S11_cover_OUT.qxp:cat_s05_cover1 12/2/10 3:13 PM Page 1 Presorted | Bound Printed DISTRIBUTEDARTPUBLISHERS,INC Matter U.S. Postage PAID Madison, WI Permit No. 2223 DISTRIBUTEDARTPUBLISHERS . SPRING 2011 NEW BOOKS ON SPRING 2011 BOOKS ON ART AND CULTURE ART & CULTURE ISBN 978-1-935202-48-6 $3.50 DISTRIBUTED ART PUBLISHERS, INC. 155 SIXTH AVENUE 2ND FLOOR NEW YORK NY 10013 WWW.ARTBOOK.COM GENERAL INTEREST GeneralInterest 4 SPRING HIGHLIGHTS ArtHistory 64 Art 76 BookDesign 88 Photography 90 Writings&GroupExhibitions 102 Architecture&Design 110 Journals 118 MORE NEW BOOKS ON ART & CULTURE Special&LimitedEditions 124 Art 125 GroupExhibitions 147 Photography 157 Catalogue Editor Thomas Evans Architecture&Design 169 Art Direction Stacy Wakefield Forte Image Production Nicole Lee BacklistHighlights 175 Data Production Index 179 Alexa Forosty Copy Writing Sara Marcus Cameron Shaw Eleanor Strehl Printing Royle Printing Front cover image: Mark Morrisroe,“Fascination (Jonathan),” c. 1983. C-print, negative sandwich, 40.6 x 50.8 cm. F.C. Gundlach Foundation. © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. From Mark Morrisroe, published by JRP|Ringier. See Page 6. Back cover image: Rodney Graham,“Weathervane (West),” 2007. From Rodney Graham: British Weathervanes, published by Christine Burgin/Donald Young. See page 87. Takashi Murakami,“Flower Matango” (2001–2006), in the Galerie des Glaces at Versailles. See Murakami Versailles, published by Editions Xavier Barral, p. 16. GENERAL INTEREST 4 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST Drawn from the collection of the Library of Congress, this beautifully produced book is a celebration of the history of the photographic album, from the turn of last century to the present day. APERTURE/LIBRARY OF CONGRESS Photographic Memory The Album in the Age of Photography Edited by Verna Posever Curtis. As photography became an increasingly accessible medium in the twentieth century, the popularity of the photo- graphic album exploded, yielding a wonderful range of objects made for varying purposes—to memorialize, docu- ment (officially or unofficially), promote, or educate and sometimes simply to channel creative energy. Photographic Memory: The Album in the Age of Photography traces the rise of the album from the turn of last cen- tury to the present day, showcasing some of the most important examples in the history of the medium, as col- lected by the Library of Congress. The book includes albums by acclaimed photographers and filmmakers, among them Walker Evans, Danny Lyon, Holland Day, Jim Goldberg, Dorothea Lange, Duane Michals, Leni Riefenstahl and W. Eugene Smith, as well as lesser-known but equally significant albums. Each album is beautifully reproduced over numerous spreads with an accompanying detailed explanatory text. An insightful history of the album for- mat, as well as an informative essay about caring for and restoring albums are included. At a time when the physi- cal collection of photographs is becoming increasingly immaterial through the ascent of digital publishing, and at a time in which radical shifts have occurred in the status of handmade artists’ objects, Photographic Memory is a comprehensive illustrated history of a form of presentation that became something of an art in itself. Photographic Memory ISBN 978-1-59711-131-7 Hbk, 9.5 x 11.5 in. / 288 pgs / 350 color. U.S. $75.00 CDN $83.00 February/Photography www.artbook.com | 5 JRP|RINGIER Mark Morrisroe Edited by Beatrix Ruf, Thomas Seelig. Text by Stuart Comer, Elisabeth Lebovici, Fionn Meade, Linda Yablonsky. A luminous comet shooting across the late 70s constellation of photographers and artists that included Nan Goldin, David Armstrong, Jack Pierson and Philip-Lorca diCorcia, Mark Morrisroe produced an incredibly rich and various body of work in the brief ten-plus years in which he was active. He survived a fraught childhood and teen years as a prostitute (he was once shot by a client) to attend the School of the Museum of Fine Arts in Boston, where he made friendships with Goldin, Armstrong and others, performed in drag under the name Sweet Raspberry, cofounded the punk zine Dirt (“he sort of invented the Boston punk scene,” Jack Pierson later recalled) and eventually graduated from the school with honors. Shortly after, Morrisroe moved to New York, acquired a Polaroid camera and began pho- tographing. Most of his photographs are por- traits—of hustlers, lovers, friends and of him- self—or hand-painted photograms. Morrisroe is also famed for his X-ray self-portraits, which show the bullet lodged near his spine after his shoot- ing. All of his output carries this reckless, go-for- broke character, and an edge of urgency and necessity. After his death (from AIDS-related ill- nesses), more than 2,000 Polaroids were found among his possessions. This first comprehensive monograph compiles photographs and ephemera from the early punk years to Super-8 films, pho- tograms and the late self-portraits. More than 500 photographs are reproduced here, alongside essays and an extensive biography. Born to a drug-addicted mother, Mark Morrisroe (1959–1989) left home at 13, began hustling at 15 and at 17 was shot in the back by a client. The entirety of Morrisroe’s brief life was characterized by danger and poverty, and mythologized by him as such: his mother was a friend and neighbor of Albert DeSalvo (aka the Boston Strangler) and Morrisroe claimed to be his illegitimate son. Morrisroe died in 1989. Mark Morrisroe A massive survey of the brief but ISBN 978-3-03764-121-7 Flexi, 8 x 10.25 in. / 516 pgs / 420 color. brilliant career of Mark Morrisroe, U.S. $65.00 CDN $72.00 the charismatic photographer who February/Photography/Gay & Lesbian Exhibition Schedule: documented Boston’s punk scene and Zurich, Switzerland: Fotomuseum Winterthur, the underbelly of 1980s New York. 11/27/10–02/13/11 6 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST This lavish collection of Philip-Lorca diCorcia’s acclaimed photographic portfolios for W magazine inaugurates Freedman Damiani, a new imprint of Damiani Editore. Freedman Damiani is led by renowned creative director Dennis Freedman and focuses on exceptional books on art and photography. FREEDMAN DAMIANI Philip-Lorca diCorcia: Eleven W Stories 1997–2008 Edited by Dennis Freedman. Interview by Jeff Rian. Between 1997 and 2008, Philip-Lorca diCorcia completed 11 photographic portfolios in collaboration with W magazine’s creative director Dennis Freedman. In their epic scope and visual luxuriance, these enigmatic and glamour-soaked photographic narratives stand as one of the most ambitious editorial projects of the last decade. DiCorcia and Freedman traveled the globe to make these stories, deploying fabulous locations rang- ing from a Lautner house in Los Angeles and the Mariinsky Opera House in St. Petersburg to Windows on the World at the top of the World Trade Center and a notorious “club échangiste” (swinger’s club) in Paris. The cast of characters included iconic models Nadja Auermann, Guinevere van Seenus, Kristen McMenamy, Karen Elson, Shalom Harlow and Hannelore Knuts, the actress Isabelle Huppert, the designer Marc Jacobs plus peo- ple cast on location. DiCorcia’s fashion stories are collected for the first time in this superbly designed mono- graph, and reveal themselves as a masterpiece of staged photography and photographic storytelling. Philip-Lorca diCorcia was born in Hartford, Connecticut, in 1951. He received his MFA in Photography from Yale University in 1979. DiCorcia’s work has been the subject of solo shows at The Museum of Modern Art, New York, the Institute of Contemporary Art, Boston, the Centre National de la Photographie, Paris, Whitechapel Art Gallery, London and the Museo Nacional Centro de Arte Reina Sofia, Madrid, among others. He has been named a Guggenheim Foundation Fellow and has received multiple grants from the National Endowment for the Arts. His work is included in the collections of the Bibliotheque Nationale de France, The Museum of Modern Art and the Metropolitan Museum of Art, among others. His previous books include A Storybook Life (2003) and Thousand (2007), a collection of Polaroids that was exhibited at the Los Angeles County Museum of Art. DiCorcia lives and works in New York City. Philip-Lorca diCorcia: Eleven ISBN 978-88-6208-167-2 Clth, 11 x 13.75 in. / 252 pgs / illustrated throughout. U.S. $70.00 CDN $77.00 March/Photography/Fashion www.artbook.com | 7 Two social revolutions—Wallace Berman’s Beat circle of the 1950s and the Black Panthers in the 1960s—are documented in Charles Brittin’s Los Angeles photographs. HATJE CANTZ Charles Brittin: West and South Edited by Kristine McKenna, Lorraine Wild, Roman Alonso, Lisa Eisner. Throughout the 1950s, Charles Brittin was the unofficial house photogra- pher for the Beat community that coalesced around the artist Wallace Berman. Brittin settled in Venice Beach, California, in 1951, and his beach shack became a hangout for the Berman circle, which included actors Dean Stockwell and Dennis Hopper, artist John Altoon, curator Walter Hopps and poet David Meltzer, among many others. A self-taught photographer, Brittin was working as a mailman at the time, and spent much of his free time wandering the streets with a camera; he came to know Venice intimately, and his pictures of the town are freighted with a hushed beauty and for- lorn sweetness. In the early 1960s the focus of Brittin’s life shifted dramati- cally when he became involved with the civil rights movement.“I suddenly realized I was compelled to do something,” Brittin recalls,“because the times demanded it.” As a photographer for the Congress of Racial Equality, Brittin documented the dramatic non-violent protests that occurred throughout Southern California, and made a courageous trip to the deep South, in 1965, to assist with the registration of black voters.