Vector 242 The critical magazine of the British Science Fiction Association| The British Science Fiction Association Contents Officers President Sir Arthur C. Clarke, CBE The View from the Stool and Steps 3 Vice President Stephen Baxter Editorial by Andrew M. Butler Joint Chair Paul & Elizabeth Billinger New Worlds and the New Wave 4 1 Long Row Close, Everdon, Daventry NN11 3BE in Fandom [email protected] Rob Latham on Fan Culture and the Reshaping of Treasurer Martin Potts Science Fiction in the Sixties 61 Ivy Croft Road, Warton, Near Tamworth B79 0JJ Robert Sheckley's Comic Labyrinths 13 [email protected] Andrew M. Butler offers an appreciation of one of the Membership Services Estelle Roberts great comic sf writers (UK & Europe) 97 Sharp Street, Newland Avenue, Hull HU5 2AE First Impressions 17 [email protected] Book Reviews edited by Paul N. Billinger US Agent Cy Chauvin 14248 Willfred Street, Detroit, MI Picture Credits: Cover: Michael Moorcock in 1963, photo by Bruce Burn. 48213, USA Page 5: Michael Moorcock, Brian Aldiss and Harry Harrison at Brumcon in 1965, photo by Norman Shorrock. Page 9: Moorcock at Brumcon in 1965, Membership fees photo by Jim Groves. Special thanks to the source, Peter Weston. UK £21 pa, or £14pa (unwaged) Life membership £190 Vector Europe £26 pa USA $37 pa (surface mail) $47 pa (airmail) Editors Rest of the World £26 pa (surface mail) £32 pa (airmail) Features, Andrew M. Butler UK and Europe, make cheques payable to: BSFA Ltd and send to Estelle Editorial and c/o Department of Media and Roberts at the address above. Letters Arts, Canterbury Christ Church US cheques payable to: Cy Chauvin (BSFA) University College, North The BSFA was founded in 1958 and is a non-profitmaking organisation entirely staffed by unpaid volunteers. Registered in England. Limited by Holmes Road, Canterbury guarantee. 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Billinger amaranth@ amaranth.aviators.net 1 Long Row Close, Everdon, BSFA Awards Claire Brialey 59 Shirley Road, Croydon, Surrey CR0 7ES Daventry NN11 3BE awards @ fishlifter.demon.co.uk [email protected] Orbiter Writng Groups Gillian Rooke Southview, Pilgrims Lane, Chilham, Kent, Production and Tony Cullen CT4 8AB General 16 Weaver’s Way, Camden, Other BSFA Publications London NW1 0XE [email protected] Matrix: The news magazine of the BSFA Commissioning Editor Tom Hunter Associate Editor Tanya Brown 46 Saltwell Street, London, E14 0DZ [email protected] amaranth@ amaranth.aviators.net Features & News Editor Claire Weaver Published by the BSFA ©2005 ISSN 0505 0448 17 Clandon Street, St Johns, London SE8 4EL [email protected] All opinions are those of the individual contributors Production & Media Martin McGrath and should not necessarily be taken as the views of the Editor 48 Spooners Drive, Park Street, St Albans, AL2 2HL editors or the BSFA [email protected] Focus: The writer's magazine of the BSFA Printed by PDC Copyprint (Guildford), Middle Unit, 77-83 Walnut Tree Close, Guildford, Surrey GU1 4UH Editor Simon Morden 13 Egremont Drive, Sherriff Hill, Gateshead NE9 5SE [email protected] July/August 2005 • Vector 242 Editorial The View from the Stool and Steps the episodes not written by Russell T. Davis, which is a shame since I like his work on the whole. There have been two very effective episodes, one focusing on a father There is an old joke asking how many Star Trek fans it and a daughter, the other on a mother and a son. But I takes to change a light bulb - the answer being any miss the cliff-hangers, the luxury of four or more episodes number above three, one doing the actual changing, and of screen time, and I wish that it took longer than forty- the others saying how much they prefer the original. five minutes to put the Earth in peril and rescue it. Though, actually, I'm sure there are enough intelligent Meanwhile that seminal 1978 radio drama, The Hitch­ Star Trek fans out there that the one who is changing the light bulb would also be able to chip into the Hikers Guide to the Galaxy returned for a third and fourth series, with the original cast... which must have been conversation without falling off his ladder or electrocuting news for the estates of Peter Jones and Richard Vernon, herself. So the answer might be two; one to change it, and who clearly had been operating under false pretences. the other to hold a conversation with about how the Jones was recast, as was Vernon - another Richard, original was better. There's another possibility - without Griffiths this time - but the voices never quite sounded casting any aspersions on the social skills of Star Trek right. The Book was too knowing, Slartibartfast not weary fans, one person could change a bulb on their own and enough. And then there was the movie - inexplicably still prefer the original. Why have the conversation? fought for by Adams, explicably delayed by studios. Yet But I digress. There isn't the point. here it was at last, the first four episodes, or rather the first Back in the early 1960s a bunch of young turks came book, shoehorned into the length of a feature. along and shook science fiction to its very foundations - “You must be dying to see it,” said my colleagues. and many people tried to grasp hold of what was solid In fact I was rather worried about seeing it, although a and real and reassuring and clung onto the old wave. A plan to see it after a curry and a pint with a group of other genre that was all about change and possibilities had a sceptics seemed an attractive possibility even if we didn't conservative rump, afraid of change. The same thing get to the cinema. That never came to fruition, so I saw happened with cyberpunk, two decades later. the last screening in Canterbury before it vanished. As I guess I watched Star Trek whenever I could as a Colin Odell more or less said to me, if there had never child. I started watching Doctor Who with the been a radio series, a play, a record, a book, a talking introduction of Leela - though not because of her - and book, a television series and a towel this would have been watched it consistently until the McCoy incarnation meant a remarkable piece. As it was, the sense of what was cut, I found better things to do. I missed the first season of for me, overshadowed what was there; the lines about Blake’s 7 but stayed through to the bloody end, and I plans being on display in a locked filing cabinet in a even saw all the episodes of Star Cops. A-levels and basement without any lights or indeed stairs became college and Michael Grade intervened - though not something like “I had to go to the basement”, and were necessarily in that order - and something called The Next consequently less funny. It has its moments, but, as with Generation passed me by, though not sufficiently distantly the radio version of The Lord of the Rings, the original that I didn't note the chief barman at the union looked voices are imprinted on me and are hard to shake. Ian rather familiar, disappeared every Wednesday at 6 and Holm is Frodo not Bilbo (John Le Mesurier is Bilbo) and was called John (or Jean).... The beginning of Deep Space the incomparable Bill Nighy is Sam. Nine passed me by, tv-less, and I never seemed to catch Then there's the biggie: Star Wars Episode III, and to the allegedly decent episodes of Babylon 5. I enjoyed bits some of my colleagues' surprise I was not camped out of the first series of The X-Files, but didn't have the trying to buy tickets for the advance screening. I haven't stamina to keep scepticism suspended, and the pilot of enjoyed the previous three instalments (although Jedi is Voyager didn't tickle my fancy. better than I gave it credit for), and so going to see a For reasons which escape me, I did rather take to fourth seems rather like the triumph of optimism over Enterprise and Smallville, enjoying perhaps the revisiting experience. It ought to be really dark, and we ought to of old friends, seen from different angles. Would I be find out why Darth didn't spot the flaw in the Death Star upset if the video didn't tape an episode? Not really. plans, and why Kenobi ages about forty years in twenty, Would I be upset if Channel 4 dropped them for parties but I'm not convinced that this George Lucas can do that on a beach or racing? I doubt it. I missed half a season of movie. In a sense, I'm presold to go, but preprogrammed both when reception got too bad, but feel back up to to not like it. Some of my mates have told me how great it speed again. It wouldn't matter that much, but they are was, but they weren't even conceived when Jedi came the most visible faces of genre, they define science fiction out. for people outside the science fiction community. These I should keep an open mind, of course, and I need to are as other people see us: bulbs that are changed, and see it for my job, for its positioning in the greater science shiny.