The Big Beat: Origins and Development of Snare Backbeat and other Accompanimental Rhythms in Rock’n’Roll Volume II: Appendices Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by Garry Neville Tamlyn M.Mus. B.Mus. Grad.Dip.Ed. March, 1998. 382 Appendices: Table Of Contents Appendix One . 384 Appendix 1.1 Percentage of Snare Backbeats Located in a Selected Sample of Rock Drumming Notations. 389 Appendix 1.2 Drumming Notation Legend. 392 Appendix 1.3 Drumming Notations. 393 The Beatles: Drive My Car . 393 The Beatles: Sgt. Pepper’s Lonely Hearts Club Band . 401 Jeff Beck: Shapes of Things . 404 Chuck Berry: Johnny B. Goode . 408 The Clash: Complete Control . 413 Cream: Deserted Cities of the Heart . 421 Donovan: Sunshine Superman . 430 The Doors: Hyacinth House . 436 Bob Dylan: All Along the Watchtower . 441 Jimi Hendrix Experience: Have You Ever Been (to Electric Ladyland) . 446 Led Zeppelin: Good Times, Bad Times . 451 Mahavishnu Orchestra: Eternity’s Breath, Part 1 . 455 Pink Floyd: Us and Them . 460 Appendix Two . 468 Appendix 2.1 Terms and Recordings Descriptors for Appendices Two and Three. 468 Appendix 2.2 Rock’n’Roll Recordings As Discussed In Chapter Two. 471 Chuck Berry. 473 Antoine “Fats” Domino. 476 Bill Haley. 482 Buddy Holly. 489 Jerry Lee Lewis. 492 Carl Perkins. 503 Platters. 510 Elvis Presley. 514 Little Richard. 522 Appendix Three . 529 Appendix 3.1 Rhythm and Blues Recordings As Discussed In Chapter Four . 529 Eddie Boyd. 531 Hadda Brooks. 531 Clarence “Gatemouth” Brown. 531 Roy Brown. 532 Ruth Brown. 534 Goree Carter. 534 Savannah Churchill. 535 Arthur “Big Boy” Crudup. 535 Floyd Dixon. 539 Antoine “Fats” Domino. 541 Lowell Fulson. 544 Paul Gayten. 545 Lloyd Glenn. 545 383 Peppermint Harris. 546 Wynonie Harris. 546 Chuck Higgins. 548 Joe Houston. 549 Camille Howard. 550 Helen Humes. 552 Ivory Joe Hunter. 553 Louis Jordan. 554 Saunders King. 558 Jimmy Liggins. 558 Joe Liggins. 560 Big Jay McNeely. 562 Jack McVea. 564 Amos Milburn. 565 Roy Milton. 566 Johnny Moore. 570 Johnny Otis. 570 Jesse Price. 571 Lloyd Price. 571 Little Richard. 573 Arbee Stidham. 575 The Treniers. 575 Big Joe Turner. 577 T-Bone Walker. 578 Little Walter. 580 Muddy Waters. 580 Paul Williams. 582 Jimmy Witherspoon. 583 Howlin’ Wolf. 584 Appendix Four . 586 Appendix 4.1 Chicago Rhythm and Blues Recordings with Judge Riley Drumming As Discussed In Chapter Four. 586 Eddie Boyd. 586 Big Bill Broonzy. 587 Arthur “Big Boy” Crudup. 589 Jazz Gillum. 594 Arbee Stidham. 597 Tampa Red. 598 Washboard Sam. 600 Muddy Waters. 601 Appendix One The drum notations contained in Appendix 1.3 below will allow the reader to observe snare backbeats in their complete context. Further evidence regarding the extent to which snare backbeat exists in rock and roll can be found in published drum notations, including those appearing in Modern Drummer and other published accounts.1 The frequency of occurrence of snare backbeat in notations contained in Appendix 1.3 and Modern Drummer is detailed below (see Appendix 1.1). Inclusion of drumming notations in this sampling was delimited by, firstly, those notations published in Modern Drummer and, secondly, materials from my own collection. Notations appearing in Modern Drummer are featured in the journal because of the recent release of recorded material or chosen by authors because of innovativeness in drumming (many notations included in Modern Drummer are.