Four Plus One Ensemble

Four Plus One Ensemble

What The Press Is Saying About The Four Plus One Ensemble CD: Four Plus One Ensemble Intuition Records (1999) There's as much chamber music (whatever that means) as jazz (whatever that means) here, and some very strong compositions and playing. Horvitz plays acoustic and electric piano on this CD, often feeding his playing into Tucker Martine's box of tricks. Eyvind Kang and Julian Priester play superbly throughout, with Priester's solo on "Cotton Club" a highlight. It's rewarding to listen to what's going on behind the soloist-beneath Priester's "Cotton Club" solo, there's a contrastingly delicate violin and keyboard commentary. John Whitten, Earshot Jazz Between the bucolic pianism of Take Me Home and the closing Electro-folk stew ofCalder/Snake Eyes, 4 + 1 Ensemble covers a lot of ground. There's very little grandstanding amid the attentiveness and considered contextualisation. Horvitz evinces a very individual appreciation of rhythm, particularly the ability to govern dynamic tension via its manipulation. Tim Owen, The Wire (UK) CD: From A Window Avant Records (2001) ... another one, filled with space and light, though refracted in ways that only composer Wayne Horvitz could accomplish. His angular chords require a dedicated ear ... but the payoff is tremendous. Ned Wharton, Weekend Edition From A Window is a stellar follow up to the 1998 Intuition Records release 4 plus 1 Ensemble. Horvitz is a master of painting serene soundscapes where taken from a distance they appear placid. A closer look (listen) and the scene gets interesting. 4 + 1 assembles musicians to do just such subversive work. The violin sensation Eyvind Kang complements avant trombone master Julian Priester as Reggie Watts, Tucker Martine, and Horvitz add electronic splashes and tones into an intricate mix of sometimes meditative, sometimes attention diverting music. Mark Corroto, All About Jazz They float like both a bubble and an underlying, viscous liquid. They cut a grooving dance rug that’s part down-tempo, part soul, and partly just beyond category. Andrew Bartlett, Earshot Jazz .

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    1 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us