14th International Conference on Music Perception and Cognition Talk Schedule by Topic Topic / Session: Day, Room Session Chair Time: Title First Author (Affiliation) Acoustics & Psychophysics 1: Tuesday, Seacliff D Session Chair: Frank Russo 10:30 am: Testing the Robustness of the Timbre Toolbox and the MIRtoolbox Savvas Kazazis (McGill University) 10:45 am: Musicians do not experience the same tactile impairments as non-musicians during postural manipulations James Brown (University of Sydney) 11:00 am: Semantic Dimensions of Sound Mass Fusion Jason Noble (McGill University) 11:15 am: Aging Adults and Gender Differences in Musical Nuance Perception Jennifer Bugos (University of South Florida) Acoustics & Psychophysics 2: Thursday, Marina Session Chair: Alexandra Lamont 2:00 pm: Insights into the complexities of music listening for hearing aid users Alinka Greasley (University of Leeds) 2:30 pm: The Perception of Auditory Distortion Products from Orchestral Crotales Alex Chechile (CCRMA, Stanford University) 3:00 pm: Vibrotactile perception of music Frank Russo (Ryerson University) Aesthetic Perception & Response 1: Wednesday, Marina Session Chair: Bill Thompson 10:30 am: Influence of Information: How Different Modes of Writing about Music Shape Music Appreciation Processes Timo Fischinger (MPI for Empirical Aesthetics) 11:00 am: Cognitive and affective reactions to repeating a piece on a concert program Andrea Halpern (Bucknell University) 11:30 am: Evaluating recorded performance: An analysis of critics' judgements of Beethoven's piano sonata recordings Elena Alessandri (Lucerne Uni. Applied Sciences) 12:00 pm: Clouds and vectors in the spiral array as measures of tonal tension Dorien Herremans (Queen Mary University London) Aesthetic Perception & Response 2: Friday, Marina Session Chair: Andrea Halpern 8:30 am: Narrative Experiences of Instrumental Pop Music Elizabeth Margulis (University of Arkansas) 9:00 am: Personality Heard in Music Erkki Huovinen (University of Jyvaskyla) 9:30 am: Effects of Range and Repetition on Liking for Melodies David Temperley (Eastman School of Music) 10:00 am: Musical Persuasion: A Review of Music and Marketing Research Hyatt Regency Hotel, 5 Embarcadero Center, San Francisco, CA, USA 1 14th International Conference on Music Perception and Cognition Bradley Vines (Nielsen Consumer Neuroscience) Aesthetic Perception & Response 3: Saturday, Marina Session Chair: Erkki Huovinen 2:00 pm: Relationship between personality and music genres of Macau youth Wanfong Viny Hui (University of Macau) 2:15 pm: The catchiness phenomenon: genre-specific preferences Julia Klein (Cornell University) 2:30 pm: Neurophysiological and behavioral measures of musical engagement Blair Kaneshiro (Stanford University) 2:45 pm: Freestyle lyricism expertise in auditory rhyme processing Keith Cross (Stanford University) Cognitive Modeling of Music 1: Tuesday, Seacliff D Session Chair: Joshua Albrecht 3:30 pm: Effects of the duration and the frequency of temporal gaps on the subjective distortedness of music fragments Kunito Iida (Kyushu University) 3:45 pm: Modeling audiovisual tension Morwaread Farbood (New York University) 4:00 pm: Computational Modeling of Chord Successions in Popular Music Stefanie Acevedo (Yale University) Cognitive Modeling of Music 2: Friday, Bayview A Symposium: Beneath (or beyond) the surface: Corpus studies of tonal harmony Discussants: David Sears (McGill University); Claire Arthur (Ohio State University); 11:00 am: Revolutions' in pop music: The experts vs. the audio John Ashley Burgoyne (University of Amsterdam) 11:20 am: A corpus study of tonal harmony: Pattern discovery using non-contiguous n-grams David Sears (McGill University) 11:40 am: Deriving and evaluating SPOKE, a set-based probabilistic key finder Christopher White (University of Massachusetts) 12:00 pm: A corpus approach to the classification of non-chord tones across genres Claire Arthur (Ohio State University) Cognitive Modeling of Music 3: Saturday, Marina Session Chair: Christopher White 8:30 am: Exploring the temporal capacity of memory for key-change music empirically and computationally Erico Firmino (Cornell University) 9:00 am: Form-bearing musical motives: Perceiving form in Boulez's Anthemes Cecilia Taher (McGill University, CIRMMT) 9:30 am: Learning the language of affect: A new model that predicts perceived affect across Beethoven's piano sonatas using music-theoretic parameters Joshua Albrecht (University of Mary Hardin-Baylor) 10:00 am: Modelling melodic discrimination using computational models of melodic similarity and complexity Peter Harrison (Queen Mary University of London) Cognitive Musicology 1: Wednesday, Seacliff D Symposium: Film, television, and music: Embodiment, neurophysiology, perception, and cognition Discussants: Siu-Lan Tan (Kalamazoo College); Mark Shevy (Northern Michigan University); 8:30 am: Temporality and embodiment in film music Juan Chattah (University of Miami) 8:50 am: Neurophysiological responses to motion pictures: Sound, image, and A-V integration Hyatt Regency Hotel, 5 Embarcadero Center, San Francisco, CA, USA 2 14th International Conference on Music Perception and Cognition Roger Dumas (University of Minnesota) 9:10 am: Exploring incongruence: Shared semantic properties and judgments of appropriateness in film-music pairings David Ireland (University of Leeds) 9:30 am: Classical music in television commercials: A social-psychological perspective Peter Kupfer (Southern Methodist University) Cognitive Musicology 2: Saturday, Seacliff D Session Chair: Richard Ashley 8:30 am: The Interaction of Schema-Drive Gestures and Instrumental Affordances in Bebop Improvisation David Baker (Louisiana State University) 9:00 am: Improvisation as a way of knowing Andrew Goldman (Columbia University) 9:30 am: Perception of Contrasting Expressive Content in Musical Themes Lindsay Warrenburg (Ohio State University) 10:00 am: Using eye tracking to investigate intense music listening Elke Lange (Max-Planck-Institute for Empir) Composition & Improvisation 1: Tuesday, Bayview A Session Chair: Andrew Goldman 2:00 pm: Patterns of Complexity in Improvisational Jazz Performance Ashley Walton (University of Cincinnati) 2:30 pm: The effect of intensive jazz improvisation instruction on measures of executive function in middle school band students Martin Norgaard (Georgia State University) 3:00 pm: Jazz Improvisation as a Model of the Creative Process: Heightened Perceptual Awareness and Sensitivity Psyche Loui (Wesleyan University) Cross-Cultural Studies of Music 1: Saturday, Seacliff D Session Chair: Steven Demorest 3:00 pm: Reduced cultural sensitivity to perceived musical tension in congenital amusia Cunmei Jiang (Shanghai Normal University) 3:15 pm: A Comparison of Statistical and Empirical Representations of Cultural Distance Steven Morrison (University of Washington) History of Music Cognition 1: Friday, Seacliff D Symposium: Empirical Musicology, 10 Years On: New Ways to publish and the empirical paradigm in music research Discussant: Daniel Shanahan (Louisiana State University); 11:00 am: The History of Empirical Musicology Review David Huron (Ohio State University) 11:06 am: What questions should we in empirical musicology be seeking to answer? Marc Leman (Ghent University) 11:12 am: What is the point of empirical musicology if we already have music theory, music informatics and music psychology? Justin London (Carleton College) 11:18 am: What tools and methods are we lacking? Reinhard Kopiez (University of Music) 11:24 am: How can music theory, music psychology and music informatics strengthen each other as disciplines? Anja Volk (Utrecht University) 11:30 am: Where to draw the line between 'empirical' and 'non-empirical' in musicology Peter Keller (University of Western Sydney) Hyatt Regency Hotel, 5 Embarcadero Center, San Francisco, CA, USA 3 14th International Conference on Music Perception and Cognition 11:36 am: Can new publishing models benefit researchers who read and respond constructively to work by others? Alan Marsden (Lancaster University) 11:42 am: Does a great empirical music paper need to be published in a high-impact factor journal? Annabel Cohen (University of Prince Edward Is) 11:48 am: How and why does empirical data make music research more impactful Alexandra Lamont (Keele University) 11:54 am: Where will empirical musicology venture over the next 10 years and what does it take to get there? Elizabeth Margulis (University of Arkansas) 12:00 pm: Will the next generation of musicologists be all empirical musicologists? Eric Clarke (Oxford University) 12:06 pm: Empirical Musicology Futures Nicola Dibben (University of Sheffield) 12:12 pm: The future of the specialised music research journal in the age of digital publishing Daniel Mullensiefen (Goldsmiths College) History of Music Cognition 2: Saturday, Seacliff D Symposium: Perspectives on the History of Music Cognition Discussants: Amy Graziano (Chapman University); Julene Johnson (University of California San Francisco); 11:00 am: Nineteenth-Century Roots of Music Cognition: Influence of Neurology Julene Johnson (University of California San Francisco) 11:30 am: Nineteenth-Century Roots of Music Cognition: Interdisciplinary Perspectives Amy Graziano (Chapman University) 12:00 pm: The Impact of Behaviorism on the History of Music Psychology Annabel Cohen (University of Prince Edward Is) Memory & Music 1: Tuesday, Marina Session Chair: Sandra Trehub 2:00 pm: Musical structure as a hierarchical retrieval organization: Serial position