Supreme Court of the United States ------♦ ------ARNOLD SCHWARZENEGGER, in His Official Capacity As Governor of the State of California, and EDMUND G

Supreme Court of the United States ------♦ ------ARNOLD SCHWARZENEGGER, in His Official Capacity As Governor of the State of California, and EDMUND G

No. 08-1448 ================================================================ In The Supreme Court of the United States --------------------------------- ♦ --------------------------------- ARNOLD SCHWARZENEGGER, in his official capacity as Governor of the State of California, and EDMUND G. BROWN, JR., in his official capacity as Attorney General of the State of California, Petitioners, v. ENTERTAINMENT MERCHANTS ASSOCIATION and ENTERTAINMENT SOFTWARE ASSOCIATION, Respondents. --------------------------------- ♦ --------------------------------- On Writ Of Certiorari To The United States Court Of Appeals For The Ninth Circuit --------------------------------- ♦ --------------------------------- BRIEF OF AMICUS CURIAE ID SOFTWARE LLC IN SUPPORT OF RESPONDENTS --------------------------------- ♦ --------------------------------- J. GRIFFIN LESHER JAMES T. DRAKELEY AMY YEUNG D. WADE CLOUD, JR. KEVIN J. KEITH ZENIMAX MEDIA INC. 1370 Piccard Drive, Suite 120 HIERSCHE, HAYWARD, Rockville, Maryland 20850 DRAKELEY & URBACH, P.C. 15303 Dallas Parkway, Suite 700 Addison, Texas 75001 PAUL E. SALAMANCA Counsel of Record 279 Cassidy Avenue Lexington, Kentucky 40502 (859) 338-7287 [email protected] Counsel for Amicus Curiae September 17, 2010 ================================================================ COCKLE LAW BRIEF PRINTING CO. (800) 225-6964 OR CALL COLLECT (402) 342-2831 i TABLE OF CONTENTS Page TABLE OF AUTHORITIES ................................. ii STATEMENT OF INTEREST ............................. 1 SUMMARY OF ARGUMENT .............................. 4 ARGUMENT ........................................................ 6 I. VIDEO GAMES HAVE THE SAME CLAIM TO CONSTITUTIONAL PRO- TECTION AS TRADITIONAL FORMS OF CREATIVE EXPRESSION .................. 6 II. THIS COURT SHOULD CONFIRM THAT THE FIRST AMENDMENT PRO- TECTS VIDEO GAMES AS MUCH AS ANY OTHER ARTISTIC MEDIUM........... 14 III. VIDEO GAMES’ DISTINCTIVE CHAR- ACTERISTICS DO NOT EXCLUDE THEM FROM FULL CONSTITUTIONAL PROTECTION ........................................... 19 CONCLUSION ..................................................... 26 ii TABLE OF AUTHORITIES Page CASES Am. Amusement Mach. Ass’n v. Kendrick, 244 F.3d 572 (7th Cir. 2001) .................................. passim Brandenburg v. Ohio, 395 U.S. 444 (1969) (per curiam) .................................................... 5, 14, 15, 16 Chaplinsky v. New Hampshire, 315 U.S. 568 (1942) ................................................................... 5, 15 Cohen v. California, 403 U.S. 15 (1971) ................ 5, 15 Eclipse Enters., Inc. v. Gulotta, 134 F.3d 63 (2d Cir. 1997) ................................................................... 8 Entm’t Software Ass’n v. Blagojevich, 404 F. Supp. 2d 1051 (N.D. Ill. 2005) ............................14 Entm’t Software Ass’n v. Granholm, 426 F. Supp. 2d 646 (E.D. Mich. 2006) .......................... 14 Ginsberg v. New York, 390 U.S. 629 (1968) ....... passim Hammerhead Enters., Inc. v. Brezenoff, 707 F.2d 33 (2d Cir. 1983) .............................................. 20 Hess v. Indiana, 414 U.S. 105 (1973) (per curiam) .................................................... 5, 14, 15, 16 Hurley v. Irish-American Gay, Lesbian and Bisexual Group of Boston, 515 U.S. 557 (1995) ....................................................................... 14 Interactive Digital Software Ass’n v. St. Louis County, 329 F.3d 954 (8th Cir. 2003) .............. 1, 4, 14 James v. Meow Media, Inc., 300 F.3d 683 (6th Cir. 2002) ................................................................... 1 iii TABLE OF AUTHORITIES – Continued Page Joseph Burstyn, Inc. v. Wilson, 343 U.S. 495 (1952) ......................................................................... 9 Micro Star v. Formgen Inc., 154 F.3d 1107 (9th Cir. 1998) ................................................................... 1 Miller v. California, 413 U.S. 15 (1973) ........... 5, 15, 16 Police Dep’t of Chicago v. Mosley, 408 U.S. 92 (1972) ....................................................................... 15 R.A.V. v. City of St. Paul, 505 U.S. 377 (1992) .......... 15 Sanders v. Acclaim Entm’t, Inc., 188 F. Supp. 2d 1264 (D. Colo. 2002) ..............................2 Simon & Schuster, Inc. v. Members of the N.Y. State Crime Victims Bd., 502 U.S. 105 (1991) ....... 16 Terminiello v. Chicago, 337 U.S. 1 (1949) .................... 4 United States v. Playboy Entm’t Group, Inc., 529 U.S. 803 (2000) ............................................. 4, 24 United States v. Stevens, 130 S.Ct. 1577 (2010) ...... 16, 17 Video Software Dealers Ass’n v. Maleng, 325 F. Supp. 2d 1180 (W.D. Wash. 2004) ................. 17, 18 Watters v. TSR, Inc., 715 F. Supp. 819 (W.D. Ky. 1989), aff ’d on other grounds, 904 F.2d 378 (6th Cir. 1990) ......................................................... 20 Wilson v. Midway Games, Inc., 198 F. Supp. 2d 167 (D. Conn. 2002) ................................................21 Winters v. New York, 333 U.S. 507 (1948) .................... 8 iv TABLE OF AUTHORITIES – Continued Page STATUTES Cal. Civ. Code § 1746 et seq. ......................................... 3 Cal. Civ. Code § 1746(d)(1)(A) ................................ 5, 19 OTHER AUTHORITIES 300 (Warner Bros. Pictures et al. 2007) (film) .............9 Matthew Arnold, On Translating Homer (1896) ....... 23 David Bordwell, New Media and Old Storytell- ing, reprinted in American Movie Critics: An Anthology From the Silents Until Now 724 (Phillip Lopate ed. 2006) ................................... 20, 21 Doom (Id Software 1993) (video game) .......... 1, 2, 9, 11 Doom (Universal Pictures 2005) (film) ...................... 11 Marjorie Heins, Blaming the Media: Would Regulation of Expression Prevent Another Columbine?, 14 Media St. J. 14 (2000) ................... 18 J. Hoberman, Bad Movies, reprinted in Ameri- can Movie Critics: An Anthology From the Silents Until Now 517 (Phillip Lopate ed. 2006) ........................................................................ 19 Homer, The Iliad (Robert Fagles trans. 1990) .... 6, 7, 8 Homer, The Iliad (Rodney Merrill trans. 2007) .... 8, 22 The Iliad of Homer (Alexander Pope trans., Steven Shankman ed. 1996) ............................. 22, 23 Henry Jenkins, Fans, Bloggers, and Gamers: Exploring Participatory Culture (2006) ....... 3, 23, 25 v TABLE OF AUTHORITIES – Continued Page Nic Kelman, Video Game Art (2005) ................ 9, 11, 25 Lara Croft: Tomb Raider (Mutual Film Co. 2001) (film) .............................................................. 11 Frank Miller & Lynn Varley, 300 (1998) (graph- ic novel) ...................................................................... 8 Angela Ndalianis, Neo-Baroque Aesthetics and Contemporary Entertainment (2004) .......................9 Thierry Nguyen, The CGW Hall of Fame, Computer Gaming World, Feb. 1, 2001, at 62 ......... 2 Thirteenth Annual Technical Excellence Awards, After Hours, PC Magazine, Vol. 15, No. 22, Dec. 17, 1996, at 139 .................................................9 Seth Schiesel, Going a Few Rounds With the Newest Console, N.Y. Times, Oct. 8, 2005, at D7 .............................................................................. 3 Seth Schiesel, Tragedy and Comedy, Starring Pac-Man, N.Y. Times, Jul. 16, 2010, at C1 ............ 13 Scott Pilgrim vs. The World (Big Talk Films et al. 2010) ................................................................... 12 Betsy Sharkey, ‘Scott Pilgrim’ Puts Its Game Face On, L.A. Times, Aug. 13, 2010, at D3 ............ 12 Siobhan Synnot, Scott Pilgrim Vs The World: Game on for Pilgrim’s Progress, Scotland on Sunday, Aug. 22, 2010, at 28 .................................. 12 Tomb Raider (Core Design 1996) (video game) ......... 11 1 STATEMENT OF INTEREST Id Software LLC (“Id Software”) is a limited liability corporation organized under the laws of Delaware.1 It has been recognized as a pioneer in the creation and development of video games. See Micro Star v. Formgen Inc., 154 F.3d 1107, 1109 n.1 (9th Cir. 1998). Id Software has also been active in explaining why the First Amendment protects video games as much as any other artistic medium, having been a party in James v. Meow Media, Inc., 300 F.3d 683 (6th Cir. 2002), and Sanders v. Acclaim Entm’t Inc., 188 F. Supp. 2d 1264 (D. Colo. 2002). It also submitted a brief amicus curiae in Interactive Digital Software Ass’n v. St. Louis County, 329 F.3d 954 (8th Cir. 2003).2 In addition, two briefs submitted in the in- stant case make specific, negative references to Id Software’s work. See Brief of Amicus Curiae Eagle Forum Educ. & Legal Def. Fund in Support of Peti- tioners, 2010 WL 2895470, at *11, 13 (“Eagle Forum”) (referring to the video game Doom); Brief of Amici 1 No counsel for a party wrote this brief in whole or in part, nor did any person or entity, other than amicus curiae, its counsel, or its corporate affiliates, make a monetary contribution to its preparation or submission. The parties have given their written consent to the submission of this brief. Evidence of such consent is on file with the clerk. 2 Id Software LLC is a subsidiary of ZeniMax Media Inc., a corporation organized under the laws of Delaware. On June 23, 2009, Id Software LLC acquired substantially all of the assets of Id Software, Inc. All references herein to “Id Software” prior to June 23, 2009, are to Id Software, Inc. 2 Curiae California State Senator Leland Yee, Ph.D. et al., 2010 WL 2937557, at *13 (referring to the video game Wolfenstein 3D). These

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    32 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us