Thesis (Complete)

Thesis (Complete)

UvA-DARE (Digital Academic Repository) Clashes of discourses: Humanists and Calvinists in seventeenth-century academic Leiden Kromhout, D. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Kromhout, D. (2016). Clashes of discourses: Humanists and Calvinists in seventeenth- century academic Leiden. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 Clashes of Discourses Humanists and Calvinists in Seventeenth-Century Academic Leiden David Kromhout cover.indd 1 11-02-16 14:34 Clashes of Discourses Humanists and Calvinists in Seventeenth-Century Academic Leiden David Kromhout Clashes of Discourses Humanists and Calvinists in Seventeenth-Century Academic Leiden ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D.C. van den Boom ten overstaan van een door het College voor Promoties ingestelde commissie, in het openbaar te verdedigen in de Agnietenkapel op woensdag13 april 2016, te 12:00 uur door David Kromhout geboren te ’s Gravenhage Promotiecommissie: Promotores: Prof. dr. E.M.P. van Gemert Universiteit van Amsterdam Prof. dr. mr. G.C.A.M. van Gemert Radboud Universiteit Nijmegen Overige leden: prof. dr. I.E. Zwiep Universiteit van Amsterdam prof. dr. G.H. Janssen Universiteit van Amsterdam prof. dr. H.J.M. Nellen Erasmus Universtiteit Rotterdam prof. dr. J.M. Koppenol Vrije Universiteit Amsterdam dr. D.K.W. van Miert Universiteit Utrecht dr. F.R.E. Blom Universiteit van Amsterdam Faculteit der Geesteswetenschappen This work is part of the research programme ‘Dynamics of Neo-Latin and the Vernacular. The Role of Self-Representation, Self-Presentation and Imaging in the Field of Cultural Transmission, Exemplified by the German Reception of Dutch Poets in a ‘Bilingual’ Context’, which is financed by the Netherlands Organisation for Scientific Research (NWO). Promotiecommissie: Table of contents Promotores: Acknowledgements .......................................................................... 1 Prof. dr. E.M.P. van Gemert Universiteit van Amsterdam Introduction ...................................................................................... 3 Prof. dr. mr. G.C.A.M. van Gemert Radboud Universiteit Nijmegen Primary question .......................................................................... 7 Method and material .................................................................. 18 Overige leden: Chapter 1: The humanist discourse in the Northern Netherlands ... 21 prof. dr. I.E. Zwiep Universiteit van Amsterdam 1.1 Janus Dousa (1545-1604) ........................................... 21 prof. dr. G.H. Janssen Universiteit van Amsterdam prof. dr. H.J.M. Nellen Erasmus Universtiteit Rotterdam 1.2 The Republic of Letters in Leiden – the young Hugo Grotius prof. dr. J.M. Koppenol Vrije Universiteit Amsterdam ................................................................................................... 29 dr. D.K.W. van Miert Universiteit Utrecht 1.3 The young Daniel Heinsius .................................................. 35 dr. F.R.E. Blom Universiteit van Amsterdam 1.4 Ascending Mount Helicon ................................................... 37 1.5 Northern Arcadia .................................................................. 40 1.6 Conclusion ........................................................................... 46 Faculteit der Geesteswetenschappen Chapter 2: Growing tension ........................................................... 48 2.1 Remonstrants and Counter-Remonstrants ............................ 48 2.2 Remembering Arminius: Grotius and Heinsius ................... 50 2.3 Remembering Arminius: Bertius and Gomarus ................... 55 2.4 Heinsius’s Bacchus and Christ hymns ................................. 61 2.5 De contemptu mortis ............................................................ 71 2.6 Cats as epigone .................................................................... 76 2.7 Conclusion ........................................................................... 85 Chapter 3: A New Standard ............................................................ 88 3.1 Historical setting .................................................................. 89 This work is part of the research programme ‘Dynamics of Neo-Latin and 3.2 Heinsius’s Aristarchus sacer ................................................ 93 the Vernacular. The Role of Self-Representation, Self-Presentation and 3.3 Ludovicus de Dieu ............................................................. 101 Imaging in the Field of Cultural Transmission, Exemplified by the 3.4 Jacobus Revius (1586-1658) as example of the new standard German Reception of Dutch Poets in a ‘Bilingual’ Context’, which is ................................................................................................. 109 financed by the Netherlands Organisation for Scientific Research (NWO). 3.5 The old Cats ....................................................................... 116 3.6 Afterthought: The Nachleben of the Leiden humanist discourse .................................................................................. 127 3.7 Conclusion ......................................................................... 130 Conclusions .................................................................................. 132 Summary in English ..................................................................... 139 Summary in Dutch ....................................................................... 146 Index ............................................................................................. 153 List of illustrations ....................................................................... 158 Bibliography: ................................................................................ 160 Acknowledgements I want to thank most sincerely all those who have helped me to write this thesis and who have enabled me to carry out my research. In the first place I want to express my gratitude to Jan Bloemendal, Harm-Jan van Dam and Giel van Gemert, who had the courage to entrust me with this project. Thanks to their endeavors, the Dutch Organisation for Scientific Research (NWO) had granted our project “Dynamics of Neo- Latin and the Vernacular. The Role of Self-Representation, Self- Presentation and Imaging in the Field of Cultural Transmission, Exemplified by the German Reception of Dutch Poets in a ‘Bilingual’ Context” sufficient means to enlist three PhD candidates and one postdoc.1 The result of one of these projects is this thesis. I am very grateful to Tom Deneire, our postdoc, who has helped me and the other PhD candidates endless times with never ending patience and suffered all our despair and ignorance. He has helped us enormously and his contribution to our project cannot be overemphasized. I am grateful to all members of our project for their help, their input, their criticism. Apart from the members mentioned above, I thank Eva van Hooijdonk en Ümmü Yuksel for their collegiality and their support. I should offer a special word of thanks here to Jan Bloemendal, who was my supervisor in the first stage of the project. I have learned much from his energy and his originality. When Jan Bloemendal left the University of Amsterdam, Lia van Gemert was willing to take over and help me finish this project. I cannot sufficiently express my gratitude to her for her help and moral, practical and conceptual support. She helped me focus the direction of my research and encouraged me to write down my thoughts and arguments. I thank Giel van Gemert for his kind support and supervision. Whenever I lost the common cause out of sight and strayed away from the flock, Giel kindly led me back to the Dynamics between Latin and the Vernacular. 1 First results of this project, as well as rough material for this thesis, appeared in: Deneire, Dynamics of Neo-Latin and the Vernacular. 1 A special word of thanks goes to Irene Zwiep. It is impossible here Acknowledgements to do full justice to her contribution. Irene has from the first day I set foot in her classroom stimulated me to see the beauty of the human mind, wherever, whenever. She has always urged me to keep reading and I want to thank most sincerely all those who have helped me to thinking, always trusting and stimulating my own thoughts. More than write this thesis and who have enabled me to carry out my research. In the that, I am grateful for her friendship, which I cherish. first place I want to express my gratitude to Jan Bloemendal, Harm-Jan Last but not least,

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    180 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us