Apocalyptic Vision in the Lord of the Rings

Apocalyptic Vision in the Lord of the Rings

Volume 14 Number 4 Article 2 Summer 7-15-1988 Apocalyptic Vision in The Lord of the Rings J. R. Wytenbroek Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Wytenbroek, J. R. (1988) "Apocalyptic Vision in The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 4 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol14/iss4/2 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Sees many parallels between events described in Revelation and those in The Lord of the Rings. In particular, sees Aragorn as a type of the Christ of the Apocalypse. Additional Keywords Apocalypse—Influence on The Lord of the Rings; Tolkien, J.R.R.—Characters—Aragorn—Christ-like qualities; Tolkien, J.R.R. The Lord of the Rings This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol14/iss4/2 MYTHLORE 54: Summer 1988 Page 7 Apocalyptic Vision in The Lord of the Rings J.R. Wytenbroek The title of my paper is "Apocalyptic Vision in ics argue for Aragorn as the unfallen Adam, others Tolkien's The Lord of the Rings," and in it I shall for Frodo as an Adam about to fall but saved by refer to both the Christian view of the apocalypse, grace at the last moment because of his compassion as presented primarily in the book of Revelations, for Gollum throughout, and because he does not and the Norse vision of Ragnarok, as presented in fall of his own free will. All these views have both the ProBe and Elder Eddas. Both the Biblical merit, and all enrich our understanding of the and Norse visions of the last days of the world are richness and profundity of this great epic work of very Bketchy and open to much interpretation, the one of the most important writers of the Twentieth Norse Ragnarok being even less detailed and wide Century. in scope than the Christian. Thus in discussing anyone's representation of the apocalypse, we need Consequently I am not arguing that The Lord to be aware of the breadth of possibilities of read­ of the Rings is Tolkien’s version of the apocalypse. ing and interpretation, and the almost endless That would be blatantly ridiculous and could be potential for creating details and filling in the disproven on many counts. However I feel that part many vague, unclear, or apparently missing links of his vision in The Lord of the Rings is decidedly and parts of both versions. I am going to argue apocalyptic in places, yet is not at all in conflict that Tolkien took some of these allowable liberties with prelapsarian or alternative history elements with the little information he had before him, and for which other critics have argued, and of which that The Lord of the Rings presents a coherent I see many instances. Tolkien’s vision is broad and in some respects detailed schema for certain enough to encompass all these different elements, parts of the apocalyptic vision of both Revelations and many others, and combine them into one amaz­ and the Eddas. ingly coherent and harmonious whole. Firstly, however, I want to establish what I am Middle-earth is a world in decay, a dying not trying to do in this paper. I am not attempting world as Tolkien presents it for most of the Tril­ to argue, in any way, that The Lord of the Rings ogy. There are pockets of beauty and peace, is an allegory of the Christian and/or Norse vision uncorrupted by Sauron or Saruman and their emis­ of the apocalypse. Tolkien himself argued against saries who delight in destroying all beautiful or The Lord of the Rings as an allegory of any kind, living things. The Shire is still untouched when and I emphatically agree with him. It is as work the romance begins. Sauron has not yet heard of it too great in scope and too profound in vision to be and also has not yet the power to stretch his arm fitted into any one symbolic or allegorical system. so far. But his ignorance lasts only until the sec­ However, it frequently contains elements and even ond chapter of the book, and from that time on the visions of certain mythic or prophetic events. Shire is endangered. Other pockets of beauty and Consequently, some critics feel it is a history of peace remain, primarily those occupied by powers the prelapsarian world, others, an alternative his­ with whom Sauron dares not tangle until his power tory to our own where Adam never fell. Some crit­ is complete: Tom Bombadil's house in the Old For­ MYTHLORE 54; Summer 1988 est, Rivendell, Lothlorien. Both Rohan and Giondor, War is foretold for both Ragnarok and the apo­ although still beautiful, are no longer peaceful. calypse. This war (Armageddon) is, of course, the Both show the ravages of recent and increasing direct conflict between the powers of good and the conflict when we first see them, and Gondor, in powers of evil. Important in both prophecies are particular, is decaying internally, through the men, who will be involved in this conflict and must weakening rule of the Stewards and its fall from choose sides. The heroes of Valhalla will ride with greatness, precipitated by the end of the kingship the Norse godB to battle, while in Revelations the there, many centuries before. Houses are empty, army of heaven which does battle with the beast there are few children born in Gondor, and the and the peoples of the earth whom he has seduced, weakness and laxness of attention of Gondor may contain those faithful who have preceded the allowed Sauron to return to Mordor a few years then living, in death. Humanity is called to choose before the events in this novel, when he captured its BideB, in this great battle, although individual’s the beautiful Tower of the Moon, Minas Ithil, turn­ choices may have been made ages before. ing it into the tower of Minas Morgul, the place of darkest terror in all of Middle-earth. These choices appear in The Lord of the Rings. The Easterlings, Haradrim, Variags, and Southrons As decay and dissolution is one characteristic are seduced or cowed by Sauron into fighting on of the times of the apocalypse in both Norse and his side as the men of Dunland are by Saruman in Biblical versions, another characteristic is apostasy. the battle of Helm’s Deep. The very scope of the As Vernon Hyles (in his paper "The Hero and the battle is apocalyptic rather than simply a function World; Tolkien’s Mythic Hero") says, "In Middle- of the necessary conflict between the hero and his earth, Boromir, Denethor and even Sauron repre­ adversary of romance, or even the larger battles sent this falling away from goodness” (p. 3). Apos­ between nations and races of legend and myth. It tasy is revealed clearly in Denethor’s seduction by is a cosmic struggle that has world-wide implica­ Sauron through his unwise use of the palantir, tions, and has already been engaged in various which is a blatant case of the seduction of the ways from Bree to Gondor. The major battle takes very elect prophesied for the last times in the place on the plains surrounding Gondor, in which Gospel of Mark (13:22). Saruman is not only the forces of good triumph, as they do at Arma­ seduced but, in many ways, becomes the symbol of geddon. The last stand, however, takes place out­ the lesser evil figure of the apocalypse, the false side the gates of the enemy’s stronghold. If the prophet, who will rise to power shortly after the forces of good had failed at this time, then a rise of Satan’s emissary, the Beast (here symbol­ bleak, Ragnarok-like ending would have been ized by Sauron), in the battle against the people of achieved. As Gandalf warned, months before, such a the earth. Thus many of the figures present in the failure would allow the Enemy to "cover all the Biblical apocalypse are represented by their types lands in a second darkness" (I, p. 57). But unlike in The Lord of the Rings. Ragnarok, which is to end in defeat for the gods and heroes, and with the total destruction of the earth, the Christian Armageddon ends in victory Norse as well as other Biblical prophecies for for good, and here Tolkien draws more heavily on this period appear directly in The Lord of the the Christian apocalyptic vision. The forces of evil Rings. The sun, which is to go black according to Revelations and be swaUowed by a wolf in Rag- are defeated at the last moment, and a time of narok, are mirrored in the darkened sky of Middle- peace, harmony, and justice is founded in Middle- earth where no sun appears for several days, and earth.

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