improvisation. www.georgruby.de www.meinradkneer.eu JHM 234 Christoph Haberer & „ Sara Buechi Animata Sarah Buechi – voice, lyrics / Christoph Haberer – drums, electronics JazzHausMusik The new duo project “Animata“ comes Tel. +49-221-95 29 94-50 from the commissioned composition of the same name that the renowned German Fax +49-221-95 29 94-90 drummer Christoph Haberer has realized [email protected] and performed together with the young JHM 237 CONtrust Orchestra Swiss vocalist Sarah Buechi for Kunsthaus Paul Berberich - cond www.jazzhausmusik.de Available from Itunes, Amazon www.quarkrecords.fr www.thomasdepourquery.com “Rosenberg immediately leads us into another temporality, like a musical meditation on the edge of stillness, bringing attention to focus on the smallest movements.” Pascal Rozat Jazz Magazine France “Rosenberg’s music has the breath of nature; trembles, murmurs, always searching in a meditative dimension, and at times ascetic.” Vincenzo Roggero All About Jazz Italia Italy “Rosenberg has released three recordings that perhaps include the finest of what avant-garde jazz currently has to offer.” Benno Bartsch Jazz Podium Germany “Ahead of the horizon of jazz, percussionist Edward Perraud and his trio sought to open their musical language to make an opus more universal and accesible. The gift enchants and multiplies the joy of listening.” Bruno Pfeiffer Jazz News France QUARK RECORDS www.quarkrecords.fr distributed by www.allumesdujazz.com ROXY COSS RESTLESS IDEALISM ROXY COSS saxes JEREMY PELT trumpet ALEX WINTZ guitar DEZRON DOUGLAS bass WILLIE JONES III drums CHRIS PATISHALL piano SCOTT REEVES JAZZ ORCHESTRA PORTRAITS AND PLACES featuring: STEVE WILSON, TIM ARMACOST, JIM RIDL, TODD COOLMAN FROM PERCASO PRODUCTION DAY & TAXI «ARTISTS» Christoph Gallio saxes // Silvan Jeger bass // David Meier drums UELI DERENDINGER «TSURU NO SUGOMORI» Ueli Derendinger shakuhachi USA: SQUIDCO.COM // DOWNTOWNMUSICGALLERY.COM WORLD: PERCASO.CH Inserat Day&Taxi.indd 1 03.03.16 09:32 “BEST RECORDINGS OF 2015!” Outstanding, authentic jazz, swinging to the last bar. — Michael Nastos, All Music Guide “GLENN CAN PLAY!” “TOP — 2015 Critics Poll, Cadence 10” Magazine — Greg Edwards, Gapplegate Music Review “LIVELY, SPONTANEOUS POST-BOP” — DownBeat Magazine “One of those live recordings that simply swings for the fences. Brilliant.” — Jordan Richardson—Canadian Audiophile “Spontaneous, organic… “SNAPPING, www.jazzmaniac.com Cadence Jazz Records [email protected] (CJR1255) forward thinking.” CRACKLING, — Brent Black—Bop ‘n Jazz POPPING.” — Midwest Record Colour and Sound Jimmy Bennington Daniel Carter Brian Smith Tear it Down, Then Play a Ballad ThatSwan! sing #002 Sad Drums / Bitter Drums jimmy bennington drums kalimba seth paynter tenor saxophone Balllad for Sierra Leone 99 cent downloads CD Baby / iTunes ThatSwan! sing #001 “Bennington’s unique sound and loose drumming.. doesn’t follow traditional rhythmic patterns and leaves quite a bit of room for freedom.” - Alain Drouot, Down Beat Magazine Best Albums 2014 www.jbcolourandsound.com “Simply the hippest journal about jazz in New York that has ever been published” - Joe Lovano “The most comprehensive periodical on the music that I have ever read” - Andrew Cyrille The New York City Jazz Record EXCLUSIVE CONTENT ON JAZZ & IMPROVISED