The Power of Talk

The Power of Talk

FROMHBR THE HARVARD BUSINESS REVIEW OnPoint ARTICLE That mild-mannered The Power of Talk: manager who rarely speaks up in meetings Who Gets Heard and Why may have the best by Deborah Tannen solutions to your company’s worst problems—if only you’d listen. New sections to guide you through the article: • The Idea in Brief • The Idea at Work • Exploring Further. PRODUCT NUMBER 9977 THE IDEA IN BRIEF The Power of Talk: Who Gets Heard and Why You can spot a competent colleague with a linguistic style, we deprive our companies of great idea a mile away. Or can you? the opportunity to benefit from those ideas. Most of us judge others’ competence—as well Linguistic style differences are especially notice- as their confidence and authority—by the way able between genders. In U.S. businesses, where they talk. Based on what we hear, we decide men’s speaking style dominates, women may be whether a boss’, peer’s, or subordinate’s ideas ignored, interrupted, and passed over for pro- merit our attention and support. motions—even if they’re highly competent. There’s only one problem with this process: How to make sure your talented employees We all speak different “languages.” We assign get heard, get credit, and get work done—no different meaning to linguistic behaviors such matter what “language” they speak? Hone your as questioning, apologizing, and being indirect. awareness of different linguistic styles. Then Result? We misjudge one another—ignoring develop flexible approaches to meetings, men- or outright rejecting someone’s ideas because toring, and performance evaluation. Finally, we’ve decided he lacks competence. adjust your style to those of individuals with whom you interact. But any company’s success hinges on its man- agers’ ability to recognize—and implement—good Responding flexibly to various styles of inter- ideas. When we undervalue and reject certain action is especially important in today’s ideas because we misunderstand their presenter’s culturally diverse and global business world. THE IDEA AT WORK This table shows examples of styles of talking (including the assumptions behind each style) and unintended consequences a company may suffer because of misinterpreted stylistic differences. Style of Talking Unintended Consequences of Style Sharing Credit Uses “we” rather than “I” to describe Speaker doesn’t get credit for accomplishments. accomplishments and may hesitate Why? Using “I” seems too self-promoting. to offer good ideas in the future. Acting Modest Downplays their certainty, rather than mini- Speaker appears to lack confidence mizing doubts, about future performance. and, therefore, competence; others Why? Confident behavior seems reject speaker’s good ideas. too boastful. Asking Questions Asks questions freely. Speaker appears ignorant to others; Why? Questions generate needed if organization discourages speaker knowledge. from asking questions, valuable knowl- edge remains buried. Apologizing Apologizes freely. Speaker appears to lack authority. Why? Apologies express concern for others. Giving Feedback Notes weaknesses only after first Person receiving feedback concludes citing strengths. that areas needing improvement aren’t Why? Buffering criticism saves face for important. the individual receiving feedback. Avoiding Verbal Avoids challenging others’ ideas, and Others conclude that speaker has Opposition hedges when stating own ideas. weak ideas. Why? Verbal opposition signals destructive fighting. Managing Up Avoids talking up achievements Managers conclude that speaker hasn’t with higher-ups. achieved much and doesn’t deserve Why? Emphasizing achievements to recognition or promotion. higher-ups constitutes boasting. Being Indirect Speaks indirectly rather than bluntly Subordinates conclude that manager when telling subordinates what to do. lacks assertiveness and clear thinking, Why? Blatantly directing others is too bossy. and judge manager’s directives as unimportant. HBR OnPoint © 2002 by Harvard Business School Publishing Corporation. All rights reserved. The Power of Talk: by Deborah Tannen The head of a large division of a multinational reasonable approach. But my field of research, socio- corporation was running a meeting devoted to per- linguistics, suggests otherwise. The CEO obviously formance assessment. Each senior manager stood thinks he knows what a confident person sounds up, reviewed the individuals in his group, and eval- like. But his judgment, which may be dead right for uated them for promotion. Although there were some people, may be dead wrong for others. women in every group, not one of them made the Communication isn’t as simple as saying what cut. One after another, each manager declared, in you mean. How you say what you mean is crucial, effect, that every woman in his group didn’t have and differs from one person to the next, because us- the self-confidence needed to be promoted. The di- ing language is learned social behavior: How we vision head began to doubt his ears. How could it be talk and listen are deeply influenced by cultural ex- that all the talented women in the division suffered perience. Although we might think that our ways from a lack of self-confidence? of saying what we mean are natural, we can run In all likelihood, they didn’t. Consider the many into trouble if we interpret and evaluate others as women who have left large corporations to start if they necessarily felt the same way we’d feel if we their own businesses, obviously exhibiting enough spoke the way they did. confidence to succeed on their own. Judgments Since 1974, I have been researching the influence about confidence can be inferred only from the way of linguistic style on conversations and human re- people present themselves, and much of that pre- Deborah Tannen is University Professor and a professor sentation is in the form of talk. of linguistics at Georgetown University in Washington, The CEO of a major corporation told me that he D.C. She is the author of 15 books, including You Just often has to make decisions in five minutes about Don’t Understand: Women and Men in Conversation matters on which others may have worked five (William Morrow, 1990), which introduced to the gen- months. He said he uses this rule: If the person eral public the idea of female and male styles of com- making the proposal seems confident, the CEO ap- munication. The material in this article is drawn from proves it. If not, he says no. This might seem like a Talking from 9 to 5 (Avon Books, 1995). Copyright © 1995 by the President and Fellows of Harvard College. All rights reserved. PHOTOS BY CHRISTOPHER MAKOS We all know what confidence, competence, and authority sound like. Or do we? Who Gets Heard and Why lationships. In the past four years, I have extended view. Linguistic style refers to a person’s character- that research to the workplace, where I have ob- istic speaking pattern. It includes such features as served how ways of speaking learned in childhood directness or indirectness, pacing and pausing, affect judgments of competence and confidence, as word choice, and the use of such elements as jokes, well as who gets heard, who gets credit, and what figures of speech, stories, questions, and apologies. gets done. In other words, linguistic style is a set of culturally The division head who was dumbfounded to hear learned signals by which we not only communicate that all the talented women in his organization what we mean but also interpret others’ meaning lacked confidence was probably right to be skepti- and evaluate one another as people. cal. The senior managers were judging the women Consider turn taking, one element of linguistic in their groups by their own linguistic norms, but style. Conversation is an enterprise in which peo- women – like people who have grown up in a differ- ple take turns: One person speaks, then the other ent culture – have often learned different styles of responds. However, this apparently simple ex- speaking than men, which can make them seem change requires a subtle negotiation of signals so less competent and self-assured than they are. that you know when the other person is finished and it’s your turn to begin. Cultural factors such as What Is Linguistic Style? country or region of origin and ethnic background influence how long a pause seems natural. When Everything that is said must be said in a certain Bob, who is from Detroit, has a conversation with way – in a certain tone of voice, at a certain rate his colleague Joe, from New York City, it’s hard for of speed, and with a certain degree of loudness. him to get a word in edgewise because he expects a Whereas often we consciously consider what to say slightly longer pause between turns than Joe does. before speaking, we rarely think about how to say A pause of that length never comes because, before it, unless the situation is obviously loaded – for ex- it has a chance to, Joe senses an uncomfortable si- ample, a job interview or a tricky performance re- lence, which he fills with more talk of his own. HARVARD BUSINESS REVIEW September-October 1995 139 THE POWER OF TALK Both men fail to realize that differences in conver- They use language to negotiate how close they are; sational style are getting in their way. Bob thinks for example, the girl you tell your secrets to be- that Joe is pushy and uninterested in what he has comes your best friend. Girls learn to downplay to say, and Joe thinks that Bob doesn’t have much to ways in which one is better than the others and to contribute. Similarly, when Sally relocated from emphasize ways in which they are all the same. Texas to Washington, D.C., she kept searching for From childhood, most girls learn that sounding too the right time to break in during staff meetings – sure of themselves will make them unpopular with and never found it.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    14 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us