SEPTEMBER 2018 SEPT 12–OCT 7 By William Shakespeare Directed by Rosa Joshi Produced in partnership with upstart crow collective Sarah Harlett as Richard in Bring Down the House, photo by John Ulman. 2018 SUMMER WOODEN O 2018–2019 INDOOR SEASON 2019 SPRING TOUR King Lear Richard III Romeo and Juliet The Merry Wives Arms and the Man Macbeth of Windsor All’s Well That Ends Well She Stoops to Conquer As You Like It September 2018 Volume 15, No. 1 FALL 2018 Paul Heppner President Contents Mike Hathaway Feature Vice President 3 Millennial and Generation Z Kajsa Puckett arts patrons take a larger role Vice President, Marketing & Business Development 9 The importance of authentic casting Genay Genereux Accounting & Office Manager Dialogue Sept 13 Production 13 Jérémy Jolley on the Susan Peterson development of Seattle Design & Production Director Oct 14 Modern Orchestra Jennifer Sugden by Charlotte Bronte Assistant Production Manager Intermission Brain Transmission Adapted & Directed by Julie Beckman Ana Alvira, Stevie VanBronkhorst 15 Test yourself with our Production Artists and Graphic Designers trivia quiz! Sales Amelia Heppner, Marilyn Kallins, Terri Reed Encore Stages is an Encore Arts San Francisco/Bay Area Account Executives Program that features stories about CENTER THEATRE• SEATTLE CENTER Joey Chapman, Brieanna Hansen, our local arts community alongside BOOK-IT.ORG • 206.216.0833 Ann Manning, Wendy Pedersen information about performances. Seattle Area Account Executives Encore Arts Programs are publications Carol Yip of Encore Media Group. We also publish Sales Coordinator City Arts, a monthly arts & culture magazine, and specialty publications, Marketing including the Offical Seattle Pride Guide Shaun Swick Senior Designer & Digital Lead and the SIFF Guide and Catalog. Learn more at encoremediagroup.com Ciara Caya Marketing Coordinator Encore Stages features the Encore Media Group following organizations: Corporate Office 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction without written permission is prohibited. 2 ENCORE STAGES The Next Generation of Arts Advocates Young Patrons Circle Board of Directors at last season’s Backstage Bash. Backstage Bash is an annual celebration that takes place backstage after a performance and includes live entertainment and dancing. Photo: Alan Albastro Photography. Forget young, dumb When you think about the board that and broke. These supports your favorite performing arts organization chances are you’re In 1996, Seattle Opera founded BRAVO!, performing arts fans picturing an older sect—folks who are a young professionals group aimed are young, smart and established in their careers, have saved at audience members ages 21 to 39. for retirement and have money to spare. For an annual fee of $79, BRAVO! making sure performing It’s a group, when imagined this way, members receive discounted opera arts are a financially that’s difficult to join and impossible tickets, invites to year-round social viable entertainment to keep up with. But what if I were to events and access to an exclusive tell you that performing arts boards intermission lounge, complete with option. come in all shapes and sizes, and complimentary wine and coffee. Now that some are even actively recruiting in its twenty-second year, BRAVO! is young people into their fold? I had the one of the largest organizations of its pleasure of speaking with members of kind nationwide. the BRAVO! Council at Seattle Opera, Young Patrons Circle at Pacific North- But BRAVO! would be nowhere without west Ballet and New Guard at TeenTix— its council members. Nine dedicated three organizations that are not only young professionals run this leadership recruiting Millennial and Generation board with the mission to make opera Z board members, they’re also training an integral and rewarding part of their the next generation of arts advocates. peers’ lives. encoremediagroup.com/programs 3 BRAVO! Halloween Party. Photo: BRAVO! event at Tyee Yacht Club. Photo: Genevieve Hathaway. Jonathan Vandervelt. BRAVO! Council member Evan Bennett opera in different ways. This diversity Murti credits council members like has been an opera fan nearly half his of experience has been an excellent Bennett and Eoin Hudson, BRAVO! life. The 32-year-old joined BRAVO! catalyst for innovation around how to Council president, for this conversion a year ago, after leaving a position in get people in their twenties and thirties rate. “Our council is very active in the opera’s community engagement involved in the art form.” programming events and bringing in department. their own professional and personal Young professionals groups are networks to try out opera.” “The first thing I did once I left my cropping up at performing arts position was to join BRAVO! as a organizations across the country, but The numbers don’t lie. Hudson joined member,” Bennett said. This year Seattle Opera credits the vitality of the leadership council in 2013 and since marks his first season as a BRAVO! BRAVO! to its council members. that time BRAVO! membership has Council member. “I genuinely love more than doubled—it had less than the art form and joining Council “. folks under 400 members when he joined. is a meaningful way for me to help get people my age involved in a 40 years old are “In that time there’s been a lot of centuries-old tradition.” not only a growing change—at the opera and in Seattle,” Hudson said. The change he’s most It’s an art form that Bennett and demographic in excited about is the fact that folks the rest of the BRAVO! Council are Seattle Opera under 40 years old are not only a passionate about—one that still growing demographic in Seattle Opera resonates with audiences today. audiences but also a audiences but also a growing donor growing donor base.” base. “It’s exciting to see the art form “You certainly don’t need a music being embraced by my generation and degree to be a part of this group,” “BRAVO! has over 800 members watching the preconceptions about Bennett joked, nodding to his own and almost all of them are season opera shift.” background in music performance ticket holders,” said Kristina and as an employee of Seattle Opera. Murti, director of marketing and When I asked Hudson which opera “Everyone on the council has come to communications at Seattle Opera. he was most looking forward to this 4 ENCORE STAGES Young Patrons Circle’s Night with a Choreographer fundraising event to benefit PNB’s NEXT STEP program. Photo: Andrew Tat Photography. season, he named Benjamin Britten’s of supporting and engaging this new too. The Young Patrons Circle The Turn of the Screw.The ghost story generation of ballet audiences. Board of Directors enjoys a rotating will be performed in October, just in leadership structure and Yamada time for Halloween. Meeka Charles was wrapping up is preparing to begin her first year her first year as board chair when as chair. But it won’t be her first Seattle Opera patrons interested in we spoke. In addition to growing the time in the Pacific Northwest Ballet joining BRAVO! or the BRAVO! Council Pacific Northwest Ballet audience, spotlight. can learn more at www.seattleopera.org. Charles has worked with the board to develop the ballet’s marketing and “I was a ballet student and amateur social media campaigns. Ballet has dancer from early childhood into early been a part of her life for over twenty- adulthood,” Yamada said, sharing that Seattle Opera isn’t the only arts five years. she studied at Pacific Northwest Ballet organization prompting their young for six of those years. “I got to perform audience members to get involved in the “I grew up overseas and moved often,” in The Nutcracker, which I loved. I’ve world of non-profit board leadership. Charles said. “Attending ballet was always admired the incredible company For $60 a year, Pacific Northwest Ballet something my mother and I did dancers.” audience members ages 21 to 39 can together no matter where we lived. enroll in the Young Patrons Circle, a When I moved to Seattle, buying ballet In the years since her Nutcracker social and educational group that offers tickets was one of the first things I performance, Yamada has lived all ticket discounts, ballet after–parties did. For me, attending the ballet makes over the world and has always made and the collective sponsorship of an a new place feel like home.” ballet attendance a priority. original piece of choreography at Pacific Northwest Ballet’s annual NEXT STEP Charles added that she loves engaging “I can see why Pacific Northwest Ballet performance. her peers in ballet. It’s the reason she has such a reputation for excellence in joined the board. the global dance community,” Yamada A fifteen-member board of directors shared. “It was an easy decision to serves as leadership liaisons for the Pacific Northwest Ballet is personal become a subscriber when I moved Young Patrons Circle with the mission for Board Member Emily J. Yamada back to Seattle.” encoremediagroup.com/programs 5 During her upcoming year as chair of the board of directors, Yamada is hoping to expand Young Patrons Circle’s relationship with not only young patrons, but also other young professionals groups across Seattle. And, of course, continue the board’s work hosting events tailored to the interests and needs of Young Patrons Circle members. Pacific Northwest Ballet audience members interested in joining Young Patrons Circle and its corresponding board of directors can learn more at www.pnb.org.