Regional Oral History Office University of California The Bancroft Library Berkeley, California S6ndor Salgo TEACHING MUSIC AT STANFORD, 1949-1974, DIRECTING THE CARMEL BACH FESTIVAL AND THE MARIN SYMPHONY, 1956-1991 With an Introduction by Robert P. Commanday Interviews Conducted by Caroline C. Crawford in 1994-1996 Copyright 0 1999 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by legal agreements between The Regents of the University of California and SQndor Salgo and Patricia Salgo dated October 26, 1995, and February 15, 1996, respectively. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. Requests for permission to quote for publication should be addressed to the Regional Oral History Office, 486 Library, University of California, Berkeley 94720, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. The legal agreement with SQndor Salgo and Patricia Salgo require that they be notified of the request and allowed thirty days in which to respond. It is recommended that this oral history be cited as follows: SBndor Salgo, "Teaching Music at Stanford, 1949-1974, Directing the Camel Bach Festival and the Marin Symphony, 1956- 1991," an oral history conducted in 1994- 1996 by Caroline C. Crawford, Regional Oral History Office, The Bancroft Library, University of California, Berkeley, 1999. Copy no. Cataloguing Information SALGO, SBndor (b. 1909) Conductor and Professor Teaching Music at Stanford University, 1949-1974, Directing the Carmel Bach Festival and the Marin Symphony, 1956-1991, vii, 190 pp. Family history, early musical education, violin, in Hungary; studies in Berlin with Carl Flesch and Fritz Busch in Berlin; playing at Bayreuth with Toscanini and Furtwangler, 1930, and in the U.S. with the Roth Quartet, 1937; from 1939-1949 teaching, performing at Westminster Choir College and Princeton University, studying with George Szell, marriage to Priscilla Patterson, Army service; music faculty at Stanford University, 1949-1974; Music in the Vineyards and other conducting assignments; directing Marin, San Jose and Modesto Symphony orchestras; Carmel Bach Festival, 1956-1991. Includes conversations with PRISCILLASALGO on her early life and career in church music on the Peninsula, and the Carmel Bach Festival. Introduction by Robert Commanday, former senior music critic of the San Francisco Chronicle and editor of The San Francisco Classical Voice. Interviewed 1994-1996 by Caroline Crawford, Regional Oral History Office, The Bancroft Library, University of California, Berkeley. ACKNOWLEDGEMENTS The Bancroft Library, on behalf of future researchers, wishes to thank the following persons and organizations whose contributions made possible this oral history of SBndor Salgo. Davis Factor, Jr. Drs. Knox and Carlotta Mellon Lee and Shirley Rosen Stanford University, Office of the President Betsy and Robert Sullivan Jeptha and Elizabeth Wade TABLE OF CONTENTS--SBndor Salgo INTRODUCTION by Robert Commanday INTERVIEW HISTORY BIOGRAPHICAL INFORMATION EARLY YEARS, EDUCATION AND LIFE IN HUNGARY: 1909-1939 Parents and Family Remembering Music in Vienna Life in Hungary: Forbidden Things Early Schooling and the Franz Liszt Academy of Music, 1925- 1928 Studying with Imre Waldbauer, Leo Weiner, and ZoltBn KodBly Bela Bart6k and a Repressive Hungarian Government Performing with the String Quartet; Playing for Bart6k Studying with Carl Flesch and Fritz Busch, 1928-1929 Assistant Concertmaster with the Budapest Oratorio Society, 1935 More about Fritz Busch, Berlin and Dresden, 1928-1929 Serving as Concertmaster at the King's Theater, 1928-1930, and Touring with a Gypsy Orchestra Playing with the Budapest Opera Orchestra, 1931-1939 Three Weeks at Bayreuth with Furtwangler and Toscanini, 1930 More about the Budapest Opera Orchestra and a Summer with Richard Strauss in the 1930s Playing with the Roth Quartet in the U.S. in 1937 Quartet Performances for Mrs. Montgomery at the U.S. Embassy Residence, 1937-1939; Obtaining a U.S. Visa A NEW LIFE IN THE UNITED STATES: 1939-1949 Teaching and Performing at Westminster Choir College and Princeton Lessons with George Szell Meeting Priscilla Salgo, Marriage and Military Service, 1943-1946 Life and Work in Princeton: Teaching, Conducting, and Chamber Music THE CALIFORNIA YEARS--STANFORD UNIVERSITY: 1949-1974 Wallace Sterling and the Musical Climate Colleagues and Students The Opera Program at Stanford Conducting the San Francisco Symphony A Famous Beethoven Course: Music 300 Stanford Campus Homes and Raising Debbie Salgo The Stanford Composers Series Music Directorship at Paul Masson Vineyards, 1954, and Other Conducting Assignments Special Friendships at Stanford Conducting the San Jose Symphony and Modesto Symphony Orchestras, 1951-1970 IV DIRECTING THE MARIN SYMPHONY ORCHESTRA: 1956-1989 82 Interview with Caroline Livermore 82 Makeup of the Orchestra and Programming 83 Conducting the Berlin State Opera, 1978 9 1 With the Weimar Chamber Orchestra in Leipzig and Chancellor Schmidt in Camel 93 V THE CARMEL BACH FESTIVAL: 1935-1991 Founders Dene Denny, Hazel Watrous, Ralph Linsley, and First Seasons Gastone Usigli, 1938-1956 The Salgo Years, 1956-1991, and New Directions for the Festival Performing the Passions and Masses; Thoughts about Performance Practice The Festival Choruses and Musicians Concerts in Carmel Mission Carmel's Musical Climate and Festival Support The Festival Administration The Festival Chorale and Chorus and the Sunset Center Hall The Salgo Partnership Doing It "Bachls Way" Retiring from the Festival and Remembering the Highlights Epilogue TAPE GUIDE 134 APPENDIX Letter from Albert Einstein, April 8, 1942 135 "Composer-Critic Praises Stanford's Musicianship," Sari Francisco Chronicle, June 10, 1953; and, "Salgo Paces S.F. Symphony In Well-Balanced Concert," San Jose Mercury-Herald, 1956 13 6 "Stanford Opera: University Tackles 'Impossible' But Does Right by Prokofieff," San Francisco Chronicle, and "Stanford Does Very Well By Verdi Opera 'Falstaff,'" San Francisco Chronicle 13 7 "Salgo Credits Hungarians," San Francisco Chronicle, July 21, 1991 138 "Sandor Salgo," Pacific Sun, September 10-16, 1976 139 "Celebrations Galore for Bach Fest," Los Anneles Times, August 4, 1985 140 "Salgo's 'Requiem' in Marin," San Francisco Chronicle, April 18, 1989 14 2 "An Upbeat Farewell From Sandor Salgo," San Francisco Chronicle, November 14, 1989 143 "Dramatic Finish for Carmel Bach Festival," San Francisco Chronicle, August 6, 1991 144 Excerpts from Program, 1991 Carmel Bach Festival, 54th Season 145 "Acknowledgements," by SAndor Salgo 186 INDEX 190 LIST OF ILLUSTRATIONS Frontispiece: SBndor Salgo [SS] conducting the Carmel Bach Festival Orchestra, 1991. After page 52: 1. SS in the early 1950s at Stanford University; Priscilla Salgo in 1944. 2. SS receiving the Lloyd Dinkelspiel Award from President Richard Lyman at Stanford University, June 16, 1974. 3. Text of the Lloyd Dinkelspiel Award. 4. SS1s final concert at Stanford University, Beethoven's Ninth Symphony, 1974. 5. Portraits of SS by Ansel Adams for the Carmel Bach Festival program, 1960s. 6. SS receiving the German Order of Merit, First Class, in 1969. Maestro and Priscilla Salgo at the presentation of the Chevalier des Arts et Lettres Award in 1978, 7. Conducting at the Paul Masson Vineyards, 1970s. 8. Rehearsing the Marin Symphony Orchestra in the 1970s. 9. Maestro Salgo and Darius Milhaud, early 1970s. 10. Priscilla Salgo researsing a preconcert wamup in Carmel, and Maestro Salgo conducting the Haydn Farewell Symphony in Carmel, 1980s. 11. Priscilla Salgo conducting the Festival Chorale, 1990s. 12. The Salgos at a post-Festival roundup party, Carmel, California. 13. Curtain calls for Mozart's Abduction from the Seraglio at the Carmel Bach Festival, 1990. 14. Maestro Salgo conducting a Festival perfomance,'1991. Photographs provided by Maestro and Mrs. Salgo and produced on CD-ROM by Bruce Wolfe. INTRODUCTION by Robert P. Comrnanday History has a strange way of bringing the right person to a time, place and situation