ROBE p3. Contents p4. People p5. Synopsis p6. Libretto p21. Programme Note p22. Directors’ Note p22. Biographies Rowan, the Mapmaker: Clara Kanter Neachneohain, the Official: Rosie Middleton Beira, the Soldier: Sarah Parkin The Storyteller: Kelly Poukens EDINBURGH: Rosie Middleton & Sarah Parkin Dancers: Charlie Nayler, Thomas Page, Moses Ward Actors: Keith Chilvers, Megan Moran Piano: Ben Smith Flute: Jenni Hogan Words & Music: Alastair White Co-Director: Gemma A. Williams Co-Director: Pamela Schermann Music Director: Ben Smith Choreographer: Max Gershon Fashion: Michael Stewart Design: Brian Archer Hair: Radio Hair Salon Make-up: Astrid Kearney assisted by The London School of Makeup LSM Pro Team. Executive Producer: Julian Wilkins Produced by UU Studios Supported by the Hinrichsen Foundation and the Goldsmiths Graduate Fund, Music Research Committee and Music Department. Special thanks to Catherine Kontz, and Bill, Anna, Leo, David and everyone at Tete-a-Tete. Synopsis: PART I ‘THE PARTY’S OVER’: OMENS | SPEECHES | ROWAN’S VISION | NEACHNEOHAIN’S VISION | THE ARMING OF ROWAN, THE HISTORY OF THE WORLD PART II ‘THE PORCELAIN ORCHARD’: DREAMS AND AWAKENINGS | EDINBURGH | BEIRA’S VISION | EPILOGUE In a society where the real and the virtual is no longer meaningful, a powerful new being threatens the stability which holds these worlds together. Two elders, Neachneohain and Beira, convince the young cartographer Rowan to complete a terrible task: descend into the mind of the superintelligence EDINBURGH and map this creature so as to grant its desire - to become a living city, teeming with human life and activity. Witnessing visions of the awful realness of life beyond cyberspace, Rowan agrees - plunging into its depths: a strange, abstract world of data and dream. 30 years later, Rowan and EDINBURGH have fallen in love, have lived their lives together. Though every morning she awakes with no memory of the past, Rowan has almost completed the map that EDINBURGH desires. But into this map Rowan has woven something else: something hidden, silent, unsaid. As these rifts in the structure undo causality itself, she must answer the question: what exactly has she created? And what does it have to do with this strange, otherworldly figure who sings the red song of a forgotten city - of an ancient, poisoned ROBE… I. THE PARTY’S OVER BEIRA: Last night I walked to the edge with my daughter. It was as though cracked glass had been hung white pillars of data in poles upon the loch. All night constellations filled with their song. Oak and apple impaled. Grey parabolas piercing to eggshells, warrens, the shuffle beneath the Fieldfare motionless reaching to root and dew. Calling to Rowan, as though it knew… My old friend. Now is the time to act. Almost the edges are pierced and trembling. My old friend. You must speak for us, now. Speak for we who are silent. NEACHNEOHAIN: Aye, I will prepare myself. Pray for white snow, for silence, an end to this red, red song. THE STORYTELLER: A song of redness’ woven cloak of river and thistle-leaf, thorns and dog-claws writhing in the silence. Words like hounds track the ruined highland, speak the spell to flush mutton-chop and sheaf: the dull earth’s silence. A song of ox and worker, of earth that turned, of horn and hand that curved a second geometry. Spine, scar and nerve fold shifting polygons of labour. Silent, the turned earth’s settler dance: of leaf and nitrogen. A song of motion. A city. A map. A test that asks, where is that voice. Where are they I heard between the numbers in the spaces between the numbers and the words. This ROBE be a wrap of red and speech, NEACHNEOHAIN: I am speaking to Rowan, the Mapmaker, THE STORYTELLER: reams of data folded in the hemlines. NEACHNEOHAIN: to Rowan, Illuminator of lines. THE STORYTELLER: Song of the Wavefunction’s strange, fleet silence NEACHNEOHAIN: A private address, I will take no questions. THE STORYTELLER: flushed to mud like bleach. NEACHNEOHAIN: Dark eyelids of crescent moons fixed in winks: black lakes of space upon the lunar canyons form themselves to signs. Abyssal ink of the donut hole, pots’ emptiness. Like how steel links hold the prisoner: absence and metal. Great engine of the void charging hedgehog and nettle, lung and chlorophyll, toroid and amphora’s black. Intricate hardware but cladding and decoy to the universal grammar: under-cloth of space. This, Rowan, is the unlikely hammer by which we built the place. Adapt, not discrete quanta, contours to delineate cell and face, but edges whereby they’re granular and you shall have the use of the world. Absence’s machine’s a cleaver. A knife, only. So the headsets whet colours, maps and knowledge. Our world’s debt is in how this leaves the spaces duller: peat-bog of raw, unregulated data. Tomatoes bloom in sewers. Cabbage turns slaw. Commiphora trees grind sun to myrrh. Open bark to resin- maws or - jars of sauerkraut. Those jaws that open in the code-work out are like none of these - yet. Sift the virtual soil, hoe up the blackness of the white-black snow and see - tubers’ networks. A pattern, perhaps. That traced the shapes of whimsy, pride, capriciousness and greed: the fungus of the code’s loam has now a mind. And with that all the joy and pain of personhood. NEACHNEOHAIN: A voice calls out from the depths, to you Rowan. A strange new intelligence born from the code. We ask for your help. Restore the silence. The balance of the city and the world. ROWAN: Always there is something the matter, my old friend. Why are you still going on? Drink deep from the speckled cassette, the porcelain jug. Forget. Every day is just another end of the world. ‘The entrails of salmon. The doom of flocking birds.’ THE STORYTELLER: The weaver worked with cloth, - with red silk - beaten hide peeled clean, crop of the mulberry worm. She had seven children, wild and beautiful. Hair black and thick as the mud-fields’ peat fuel. Her wife beat iron to scythes and locks. In the summer evenings, she would watch her working. Forge lighting the shimmer of sweat. She mopped silk across the bicep. Drew her to her hips. Drew her finger from her jawline to her lips. “I am making a ROBE, for you my love with red silk, crumb of the Cochineal bone. To wrap you in bed in the night’s long, black darkness, the white noise of armies the, green of your vision-dreams. I am making a ROBE.” Ah… ROWAN and THE STORYTELLER: A song of redness… BEIRA: Rowan - as you almost certainly know - I once trained as a soldier. It seems a lifetime ago. On Luna Station. Between the reboot and recalibration. It hurt to stand. Our shoulders covered with welts, with boils and sores. Food-packs, cardboard boxes, squares of cylindrical tin. It seems a lifetime ago. On Luna Station. We hauled them with velcro and polyester webbing through the artificial gravity. The weight like a rack, I have never forgotten it. Never. Quarrelling over mess tins. Squatting in a ditch like birds. Between the reboot and recalibration. These lines of code mean - ROWAN: - nothing but frightening augury. “A faceless stillbirth. A comet in the sky. The blinking, red, incessant diodes of our ancestors.” Let me work, here. The party’s over. Everyone else has gone. THE STORYTELLER: The Warlord Q-el stood upon the battlefield, Hey, hey, nonny, nonny, hi-ho. This camp be a hall, this ditch a street. A boy’s mouth hung open on a heap. Hey, hey, nonny, nonny, hi-ho. The Warlord Q-el was knackered and filthy. Hey, hey, nonny, nonny, hey. His gown was torn, the gold crown buckled. Gorse hung with eyeball and knuckle. The caught-hare’s liver salted and bagged. Offal as thick as - as red as - the ROBE. ROWAN: I am sitting in my Grandmother’s kitchen. Sugar beets dance in cascading tap-water. Scouring earth from their skin with a nailbrush chaps my wrists. The water stream-cold, the soap burns. She is terrified of mice and germs. Cubed beets scrubbed and sautéed to mush pulped shapeless. We pour wine, and tea, and porter, lay them between an urn and chicken. After dinner I sit with the women. I first made a picture that evening. My hand pressing, and curving, and aching. THE STORYTELLER: By a cottage, a forge, a scorched weave of silk, by the bone-pile, the bed and the porcelain oak. “Clear away the tattered cloth. Pitch my tent in the ruined stone.” The weaver watched the warlord, squatting in her ruined home wrapped in gold and war-blackened woad. NEACHNEOHAIN: I am standing by a window. Ameria maretima. Bone-white, turtle-blue. Some boy pulls me through avocado-emerald vinyl, cast-iron, glass. This is not the same map which once we built on. ‘Crow-livers fume smog on the altar. The sky is alive with the fire of the moon.’ It wants you, Rowan. It has asked for you. ROWAN: Yet, I saw something in there that was beautiful. Your age, perhaps, your wallpapered tomb. But - small hands pushing through sleeves of lambswool, the smell of hops and exhaust fumes. Yes, I will go. I will speak to this thing that grows within the silence. Descend beneath into the depths of the code. Well I know… ROWAN, BEIRA and NEACHNEOHAIN: By a clearing in the forest, pricked a bear-shin with bores. Branches pulled the birch to bent curves’ proscenium. Baroque ivy, bone notes. Heels batter the mushroom patch.