how many of these great CONTEMPORARY ALBUMS are in your collection ROUNDS! nrT?TF N,EHAUS UCTET.^ mm C3540 Niehaus, one of the top alto men in jazz, long time leader of the Kenton sax section, stars with two swinging C3538 Red Mitchell, one of the nation's Octets featuring such famous jazzmen favorite bassists, in a swinging program as Bill Perkins, Pepper Adams, Shelly C3542 Leroy Vinnegar, a bass player who of modern jazz classics by Parker, Roll• Manne, Frank Rosolino, Mel Lewis, Jack "walks the most!" presents his first album ins, etc. New star James Clay plays tenor Montrose, Red Mitchell, Lou Levy, the as a leader. Featured on a selection of & flute, with Lorraine GelLer, piano, and late Bob Gordon, etc. standards with a walking motif ("I'll Billy Higgins, drums. Mitchell's bass solos Walk Alone," "Walkin' My Baby Back are standouts! Home," "Would You Like To Take a Walk," etc.) are Teddy Edwards, tenor, Gerald Wilson, trumpet, Victor Feldman, vibes, the late Carl Perkins, piano, and Tony Bazley, drums. You get more , %i bounce with Curtis \ CounceL5i temporary C3544 Bob Cooper's extended "Jazz Theme & Four Variations" is a major work by C3539 The Curtis Counce Group comes up a major jazzman. Side two features with some West Coast "cooking." Tasty, Coop's tenor in swinging combo perform• with plenty of funk and soul. Bassist ances (including an intriguing "Frankie Counce's group includes ace tenorman & Johnny") with Victor Feldman, Frank C3541 Vibist, pianist, drummer, composer- Harold Land, trumpeter Jack Sheldon, Rosolino, and an all-star rhythm section: arranger Feldman is the most important the late Carl Perkins on piano, and the ianist Lou Levy; Max Bennett, bass; Mel British import in the fleld of modern jazz. drummer Jo Jones calls "the best in the Eewis, drums. country today," Frank Butler. rlen|ingeafrromhearedriving b^tanHfwS turae8d "n"hi fltle'Jllectton "luitf SlxFee'n^ TECHNICAL DATA: These are full audible range high fidelity recordings with guaranteed frequency response from 30 to 15,000 cycles - all the human ear can hear. Engineered by jazz specialists to reproduce the true sound of the great jazz stars who record for Contemporary. Masters are made in Contemporary's own studio on specially designed and constructed equipment. Custom made, noise-free, vinylite "Gruve/Gard" pressings. For the collector's protection each album is factory sealed in a polyethylene bag which when cut open may be used as an inner sleeve. EACH 12" HI-FI LONG PLAYING ALBUM, $4.98 AT DEALERS EVERYWHERE CONTEMPORARY RECORDS 8481 melrose place, los angeles 46, California DORIS DAY'S SING ALONG JOHNNYS GREATEST HITS WITH GREATEST HITS'* 1 MITCH MITCH MILLER AND THE GANG NOT FOR M{ TO SAY - WILD IS THE WIND COME tO WE • WONDERFUL WONDERFUL PLUS 6 OTHERS HIT MARTIN PINZA SOUTH PACIFIC 88 "»» rfK. NEW WORLD ANY SIX SYMPHONY DRIUMH FWUOELmU OJCK KOSTELANETZ REX HARRISON JULIE ANDREWS $098 mnumcMMK OF MY PAIR LADY RACHMANINOFF / Original ^^-jt Broadway Cast if you join the Columbia © Record Club now - and agree to purchase only 5 selections during the coming 12 months MOZART I kit REQUIEM * You receive ANY 6 of these 12" records for only $3.98 FRANKIE LAINE * Your only obligation as a member is to purchase five selections 1 ' TP^T' *( SI MINSK B CHDIR from the more than 200 high-fidelity Columbia and Epic records to be offered in the coming 12 months * In addition, after purchasing only five records you receive a 12" Columbia or Epic Bonus record of your choice free for every two selections you buy * You enroll in any one of the four Club Divisions: Classical; Listening and Dancing; Broadway, Movies, Television and Musical Comedies; Jazz Albert Schweitzer »I^OOO)JAZZ WALTZES THE DESERT SONG * Each month the Club's staff of musical experts selects out• TCHAIKOVSKY AND STRAUSS BACH standing recordings from every field of music . music that lm i.,1.1. «.!.,,:>, deserves a place in any well-planned library. These selections and fujii,'in C Mi,,,,, || are fully described in the Club Magazine which you receive free each month Fugue m A Mina Fantasia and Fugue * You may accept or reject the selection for your Division, take 1r THE PHUAOEIPHII ORCHESTRA uiGMma any of the other records offered, or take NO record in any EUGENE ORMANDY particular month * You may discontinue membership at EDDY DUCHIN any time after purchasing five rec• ROY HAMILTON STORY ords from the Club •k The records you want are mailed YOU'LL MIUMJMMLK NlbHISUHLAM and billed to you at the regular list price of $3.98 (Classical Selections, NEVER $4.98), plus small mailing charge WALK < •k Mail coupon-without money-to re• ALONE ceive your six records PHILADELPHIA OUCH. ORMANDY SEND NO MONEY - Mail coupon to receive 6 records for $3.98 CIRCLE THE NUMBERS OF THE 6 RECORDS YOU WANT- COLUMBIA @ RECORD CLUB, Dept. 28 1 " 1 I. Polly Bergen 15. Sing Along With 26. Tchaikovsky: Nut• 44. Pop Hit Party TERRE HAUTE, INDIANA Mitch Miller cracker Suite; A dozen hit tunes per• You Are My Sunshine, Ravel: Bolero, etc. formed by 12 pop art• I accept your offer and have indicated at the right Sweet Violets, Don'tPhiladelphi a Orches• ists - Day. Mathis. the six records I wish to receive for $3.98, plus small Fence Me In — 16 tra, Ormandy. cond. Laine. Bennett, etc. mailing charge. Enroll me in the following Division 5. 'S Marvelous favorites in all of the Club: Ray Conniff and Orch. 27. Benny Goodman 46. Erroll Garner- (check one box only) As Time Goes By, 16. Schubert Unfinished Let's Dance, Sing SingPari s Impressions Where or When, etc. Sing.Avalon.MoonglomMoulin Rouge, I Love • Classical • Listening and Dancing • Jan r.?^r..nt.v - 11 swing classics Paris, Left Bank Swing • Broadway, Movies. Television and Musical Comedies 7. Frankie Lain. Night's Dream 28. Romantic Music -8 numbers in all Jezebel, High Noon, of Rachmaninoff 48. My Fair Lady I agree to purchase Ave selections from the more than Jealousy, 9 more Andre Kostelanetz and Original cast recording 200 to be offered during the coming 12 months, at his Orchestra play this with Rex Harrison and regular list price plus small mailing charge. For 10. Schweitzer-Bach R'om^s^operetta is haunting music Julie Andrews every two additional selections I accept, I am to Includes 3 major Bach still a joy to hear receive a 12" Columbia or Epic Bonus record of my organ compositions 29. Roy Hamilton 49. Waltzes of Strauss choice FREE 18. Beethoven: Emperor The "Big Voice" sings and Tchaikovsky II. Johnny Mathis' Concerto Unchained Melody.Philadelphi Ebb a Orches• Greatest Hits Casadesus, piano; New Tide, I Believe, 9 moretra , Ormandy, cond. TVo Love, Chances Are,Yor k Philharmonic, (PleasFPlTas'ee Print) Twelfth ol Never, 1Mitropoulos . cond. 30. Tchaikovsky: Swan Look at You, 8 more Lake Ballet Suite 19. Eddy Duchin Story Philadelphia Orches• 12. Grofe: Grand Canyon Duchin plays The Man tra. Ormandy. cond. State. This vivid musical 34. Ellington at Newport City painting has become 60. Music of Victor CANADA: Prices slightly higher, Newport Jazz FestivalHerber t - Faith an American classic Suite, Jeep's Blues, etc. address 11-13 Soho St., Toronto 2B r Dream Girl, A Kiss in 2 D V : Ne WOr Tf vmi wUh tn have this membership credited to an estab- 13. Doris Day's °-S y m pt n, " "' 38. The Hymnal the Dark, Gypsy Love fished Columbia or EpicrSoXdeaYer authorized to accept Greatest Hits Norman Luboff Choir Song, 9 more "ubscriptioiS please mi in the following: Doris sings 12 hits - sings 12 beloved hymns 61. Rossini: William Love Me or Leave Me,IrT^dy^ofr -Let Him In, Sweet Tell Overture, etc. Ifs Magic, Que Sera21 . $64,000 Jazz Hour of Prayer, etc. Six stirring overtures Dealer's Name and marches 14. South Pacific 13 Jazz Greats per• 39. Firebird Suite; Mary Martin and Ezio forming Honeysuckle Romeo and Juliet 62. Frank Sinatra Rose, Perdido, etc. Two colorful scores — A dozen songs-Blue Dealer's Address 213 Pinza star in this or- ® Columbia Records Sales Corp., 1950 ^w^iWar- Skies. The Nearness ol ,0 d n SdinBradway cast monlc, Walter, cond. and N^ pSlSom c You, Mean to Me, etc. ©"Columbia," g), "Epic," Marcas Reg. K-41 Letters a manifesto from George Wein even to converse with each other in a It has become urgent that the critics of non-profit organization in jazz of any the Newport Jazz Festival presentation at stature. Most important, of course, is that common language, and in two short weeks, the American Theater at the Brussels Newport guaranteed to underwrite 50 per• prepare a full hour concert for Newport World Fair last August be answered. Two cent of any losses that might be incurred that Columbia Records feel is of a quality critics in particular, Nat Hentoff and in the jazz program at Brussels. If any good enough to release as performed. Actu• Ralph Gleason have several times devoted profits resulted they were to be turned ally by the time the band finished its 6 space to attacking the August jazz week. back to the State Department with the day stint in Brussels it was swinging so Neither of these men was in Brussels. idea that these Drofits were to be used to cohesively that it was a shame it had to Thev did not hear one note of music and finance the^presentation of more jazz at be disbanded. have very lit le idea of what actually hap• Brussels Actually a loss of $690000 re• Ralph Gleason in the August 16th edi• pened Hentoff's views are undoubtedly sulted from the enLeemen The 'reason tion of the Los Angeles Mirror News clouded bv his avowed disapproval and for this w^s the sTrWmenf.