Composer and Arranger Index

Composer and Arranger Index

Composer and Arranger Index Titles in bold are texts included in Translations and Annotations of Choral Repertoire, vols. 1 (Latin), 2 (German), and 3 (French & Italian). Alexander, John Musica.........................................................................................................................68, 86 ____________. Sweet Harmony.............................................................................................................147 ____________. & Ryan McSweeney, arr. Buffalo Gals......................................................................................................................62 Allegri, Gregorio Miserere mei, Deus................................................................................................47, 117 Bacalov, Luis Misa Tango ..........................................................................................................................1 Bach, Carl Philipp Emanuel Magnificat......................................................................................................................143 Bach, Johann Sebastian Mass in B Minor, BWV 232 ..............................................................................................3 ____________. Fürchte dich nicht, ich bin bei dir, BWV 228.............................................................148 ____________. Jesu, meine Freude, BWV 227.......................................................................................143 ____________. Komm, Jesu, komm, BWV 229.......................................................................................94 ____________. Magnificat in D Major, BWV 243..................................................................................43 ____________. Mass in B Minor, BWV 232.............................................................................................3 ____________. Missa brevis in A Major, BWV 234..............................................................................49 ____________. Missa brevis in G Minor, BWV 235 .............................................................................44 ____________. Nun ist das Heil, BWV 50 ...........................................................................................153 ____________. Sing to the Lord a New Song, BWV 225.....................................................................48 ____________. Singet dem Herrn ein neues Lied, BWV 225...........................................................48, 97 ____________. St. John Passion, BVW 245.................................................................................................5 Badings, Henk La complainte des âmes (Trois chansons bretonnes, No. 2) .....................................142 ____________. La nuit en mer (Trois chansons bretonnes, No. 1) ......................................................142 ____________. Soir d’été (Trois chansons bretonnes, No. 3) ...............................................................142 ____________. Three Songs from Brittany ..........................................................................................142 ____________. Trois chansons bretonnes ...........................................................................................142 Ball, Ernest, arr. When Irish Eyes Are Smiling ......................................................................................107 Banchieri, Adriano La battaglia ....................................................................................................................111 Barber, Samuel Agnus Dei (arr. of Adagio for Strings)....................................................................7, 90 ____________. Prayers of Kierkegaard.........................................................................................................8 ____________. The Coolin’ (from Reincarnations), Op. 16, No. 3................................................81, 139 ____________. To Be Sung on the Water, Op. 42, No. 2...............................................................61, 138 Bárdos, Lajos Cantemus! ......................................................................................................................138 Barnett, Carol The Last Invocation ........................................................................................................53 Beethoven, Ludwig van Choral Fantasy, Op. 80.....................................................................................................2 ____________. Missa solemnis, Op. 123..................................................................................................9 Belmont, Jean The Passionate Shepherd ...............................................................................................80 Bennett, John Weep, O Mine Eyes.......................................................................................................112 Berkey, Jackson, arr. Sacramento~Sis Joe.........................................................................................................65 Bernstein, Leonard French Choruses from The Lark .................................................................................116 ____________. Court Song (from The Lark) .................................................................................85, 116 ____________. Make Our Garden Grow................................................................................................83 ____________. Missa brevis .....................................................................................................................59 ____________. Soldier’s Song (from The Lark) ...........................................................................85, 116 ____________. Spring Song (from The Lark) ...............................................................................85, 116 ____________. Suite from West Side Story .............................................................................................151 Biebl, Franz Ave Maria ........................................................................................................................93 Billings, William Chester..............................................................................................................................57 Bingen, Hildegard von O coruscans lux stellarum............................................................................................141 Boulanger, Lili Les sirènes ........................................................................................................................56 ____________. Little Buddhist Prayer ....................................................................................................17 ____________. Psaume XXIV (Psalm 24) ...............................................................................................78 169 ____________. Soir sur la plaine ......................................................................................................56, 78 ____________. The Mermaids (Les sirènes)...........................................................................................56 ____________. Vielle prière bouddhique...............................................................................................17 Brahms, Johannes Alto Rhapsody, Op. 53...................................................................................................14 ____________. A German Requiem, Op. 45 ...........................................................................................15 ____________. Brennessel steht an Weges Rand (from Vier Zigeunerlieder, op. 112)...................114 ____________. Come away, Death, Op. 17, No. 2 ..............................................................................130 ____________. Drinking Song (Taffelied), Op. 93b ..............................................................................56 ____________. Ein deutsches Requiem, Op. 45 .....................................................................................15 ____________. Four Gypsy Songs (Vier Zigeunerlieder), Op. 112 ......................................................114 ____________. Four Songs for Women’s Chorus, Op. 17...................................................................130 ____________. Gesang der Parzen, Op. 89.............................................................................................13 ____________. Himmel strahlt so helle (from Vier Zigeunerlieder, op. 112)...................................114 ____________. I Hear a Harp, Op. 17, No. 1........................................................................................130 ____________. Liebe Schwalbe, kleine Schwalbe (from Vier Zigeunerlieder, op. 112) ................114 ____________. Liebeslieder Walzer, Op. 52...........................................................................................56 ____________. Lied von Shakespeare, Op. 17, No. 2 ........................................................................130 ____________. Love Song Waltzes (Liebeslieder Walzer), Op. 52 .....................................................56 ____________. Nänie, Op. 82 ...........................................................................................................14, 101 ____________. Neue Liebeslieder-Walzer, Op. 65 ................................................................................52 ____________. New Love Song Waltzes, Op. 65...................................................................................52 ____________. O süsser Mai, Op. 193a.................................................................................................129

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    9 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us