PRESS 2009 Woon Tai Ho

PRESS 2009 Woon Tai Ho

PRESS 2009 Woon Tai Ho, 'What the hell is that?', The Business Times, Singapore, 18 December 2009 Matthew Bell , 'Wonderful world, beautiful people. But can one look after the other?', The Independent on Sunday, London, England, 13 December 2009 Peter Aspden, 'New climate of opinion', Financial Times, London, England, 5 December 2009 Carol Vogel, 'Playing Sculpture 'I Spy' In New York's Cityscape', The New York Times, New York, USA, 4 December 2009 Jillian Schultz, 'Space, Void & Shape', Art Issue, Beijing, China, Issue No. 7, December 2009 Manuela Lietti, 'Spaces to be lived, bodies to be inhabited', arte e critica 61, Rome, Italy, December 2009 Stacey Duff, 'Sculpting in time', Time Out, Beijing, China, November 2009 Jonathan Thomson, 'Antony Gormley at Galleria Continua', World Sculpture Review, Hong Kong, Winter 2009/2010 Salvador Gallardo Cabrera, 'Antony Gormley En el umbral [incierto] de los cuerpos', Revistadela Universidad De Mexico, November 2009 Jonathan Watts, 'From plinth to People's Republic: Antony Gormley invades China', The Guardian, London, England, 23 October 2009 Louise Jury, '100 days on the plinth', Evening Standard, London, England, 14 October 2009 Jonathan Jones, 'So was it great art?', G2, The Guardian, London, England, 9 October 2009 Roger Pierre Turine, 'Antony Gormley sculpte l'espace', Arts Libre (sup. La Libre Belgique), 2-8 October 2009 Sam Steverlynck, 'Morfologie van het heelal', <H>Art, 1 October 2009 Daniéle Gillemon, 'Antony Gormley, haute tension', MAD (Le Soir), 30 September 2009 Jan Van Hove, 'Oefening in kijken', De Standaard, 23 September 2009 Cuauhtemoc Medina, 'La compleja disyuntiva', Cultura Reforma, 2 September 2009 J.J.Charlesworth, 'Public defender: is Antony Gormley a people pleaser?', Art Review, London, England, Issue 34, September 2009 Concepcion Moreno, 'Soledad en llamas', El Economista, 21 August 2009 Oscar Cid de Leon, 'Revela Gormley su ser', Reforma, Cultura, Mexico City, Mexico, 19 August 2009 Mario Abner Colina, 'Los Cuerpos de Gormley', Reforma, Primera Fila, Mexico City, Mexico, 14 August 2009 Danielle Demetriou, 'The 'big bang' at Echigo-Tsumari', The Japan Times, 7 August 2009 Simon Wilson, 'A delicate balance', Royal Academy of the Arts Magazine, London, England, No.103 Summer 2009 Danielle Demetriou, 'Zen and the art of rural regeneration', The Guardian, 1 August 2009 Charlotte Higgins, The Guardian, The birth of Twitter art, 8 July 2009 Charlotte Higgins, 'Gormley begins his picture of Britain', The Guardian, London, England, 7 July 2009 Adrian Searle, 'Gormley's best risks bring out the worst', The Guardian, London, England, 7 July 2009 Stephen Armstrong, 'Fun, but is it art?', Sunday Times, London, England, 5 July 2009 Alistair McKay, 'Is it art?', Evening Standard, London, England, 2 July 2009 Roya Nikkhah, 'Who will be a star on my Plinth?', The Sunday Telegraph, London, England, 28 June 2009 Kate Muir, 'The Conversation: Antony Gormley', The Times, The Review, London, England, 20 June 2009 Neil Jones, 'Culture Writ Large', The Times, London, England, 20 June 2009 Vanessa Thorpe, 'I've got my hour on the plinth, but what should I do up there?', The Observer, London, England, 14 June 2009 Louisa Buck, 'Why not treat everybody as a hero?', The Art Newspaper, London, England, No. 203, June 2009 Bryan Appleyard, 'You must jump, spin and kung-fu kick for a ticket', The Sunday Times Culture Review, London, England, 31 May 2009 Antony Gormley, 'Fine Figures', Financial Times, London, England, 25 April 2009 Nitin Sawhney, 'Pop Stars on Art: Nitin Sawhney on Antony Gormley', The Observer Music Monthly, London, England, No. 68, April 2009 Ramon Esparza, 'Antony Gormley, la logica del limite', El Cultural, Madrid, Spain, 20 March 2009 Hannele Jaameri, Ytimessa on ihminen, Suomen Kuvalehti, Finland, 13 March 2009 Lee Randall, 'Putting Britain on a Pedestal', The Scotsman, Edinburgh, Scotland, 12 March 2009 Craig Brown, 'The iron men cometh as Gormley unveils first public art installation for Scotland', The Scotsman, Edinburgh, UK, 12 March 2009 Mike Wade, 'Gormley's iron men will link Leith to city', The Times, London, England, 12 March 2009 Bryan Appleyard, Make an exhibition of yourself, Culture, The Sunday Times, London, England, 1 March 2009 Alistair Sooke, 'Fancy turning yourself into a work of art?', The Telegraph Review, London, England, 28 February 2009 Antony Gormley, 'The People's Plinth' The Guardian, 26 February 2009 Juan Carlos Roman, 'Antony Gormley: Un Ejercicio de Implosiva Inmovilidad', Arte y Parte, Malaga, Spain, no. 79, February/March 2009 Reg Little, Angel of the Broad, The Oxford Times, Oxford, England, 29 January 2009 2008 Ann Hindry, 'Antony Gormley's Metaphysical Body', Art Press, Paris, France, December 2008 Jessica Lack et al, '1000 Artworks To See Before You Die', The Guardian, London, England, Volume 2, 27 November 2008 Lourdes Zambrano, 'Sacude los Sentidos', El Norte, Mexico, 21 November 2008 'Nitin Sawhney & Antony Gormley', Songlines, London, England, Issue 56, November/December 2008 Charlotte Cripps, 'Musical Statues', Music Magazine, The Independent, London, England, 4 October 2008 Robert P Crease, 'Critical Point Quantum of Culture', Physics World, Volume 21, Number 9, September 2008 Elisabeth Vedrenne, 'L'ame aux corps d'Antony Gormley', Connaissance des Arts, September 2008 Karel Ankerman, 'Lichaamsruimte', Het Financieele Dagblad, Amsterdam, Netherlands, 19 July 2008 Bengt Eriksson, 'Livsfarlig konst i Kivik', Trelleborgs Allehandra, 19 July 2008 Adam Svanell, 'Konsten går till skogs i Kivik', Kultur, 19 July 2008 Author Unknown, 'Angel's little sister fetches £2m at Auction', Times, London, England, 3 July 2008 Homme Siebenga, 'Klonen op het dak', Museum Tijdschrift, Amsterdam, Netherlands, Issue 5, July-August 2008 Antony Gormley & David Chipperfield in conversation, 'Men of substance', RIBA Journal, London, England, Issue 115/7, July 2008 Peter Aspden, 'Mayor reveals battle of Trafalgar victors', Financial Times, London, England, 24 June 2008 Richard Brooks, 'Fame up for grabs in Trafalgar Square', The Sunday Times, 22 June 2008 Debra Craine, 'Dazzled by faith and ferocity', The Times, London, England, 30 May 2008 Judith Mackrell, 'Kung-fu monks hit miraculous new highs', The Guardian, London, England, 30 May 2008 Hannah Duguid, 'A box of delights', The Independent, London, England, 21 May 2008 Flora Bagenal 'Enter the dragon', New Statesman, London, England, 12 May 2008 John Tusa 'The power to choose public art should lie with the people', The Observer, London, England, 11 May 2008 Nick Curtis, 'Giant horse amongst runners to be 'Angel of the South', Evening Standard, London, England, 7 May 2008 Laurie Peake and Lewis Biggs, 'The great art adventure', Art Quarterly, London, England, Spring 2008 Marie-Laure Rolland, 'Souriez, vous êtes filmé!', Luxemburger Wort, Luxembourg, 22 April 2008 Anu Uimonen, 'Taide saa alkunsa aina paikasta', Helsingin Sanomat, Helsinki, Finland, 16 April 2008 Ulrika Vallgårda, 'Med den egna kroppen som verktyg', Svenska Dagbladet, Stockholm, Sweden, 16 April 2008 Yvonne Rittvall, 'Spindelman fångad av gummiband', DN, 13 April 2008 Marja-Terttu Kivirinta, 'Uusi säätiö vahvistaa taiteen asemaa', Helsingin Sanomat, Helsinki, Finland, 28 March 2008 Lisbeth Bonde 'Kroppen er et hus med sjæl', Weekendavisen, Copenhagen, Denmark, 13-28 March 2008 Lynn Barber, 'Antony Gormley: The Interview', The Observer, London, England, 9 March 2008 Rachel Campbell-Johnston, 'Antony Gormley: Firmament at the White Cube, Mason's Yard', The Times, London, England, 7 March 2008 Ben Lewis, 'Cast it from the mind', The Evening Standard, London, England, 7 March 2008 Arifa Akbar, 'Modern public artworks are 'crap', says Gormley', The Independent, London, England, 6 March 2008 Richard Dorment, '22 years...and just one idea', The Daily Telegraph, London, England, 6 March 2008 Dalya Alberge, 'Gormley ridicules poor public art', The Times, London, England, 6 March 2008 Jeremy Lovell, 'Good art should unsettle not soothe: Gormley', Reuters online, 5 March 2008 Louise Jury, 'Artist Gormley is selling his bodies for $1.35 million', Evening Standard, London, England, 5 March 2008 John-Paul Flintoff, 'The Man Who Broke the Mould', Sunday Times Magazine, London, England, 2 March 2008 Natasha Rivett-Carnac, 'Body, Being, Place', Resurgence, Bodmin, Cornwall, England, No.247, March/April 2008 Peter Vogul 'Antony Gormley: Körper im Raum/Bodies in Space', Parnass, Vienna, Austria, March/April 2008 Helen Waters, 'Space to Draw: Critical Eye', Artists & Illustrators, London, England, Issue 258, March 2008 Taava Koskinen, 'Antony Gormley vastustaa herooisuutta kuvan-veistossa', Taide, Helsinki, Finland, March 2008 Author Unknown, 'Artists' studios: Antony Gormley', The Guardian, London, England, 23 February 2008 Author Unknown, 'Chatsworth applies for 100-piece Gormley', Country Life, London, England, 21 February 2008 Cormac Murphy, 'Safety Concerns raised over Docklands statue', Evening Herald, Dublin, Ireland, 20 February 2008 Godfrey Barker, 'The Thinker', Evening Standard Magazine, London, England, 15 February 2008 Claire Armstrong, 'Antony Gormley: Ataxia', Art World, Sydney, Australia, Issue 1, February/March 2008 Margaret O'Conner, 'Homes for the mobile', Financial Times, London, England, 26 January 2008 Charles Darwent, 'Drawing room drama where nothing is as it seems', Independent on Sunday, London, England, 20 January 2008 Jackie Wullschlager, 'Art on a pedestal', Financial Times, London, England, 12/13 January 2008 Mark Brown,

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    12 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us