THE SOLOISTS KINSHI TSURUTA, born in Ebeotsu Asahi- kawa in the Hokkaido Prefecture, is a player of the traditional Japanese instru- ment, the biwa. In November 1961 she appeared on stage for the first time since World War II in a joint recital. On film she has been heard in the music of Takemitsu for Kwaidan. She and Katsuya Yokoyama created the music for a series of television dramas, Yoshitsune, broadcast by NHK. photo by Dick Loek Takemitsu wrote a new work for Kinshi Tsuruta and Mr Yokoyama called Eclipse, played at the Nissei Theater in May 1966. KATSUYA YOKOYAMA, a leading player of the shakuhachi, was born in Kohnuki Numazu, Shizuoka Prefecture. He is known for his interpretation of almost all the new music written for his instrument in Japan. He is also a member of 'Sanbonkai', a trio of Japanese instrumentalists. His playing has been heard in the film scores by Take- mitsu for Seppuku and Kwaidan as well as in the television series Yoshitsune. His tra- SM^^^^M^^^^*. JJ. photo by Dick Loek ditional instrument is a bamboo flute, and his technique has been inherited from his teacher, Watazumi. Both Kinshi Tsuruta and Katsuya Yokoyama have taken part in the recording of November steps no. 1 with the Toronto Symphony, conducted by Seiji Ozawa, for RCA. EVELYN MANDAC, born in the Philippines, took her degree in music at the University of the Philippines. She then studied for several years at Oberlin College and the Juilliard School of Music. Last season she appeared with the Orchestras of Honolulu and Phoenix, with the Oratorio Society of New York and the Dallas and San Antonio Symphonies. In opera she sang leading roles with the San Antonio and Santa Fe Opera Companies. During the 1969-1970 season Evelyn Mandac, who makes her first appearances with the Boston Symphony at these concerts, will sing with the San Francisco Opera, the Minnesota Orchestra and the Philadelphia Orchestra. She will also join the Juilliard Quartet on a coast to coast tour. Her repertoire includes Liu in Turandot, Pamina in Die Zauberflote, Susanna in Le nozze di Figaro, Salud in La vida breve and Mimi in La Boheme. Equally at home with contemporary music, she appeared in the American premiere of Berio's Passaggio and, more recently, in Henze's The Bassarids. 446.