8. Vision: Stereopsis and Depth Perception I. Depth Scaling and Depth Cue Types Ordinal Relative Depth/Shape Cues Reversals Abso

8. Vision: Stereopsis and Depth Perception I. Depth Scaling and Depth Cue Types Ordinal Relative Depth/Shape Cues Reversals Abso

8. Vision: Stereopsis and Depth Perception I. Depth scaling and depth cue types Ordinal Relative depth/shape cues Reversals Absolute depth cues, depth vs. distance II. Depth cues Computation (Shape-from-X) vs perception Pictorial cues Relative size, Emmert's law Familiar size Relative brightness Occlusion Lighting/shadow/shading Albedo, Re¯ectance function Assumption of lighting from above Elevation/clarity/aerial perspective Linear perspective Orthographic vs polar perspective Line drawings Generic view/general position assumption Crossings Parallel Perpendicular 2-D contour - Geodesic assumption Texture Density gradient Size gradient Foreshortening Models Isotropicity assumption Local spectral warp Monocular physiological cues Accomodation Blur Astigmatism, chromatic aberration Motion cues Motion parallax Kinetic depth effect From features From occluding contours Types of motion inputs Models of structure-from-motion N points/M views Differential structure of optic ¯ow Models of heading-from-motion Decomposing optic ¯ow into translation plus rotation Dynamic occlusion Binocular cues Convergence Binocular stereopsis Disparity - crossed and uncrossed For a point directly in front of one eye, with no approximations: I d tan(η) = ¡ ¢ ¢ ¢ ¢ ¢ ¢ ¢ ¢ ¢ ¢ ¢ I 2 + D (D + d) where η is the disparity, I is the inter-pupillary distance, D is the viewing distance and d is the depth. The horopter Scaling Cues: Vertical disparity, extraretinal Types: for distance/vergence, for version Technology for stereograms Free fusion Wheatstone stereoscope Anaglyphs Crossed polarizers LCD shutter glasses Autostereograms The correspondence problem Simple line stereograms, the double nail illusion, Panum's limiting case Random dot stereograms and global stereopsis Random dot cinematograms Da Vinci stereopsis Formal analogy to structure-from-motion The induced effect, cue con¯icts The Pulfrich effect Stereoacuity (as good as 2′′) Stereoblindness and pools of disparity detectors Models Discrete correspondence - Dev, Sperling, Marr/Poggio 1976 Multiple scale models Zero crossings - Marr/Poggio 1979 Multi-scale correlation Binocular rivalry, fusion and diplopia Fusion vs depth Corresponding points Panum's area Multiple scales Hysteresis? Cooperativity Binocular luster Allelotropia - visual direction of fused features III. Constancies Size constancy Shape constancy Constancy of visual direction, lightness, color, loudness, etc. IV. Cue combination Veto Disambiguation Scaling Averaging Statistical models Bayesian models.

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