Studies in Design and Experimental Hand Stitch 201 Stein Jusak Debra Therese © © © Annemarie Andresen © Pat Ross Start: Session 1: June 9 - 12, 2020 New Course: 5 - 4 day sessions Class Name: Goldenrod New Course G. Harker 1 Studies in Design and Experimental Hand Stitch 201 © Maureen Goldsmith Gail Harker, LCGI, Gail is a Canadian who resided for nearly 20 years in Britain, until returning to the US in 1995. She moved to Britain in 1976 with her American husband and family. She studied art in Canada, England and Scotland. She completed both Parts 1 and 2 (Diploma) of the City & Guilds Design and Embroidery course with Distinction in both parts. She was awarded the Senior Award of Licentiateship (LCGI) by the City & Guilds Institute. Gail has previously taught City & Guilds Embroidery courses, and was, for many years, a City & Guilds External Verifier for various colleges in Great Britain. She has authored five books: Embroidery Skills: Machine Embroidery (published internationally in five languages), Fairy Tale Quilts and Embroidery, Christmas Stitches, Creative Machine Embroidery and Tassel Mak- ing. She is a contributing author to: Starting to Stitch Creatively (Batsford and the Merehurst Book of Needlework. Since moving to the United States she has directed and taught at the Arts Center she found- ed in Washington State - Gail Harker Center for Creative Arts. She has taught Certificate and Diploma Courses in Design and Embroidery to hundreds of students from all parts of North America. My Approach to Hand Embroidery My approach to hand embroidery developed through my own experience teaching design, textile and extended certificate courses to a variety of people over 30 years in the U.K., U.S. and Canada. The needle is similar to a fine pen or pencil - in other words, an art tool. It is possible to create designs on all types of fabrics and papers. The visual effects are so exciting and limitless. © Gail Harker Start: Session 1: June 9, 2020 Class Name: Goldenrod: 5 - 4 day sessions 2 Studies in Design and Experimental Hand Stitch 201 Course Schedule at a Glance 2020 Session 1 - June 9 - 12 Session 2 - Sept. 7 - 10 Session 3 - Dec. 1 - 4 2021 Session 4 - March 16 - 19 © Elizabeth Herrick Session 5 - June 16 - 19 Session 1 will be 4 full instructional days. Sessions 2 through 5 have a Tutorial Timetable for Session 1 Day on the first day of each session. This day is devoted to a one - on - one Day 1 – 9:30 a.m. - 5 p.m. tutorial with student and tutor. While each student is having their tutorial, Day 2 – 9:30 a.m. - 5 p.m. other students will be working on spe- Day 3 – 9:30 a.m. - 5 p.m. cial assignments. It is important to at- Day 4 – 9:30 a.m. - 3 p.m. tend the entire tutorial day in addition to the other class days. Session 2 to 4 are the same time sched- ules as #1 Session 5 may include an Open House and will finish later than 3:00 p.m. 3 Studies in Design and Experimental Hand Stitch 201 Course Aims Develop an individual Portfolio of Stitched Samples Understand stitch construction and execution Create a customized library of stitches and effects using a variety of media Gain a working knowledge of a range of fabrics, threads and papers suitable for stitchery Gain knowledge of the tools and equipment Learn how to integrate design, color and stitch, for innovative effects Explore and experiment with stitch Create a folio using various presentation styles Develop structured work methods Learn to document and evaluate one’s own work Develop sketchbooks, a stitch sketchbook and notebooks to explore and display ideas Begin a small collection of stitch and stitch artist photos Begin a collection of photos of lines, line patterns, and textures Derive inspiration and design ideas from historical and contemporary stitch studies When creating an assessment, the following aims will be met: Working from a design brief that reflects requirements and preferences Planning and preparing working designs and samples Incorporating preferences in the final design Making an original item to a high standard of design and craftsmanship Those who have studied level 1 Hand Stitch are qualified to apply. Students will be prompted to work to high standards of art and craftsmanship. Holders of the certificate for this course will be deemed to be accom- plished stitch artists. © Maria Winner 4 Studies in Design and Experimental Hand Stitch 201 Ideas and inspirations for the Fin- ished Items and Portfolio of Samples will be derived from studies in de- sign. © Martha Kliehege Assessments 1. Stitched books with special bindings 2. A beaded book 3. Portfolio of Stitched Samples 4. Computer Printed, Layered and Stitched Samples 5. Sketchbooks for design and documentation 6. Indian Study with Kantha Embroidery (Quilting) samples and finished item 7. Applique Samples and finished Item © Pa Olds © Lynda Williamson 5 Studies in Design and Experimental Hand Stitch 201 Description of the Course Students will add to samples created at Level 1 Embroidery. Session workshops will focus on the following: Design and Color Color theory and color schemes Lines, line patterns, shapes and textures Structures and elements of design. Integration of design and embroidery Combine structural patterns with embroidered motifs © George Taylor Paint, Print and Dye Procion Mx Dye will be used to hand dye threads and some fabrics Drawing and painting on paper and fabric © Gail Harker Paint and print patterns on fabric and paper Portfolio of Stitched Samples A large variety of stitches to include line stitches, textural stitches, insertion stitches, construction stitches, and composite stitches Beads, cords, edges and embellishments Interesting edges will include beaded, tasseled, and stitched Techniques and Special Effects Appliqué/Cut Back Appliqué Onlay and Shadow Appliqué Fusing and a variety of layering methods Collage © Jane Clark Fraying and distressing Couching 6 Studies in Design and Experimental Hand Stitch 201 Description of the Course Fabrics and Threads Used A variety of fabrics and other stitch surfaces will be used: e.g. linen, cotton, blends, silk, synthetic, felt, plastic, papers, transparent fabrics, and others. A number of backings, battings, stiffeners, supports, and linings will also be utilized. A variety of thread types and sizes will be used, to include cotton, silk, wool, viscose, nylon, metallics, and others. Construction and Design for Finished Items A number of different construction methods and ways in which to approach books and book covers with stitch will be taught in the sessions. Research and Study Study contemporary and historic artists Visit galleries and museums independently Keep a diary/journal of projects Historic inspirations from Indian Embroidery Presentation of Course Work Make presentations of design work for finished items Display finished items © Penny Peters © Diane Corso 7 Studies in Design and Experimental Hand Stitch 201 Course Payment Schedule Choices - Goldenrod Course Cost Divided into Two Payments Total cost of the course 2500.00 American dollars Amount may be made in two installments of 1250. each to make up a total of $2500. if paid by check, money order or cash. Installment 1 - 1250. due: March 15, 2020 Installment 2 - 1250. due: Sept. 15, 2020 OR If paying with a credit card online, please add 2.9% to each of 2 payments = 1286.25 for each of 2 instalments. We will send you a link to make a safe online payment. Course Cost Divided into Five Installments The total cost of the course may be divided into 5 instalments to make up a total of 2600.00 and may be paid by credit card or check, money order or cash. Installment 1: March 15 , 2020 - $700. Installment 2: June 15, 2020 - $600. Installment 3: Sept. 15, 2020 - $550. Installment 4: Dec. 15, 2020 - $500. Installment 5: March 15, 2020 - $250. If paying with a credit card online, we will send you a link to make a safe online payment. Please retain this page of payment schedules as invoices will not be sent. P.O. Box 1000 La Conner, WA 98257 Phone: 360 466 0110 www.gailcreativestudies.com © Katherine Kasony– Quinn 8 Course Fees, Charges, Payment, Terms, and Conditions Responsibility Submission of the signed course registration form constitutes acceptance of all terms and conditions stated in the information supplied, and agreement that the Gail Harker Center for Creative Arts cannot be held responsible or liable to our students for any act of omission, or for any injury, illness, death, loss, accident, delay or irregularity which may be occasioned during the course of any course of study. We assume no responsibility for losses or additional expenses due to influences beyond our control. Per- sonal effects and art supplies (other than art materials supplied for classroom instruction) are the sole responsibility of the student at all times. We reserve the right to cancel any program in which case we are liable only for any fees paid to Gail Harker Center for Creative Arts. We reserve the right to re- schedule any class or replace any instructor without refund to the student. Refund Policy Refunds will be made under the following circumstances: A refund of 75% of fees paid will be made upon written application received at Gail Harker Center for Creative Arts no later than 30 days prior to the start of the first session. All fees will be refunded if for any reason the class is canceled before the start date. If, for any reason, sessions are canceled after the course has begun, refunds will be prorated based on instructional time completed versus time remaining. Refunds will not be made under the following circumstances No refunds will be made later than 30 days prior to start of the first session, because of the advance com- mitment demanded of the Center.