GERALDINE CRAIG KSU Graduate School 103 Fairchild Hall KSU Department of Art E DUCATION 111 Willard Hall Manhattan, KS 66506-3705 785-532-5478 office 1987 - 1989 M.F.A. Fiber, Cranbrook Academy of Art, Bloomfield Hills, MI [email protected] 1977 - 1982 B.F.A. Textile Design, University of Kansas, Lawrence, KS B.F.A. History of Art, University of Kansas, Lawrence, KS 1979 - 1980 University of St. Andrews, St. Andrews, Scotland (Philosophy, Art History) P ROF E SSIONAL E X pe RI E NC E 2007 - Associate Dean of the Graduate School and Professor of Art KSU Graduate School and Department of Art, College of Arts & Sciences Kansas State University, Manhattan, KS Department Head of Art (2007-2014) Associate Professor of Art (2007-2014) 2001 - 2007 Assistant Director for Academic Programs Cranbrook Academy of Art, Bloomfield Hills, MI Developed annual Critical Studies/Humanities program; academic administration 2005 - Regional Artist/Mentor, Vermont College M.F.A. Program Vermont College, Montpelier, VT 1995 - 2001 Curator of Education/Fine and Performing Arts Wildlife Interpretive Gallery, Detroit Zoological Institute, Royal Oak, MI Develop/manage permanent art collection, performing arts programs, temporary exhibits 1994 - 1995 James Renwick Senior Research Fellowship in American Crafts Smithsonian Institution, Washington, D.C. 1990 - 1995 Executive Director Detroit Artists Market, (non-profit art center, est. 1932), Detroit, MI 1990 - 1993 Instructor Fiber Department, College for Creative Studies, Detroit, MI 1990 Instructor Red Deer College, Alberta, Canada 1989 - 1990 Registrar I Detroit Institute of Arts, Detroit, MI 1987 Associate Producer Lyric Theater, Highline Community College, Des Moines, WA 1983 - 1986 Director of Education/Exhibitions Slater Mill Historic Site, Pawtucket, RI A WARDS /H ONORS 2014 International Fellow-in-Residence, Women’s International Study Center, Acequia Madre House, Santa Fe, NM Faculty Development Award, (conference travel, Costume Colloquium IV, Florence Italy, competitive university-wide), Kansas State University, Manhattan, KS 2012 2012-2013 Dorothy Liesky Wampler Eminent Professorship (elected by faculty), James Madison University, Harrisonburg, VA Third Prize, Art Faculty Beach Biennial, Beach Museum of Art, Juror: Robert Storr, Dean, Yale School of Art, former Senior Curator, Museum of Modern Art, 2007 Venice Biennale Commissioner 2011 Faculty Development Award, (conference travel, Global Studies Conference, Brazil, competitive university-wide), Kansas State University, Manhattan, KS 2010 Associate Fellow (elected), International Quilt Study Center & Museum, University of Nebraska-Lincoln, NE University Small Research Grant, (research travel, Hmong Archives and Hmong Culture Resource Center Library in St. Paul, MN, competitive university-wide), Kansas State University, Manhattan, KS Director-at-Large, Textile Society of America Board of Directors, (4 year term elected by international TSA membership) 2009 University Small Research Grant, (research travel, Laos, competitive university-wide) Kansas State University, Manhattan, KS Purchase Prize, Art Faculty Beach Biennial, Beach Museum of Art permanent collection, Juror: Saralyn Reese Hardy, Director, Spencer Museum of Art, former NEA director of museums/visual arts 2005 A Room of Her Own Foundation Women Writers Retreat Merit Scholarship, Ghost Ranch, NM 1994 - 1995 James Renwick Senior Research Fellowship in American Crafts, Smithsonian Institution, Washington, D.C. Creative Artist Grant, (state-wide competitive grant selected by national peers), Michigan Council for Arts & Cultural Affairs/Arts Foundation of Michigan 1989 Second Prize, MI Artists Competition, Birmingham/Bloomfield Art Association, MI Hagopian Mural Competition Finalist, Birmingham, MI 1988 Best of Show & Award of Excellence, Whatcom Museum, Bellingham, WA 1982 Guest Curator, Spencer Museum of Art, Lawrence, KS, “Buddhist Symbols in Ch’ing Dynasty Textiles” Amsden Award for Academic Excellence in Art History, Lawrence, KS Undergraduate Museum Research Award, Lawrence, KS C ONF E R E NC E P A pe R P R E S E NTATIONS 2014 “Color-coded: Hmong clan identity,” Costume Colloquium IV: Colors in Fashion, Florence, Italy, November 20-23, 2014 “Stitching Hmongness into Cloth,” International Conference on Hmong Studies, Hmong Studies Center, Concordia University, St.Paul, MN, March 21-22, 2014 2013 “Inside/ Outside: The Art of Caring,” Sixth International Conference on The Inclusive Museum, National Art Gallery of Denmark, Copenhagen, Denmark, April 22-24, 2013 2012 “Neeg tawg rog: Linguistic consciousness in the Hmong diaspora,” Textiles & Politics, Textile Society of America 13th Biennial Symposium, Washington, D.C., September 19-22, 2012 “Paj ntaub: Identity and Resistance,” 2012 Association for Asian American Studies Conference, Washington, D.C., April 11-14, 2012 2011 “Hmong Borders: Visual and Psychic,” Crossing the Borders, Twenty-Fifth Annual National Conference on Liberal Arts and the Education of Artists, School of Visual Arts, New York, October 19-21, 2011 “Hmong Paj ntaub: A Visual Language of Cultural Change,” The Fourth International Global Studies Conference, Rio de Janeiro, Brazil, July 18-20, 2011 2010 “Women in the Academy,” (invitational) Oxford Roundtable, Oxford University, Oxford, UK, March 2010 “Nature as Axis: Hmong Green is Blue,” Green, Greener, Greenest: Romancing Nature Again, Twenty-Fourth Annual National Conference on Liberal Arts and the Education of Artists, School of Visual Arts, New York, October 27-29, 2010 “Textiles as Language,” Kansas Art Education Association Conference, October 14-16, 2010 2009 “Reading Culture: Transitions in Hmong Textile Language,” Global Quilt Conference, International Quilt Study Center and Museum, University of Nebraska, Lincoln, NE, April 2009 P UBLICATIONS [ pee R R E VI E W E D / E DITORIAL BOARD ] 2013 Craig, Geraldine, “Stitching Hmongness into Cloth: Pliable Identity and Cultural Agency” (8,500 word book chapter), Projects of Power: Hmong Women, Gender and Agency, Chia Youyee Vang, Faith Nibbs, and Ma Vang ed. University of Minnesota Press: Minneapolis, MN (publication pending) Craig, Geraldine, “Witty Agents” (catalog essay) “Lia Cook, Weaving and Innovation: Digital Fibers Converse with Neural Networks,” Design Gallery, University of Wisconsin-Madison, February 1- April 6 , 2013 Craig, Geraldine, “Neeg tawg rog: Linguistic consciousness in the Hmong diaspora,” Textiles & Politics, Textile Society of America 13th Biennial Symposium 2012 Conference Proceedings, published by TSA/ University of Nebraska-Lincoln On-Line Digital Commons. Paper 671, (2012): 1-10. Craig, Geraldine, “The Invisible Space Between” (8,500 word manuscript on art of Sung Soon Lee, book essay, publication projected, Seoul, South Korea, 2014) 2012 Craig, Geraldine, “Laos: Hmong” (6,000 word book chapter), Encyclopedia of National Dress, Jill Condra ed. Greenwood Press: Westport, CT (2012): 416-425, 786. Craig, Geraldine, “Anne Wilson.” Grove Art On-line. Oxford Art Online. Oxford University Press. http://www.oxfordartonline.com/subscriber/article/grove/art/T2220567. 2011 Craig, Geraldine, “Nature as Axis: Hmong Green is Blue.” SECTION SIX: Making Natural, Conference Proceedings, School of Visual Arts 24th Annual National Conference on Liberal Arts and the Education of Artists: Green, Greener, Greenest: Romancing Nature Again (2011): 95-100. Craig, Geraldine, “A Safe Place to Play.” Surface Design Journal, vol. 35 no. 2 (Winter 2011): 12-17. 2010 Craig, Geraldine, “Hmong Textiles and a History of Meaning”(2,500 word book chapter), Quilts Around the World: The Story of Quilting from Alabama to Zimbabwe, Spike Gillespie ed. Voyageur Press: Minneapolis, MN (2010): 169-173. Craig, Geraldine, “Patterns of Change: Transitions in Hmong Textile Language” (4,000 word article), Hmong Studies Journal, (2010): Volume 11: 1-48. Craig, Geraldine, “Material Evidence: A Phenomenology of Matter,” Material Evidence exhibition catalog, Marianna Kistler Beach Museum of Art, Kansas State University (2010): 1-22. 2009 Craig, Geraldine, “Political Craft,” The Journal of Modern Craft: London, vol. 2, no. 3, (2009): 359-362. Craig, Geraldine, “Marcie Miller Gross at Review,” Sculpture, vol. 28 no. 2, (March 2009): 70-71. Craig, Geraldine, “Inspired Design - Entrepreneurial Textiles,” American Craft, vol. 69 no. 01, (Feb/March 2009): 40-41. Craig, Geraldine, “Animated Rudeness: Anne Wilson’s Errant Behaviors,” Surface Design Journal, vol. 33 no. 2, (Winter 2009): 42-45. 2008 Craig, Gerry, “Errant Behaviors” excerpt for exhibition “Anne Wilson: Errant Behaviors”, Bowdoin Museum of Art, Bowdoin College, Brunswick, Maine, September 2008 Craig, Gerry, “What the Bird Sees,” Listen Up, vol. 3, Cranbrook Academy of Art: Bloomfield Hills, MI, (2007-08): 28. Craig, Gerry, “Frederick Meijer Gardens & Sculpture Park” (book chapter), Landscapes for Art: Contemporary Sculpture Gardens, Glenn Harper, Twylene Moyer, ed. International Sculpture Center & University of Washington Press: Seattle, WA, (2008): 106-110. Craig, Gerry, “Found in Translation” (catalog essay), “Contemporary Korean Fiber,” Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA, March 2008 2007 Craig, Gerry, “Charles Pompilius at David Klein,” Art in America, (November 2007): 226. Craig, Gerry, “Heather McGill: Laser Cuts,” Surface Design Journal, vol. 31 no.4, (Summer 2007): 26-31. Craig, Gerry, “The Phantasm of Matter: Dario Robleto,” Sculpture: Washington, D.C., March 2007 2006 Craig, Gerry, “Camille