Voices of Fire Sinai Imagery in Acts 2 and Rabbinic Midrash NJ

Voices of Fire Sinai Imagery in Acts 2 and Rabbinic Midrash NJ

Voices of fire Sinai imagery in Acts 2 and rabbinic midrash NJ Theresa Abell Haynes DOI: https://doi.org/10.30752/nj.102389 Abstract • Early followers of Jesus and later rabbinical Jews, two divergent branches of Judaism emerging respectively from the Second Temple and Post-Second Temple eras, both drew upon the cultural memory of Sinai to establish their identity. This article examines how the author of Acts used the Sinai imagery of theophanic fire in the Pentecost narrative of Acts2 to reinforce a continu- ation of Judaism and offer an inclusive expansion of it to gentile believers. Then it looks at how later rabbinic sources used Sinai images of fire and multiple languages to reinforce the authority of the Torah and their exclusive identity within the Sinai relationship. Introduction What is intriguing about this parallel is When the rabbis visualised the encounter on that the Hebrew Bible does not explicitly say Mount Sinai, the crucial moment in Jewish that God’s voice at Sinai appeared as fire or history when God spoke directly to Israel and was audible in multiple languages (Exodus gave them Torah, they saw fire (Deut.5 :4, 5, 19:16, 20:18). Neither does Acts 2, in which 22, 23, 24, 25, 26). The mountain burned with the day of Pentecost is described, explicitly fire, but more importantly, God’s voice itself mention Exodus or the revelation on Sinai. manifested as fire, flames of fire (Mekilta In fact, previous generations of biblical schol- Bahodesh 9). And even more remarkably, ars have emphasised that Acts is a book pri- as this voice emerged into the air, it was marily written for gentile Christian believers, heard and understood in multiple languages not Jewish believers (Keener 2012: 402), and (Sifre §343 F395.7–13, F399.11–15; Exodus have even argued that Pentecost, also known Rabbah 5:9).1 in Hebrew as Shavuot, was initially a harvest When the author of Acts described the festival in the Hebrew Bible and only became day of Pentecost, the crucial moment in a Sinai commemoration in later generations.2 Chris tian history when the Holy Spirit came down from heaven and filled the Jewish fol- 2 The first rabbinical mention of Pentecost as lowers of Jesus, he wrote about a great wind, an ‘anniversary of the giving of the law on tongues of fire and God’s message being Sinai’ was from Jose ben Halafta, c. 150 ce miraculously spoken and understood in mul- (Seder ‘Olam Rabbah 5) (Bruce 1990: 114). However, a growing number of scholars tiple languages (Acts 2:1–11). think the association was made much ear- lier. For a detailed treatment of this connec- 1 The image of God’s voice appearing as fire tion see Sejin Park’s published dissertation can be found in Targumic expansions as Pentecost and Sinai: The Festival of Weeks as a well (e.g. Targum Neofiti Exod 20:2). Celebration of the Sinai Event (Park 2008). Attribution 4.0 International (CC BY 4.0) Nordisk judaistik • Scandinavian Jewish Studies | Vol. 32, No. 1 30 This brings up many questions. When did However, in this article I argue that the Jewish tradition of God’s voice being vis- Luke was most likely aware of orally circu- ible as fire and audible in multiple languages lating Jewish traditions concerning God’s develop? Was it possible that Luke, the pre- voice appearing visibly as fire, and I examine sumable author of Acts,3 knew of these trad- how and why he may have drawn on Sinai itions and had them in mind when he wrote imagery to communicate his message. I then the description of the Holy Spirit’s arrival? look at later rabbinic commentaries on the Was he intentionally drawing a connection Sinai experience, and consider how and why between Sinai and the Pentecost event? And if they used images of God’s voice appearing as so, were later rabbinic authors who described fire and being audible in multiple languages. God’s voice as being visible as flames of fire To do this I begin by looking generally at and audible in multiple languages simply Sinai in Jewish literature. Then, for context recording Jewish traditions that had devel- on orally circulating Jewish Sinai traditions, oped earlier, or were they responding to the I turn to Philo’s first-century commentaries. I claims of the Jesus Movement? then look at Acts and consider how and why These questions are complicated by the the author included Sinai symbols. Finally, I ambiguous relationship between oral trad- look at specific rabbinic literature concerning itions and written record. While the earliest Sinai, focusing on how and why the writers midrashim describing God’s voice as fire are used symbols of fire and multiple languages. thought to have been redacted in the third 4 century, the ideas included in these written Mount Sinai in Jewish commentary works are likely to be older, as evidenced by Philo of Alexandria’s first-century writings. For ancient biblical interpreters, the Mount Acts, on the other hand, was probably written Sinai experience, as recorded in Exodus, was in the second half of the first century by an arguably the most significant event of the author who may or may not have been aware Hebrew Bible. From this moment forward, of Jewish traditions.5 God’s instructions, the Torah, became the central occupation of Jewish life (Kugel 1997: 3 Early church fathers unanimously regard 373). Rabbis likened it to a marriage contract, the book of Acts as being written by Luke one in which Israel was to be ‘holy’, literally, qadosh).6) קדוש ,Bruce 1990: 2, 3), a remarkable fact con- set apart) sidering Luke was not otherwise promin- ent in tradition and not a likely candidate for a pseudonym (Keener 2012: 412). ics that respond to local charges that would 4 Mekhilta de-Rabbi Ishmael and the Sifre to have been irrelevant in later years (ibid. Deuteronomy, redacted in the second half of p. 384). If we assume the book of Acts the third century (Ben-Eliyahu et al. 2013: was written within the probable lifetime 63–5, 72–4). of Luke, a companion of Paul, then the 5 Scholars disagree on an exact date for Acts, audience would have included a mixture ranging between the 60s and mid-second of Jesus-believing Jews, gentiles and ‘God century, with a majority of scholars holding fearers’ who had participated in synagogue a centrist view between the 70s and mid- culture (Acts 18:4). 80s (Keener 2012: 392). In general I agree 6 Karin Hedner Zetterholm argues that a with Keener, who argues for a date close to good analogy comes from the Jewish mar- 70, citing Lukan authorship evidenced by riage ceremony, where the husband says to the ‘we’ passages, correspondence between his bride, ‘Behold you are sanctified/separ- Acts and first-century historical events that ated (qeddushah) for me through this ring’ reflect early memory and Pauline apologet- (Zetterholm 2012: 17–18). Nordisk judaistik • Scandinavian Jewish Studies | Vol. 32, No. 1 31 Wikimedia Commons Exodus 20 records the story of God appearing to Moses on Mount Sinai and his delivering the Ten Commandments. Not- ably, the Israelite community had already agreed to Yahweh’s invitation to covenant before they received the details of the Torah (Exodus 19:8). It is in this context that Moses delivered the terms of the contract, and Israel accepted the Torah with all of its mandates for national and daily life – everything from dietary restrictions and weekly work cessa- tions to annual feasts and individual moral codes. Immediately following these Ten Com- mand ments, Exodus pauses in its delivery of legal instructions and narrates, ‘When the people saw the thunder and lightning and heard the trumpet and saw the mountain in smoke, they trembled with fear’ (Exodus 20:18 NIV). While this English transla- tion conveys the sense of overwhelming awe and fear the people experienced, there is something import ant lost in translation. This phrase translated in many English ver- sions as ‘When the people saw the thunder’, The promulgation of the Law in Mount Sinai, as in is rendered literally as Exodus 20:1, 2, 18–21. Illustration from the 1728 ,וכל העם רואים את הקולות Figures de la Bible; illustrated by Gerard Hoet (1648– ‘and all the people saw the voices’: the Hebrew 1733) and others, and published by P. de Hondt in ,ha-qolot), often translated in The Hague. Image courtesy Bizzell Bible Collection) הקולות word English as ‘thunder’, can also be translated University of Oklahoma Libraries. as ‘voice’, or in this case ‘voices’. The second ,(ha-lapidim) הלּפידם ,object the people saw is also plural and has been translated ‘light- as fire (Mekilta Bahodesh 9, Sifre §343 ning’, or ‘lightning flashes’ (Exodus 20:18). F399.11–15). However, this word can literally be translated The earliest rabbinical examples of this ‘flames’ or even ‘tongues of fire’ (Fraade 1991: concept in rabbinic literature can be found in 45; Larsson 1999: 135; Zetterholm 2012: 19). the Mekhilta de-Rabbi Ishmael and the Sifre Ancient biblical commentators, who to Deuteronomy, both of which were redacted regarded textual inconsistencies as inten- in the second half of the third century (Ben- tional divine clues and an invitation for fur- Eliyahu et al. 2013: 63–5, 72–4). Even so, the ther investigation (Kugel 1997: 1–36; Zetter- idea seems to pre-date the rabbinic move- holm 2012: 71), asked the question of how ment. Nearly two centuries earlier, Philo of Israel could ‘see’ God’s voice. What would Alexandria also envisioned God’s voice as it look like? Rabbinic commentators came being like fire.

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