Contemporary understanding of Gregorian chant – conceptualisation and practice Volume two of three: Appendices I Eerik Joks Submitted for the Degree of Doctor of Philosophy University of York Department of Music November 2009 384 List of contents Appendix 1 Interview with Michiko Hirayama in Rome, on 8.‐9.03.2006. 389 Appendix 2 Interview with Professor Godehard Joppich in Frankfurt, on 1.03.2005. 395 Appendix 3 Figure 1 (additional). Different possibilities of reception of MSLM. 405 Appendix 4 Intervjuu Arvo ja Nora Pärdiga 2005. aasta suvel. 406 Appendix 5 Interview with Professor Godehard Joppich in Frankfurt, on 20.12.2008. 415 Appendix 6 Questionnaire for Performers and Experts of Gregorian chant in English. 420 Appendix 7 Questionnaire for Performers and Experts of Gregorian chant in Estonian. 433 Appendix 8 The printed version of the Questionnaire for Performers and Experts of Gregorian chant in English (A5) (in the pocket on the back cover). 445 Appendix 9 Tables 92‐203 (TAO). Raw data of the results of questionnaire in the form of frequency tables. 446 Appendix 10 Correspondence to respondents concerning the Questionnaire. 489 Appendix 11 Table 25 (additional). Number of responses, mean values, and variance of the answers to the questions 1‐27 ‘Gregorian chant for me means [an argument]’; sorted by mean; AMP=4.3. 494 Appendix 12 Table 26 (additional). Number of responses, mean values, and variance of the answers to the questions 1‐27 ‘Gregorian chant for me is [an argument]’; sorted by variance; AMP=3.4. 495 Appendix 13 Table 27 (additional). Number of responses, mean values, variance, ratio of mean and variance, subtraction of mean and variance, position of the arguments in the table of the answers to the questions 1‐27 ‘Gregorian chant for me means [an argument]’; sorted by the subtraction of mean and variance (‘M‐V’). 496 Appendix 14 Table 28 (additional). Number of responses, mean values and variance of the answers to the questions 42‐71 ‘How important is [an argument] for a good performance of Gregorian chant?’; sorted by mean; AMP=4.7. 497 Appendix 15 Table 29 (additional). Number of responses, mean values and variance of the answers to the questions 42‐71 ‘How important is [an argument] for a good performance of Gregorian chant?’; sorted by variance; AMP=3.3. 498 Appendix 16 Table 30 (additional). Number of responses, mean values, variance, ratio of mean and variance, subtraction of mean and variance, position of results of the answers to the questions 42‐71 ‘How important is [an argument] for a good performance of Gregorian chant?’; sorted by subtraction of mean and variance. 499 Appendix 17 Table 31 (additional). Number of responses, mean values, and variance of the answers to the questions 85‐93 ‘How would you characterize the relationship between music and text in Gregorian chant?’; sorted by mean; AMP=3.9. 500 385 Appendix 18 Table 32 (additional). Number of responses, mean values and variance of the answers to the questions 85‐93 ‘How would you characterize the relationship between music and text in Gregorian chant?’; sorted by variance. 501 Appendix 19 Table 33 (additional). Number of responses, mean values, and variance of the answers to the questions 85‐93 ‘How would you characterize the relationship between music and text in Gregorian chant?’; sorted by the subtraction of mean and variance. 502 Appendix 20 Figure 14 (additional). Evaluations of the respondents on possibilities of restoration of historically authentic performance practice of medieval Gregorian chant. The chart is drawn on the bases of Table 36. 503 Appendix 22 Table 41 (additional). Mean and number of positive correlations (‘Corr’) that are significant on the level 0.01 between the variables in the set of questions 1‐27; sorted by ‘Corr’. 504 Appendix 23 Table 42 (additional). Number of positive correlations that are significant on the level 0.01 between the variables in the set of questions 1‐27; ‘A’ = correlations of all respondents (as in the previous table), column ‘B’ = correlations of these 85 respondents who consider religion more important for themselves; sorted by column ‘B’. 505 Appendix 24 Table 43 (additional). Rotated component matrix of questions 1‐27 (two components). N = variables with a values close to zero or negative. 506 Appendix 25 Table 44 (additional). Rotated component matrix of questions 1‐27 (three components); N = values close to zero or negative; N = variables with a positive value only in one component; N = variables with positive value in all components. 507 Appendix 26 Table 45 (additional). Rotated component matrix of questions 1‐27 (four components); N = values close to zero or negative; N = variables with positive value in all components. 508 Appendix 28 Table 46 (additional). Mean and number of positive correlations (‘Corr’) that are significant on the level 0.01 between the variables in the set of questions 42‐71; sorted by ‘Corr’. 509 Appendix 29 Table 47 (additional). Number of positive correlations that are significant on the level 0.01 between the variables in the set of questions 42‐71; ‘A’ = correlations of all respondents (as in the previous table), column ‘B’ = correlations of these 85 respondents who consider religion more important for themselves; sorted by column ‘B’. 510 Appendix 30 Table 48 (additional). Rotated component matrix of questions 42‐71 (two components); N = variables with a values close to zero or negative. 511 386 Appendix 31 Table 49 (additional). Rotated component matrix of questions 42‐71 (three components); N = variables with a values close to zero or negative; N = variables with a positive value only in one component; N = variables with positive value in all components. 512 Appendix 32 Table 50 (additional). Rotated component matrix of questions 42‐71 (four components); N = variables with a values close to zero or negative; N = variables with positive value in all components. 513 Appendix 33 Table 204 (TOA). A table of the key figures of Gregorian chant through all times as assessed by the respondents of the questionnaire. 514 Appendix 34 Table 205 (TOA). A table of the key figures of Gregorian chant from the beginning of the nineteenth century, as assessed by the respondents of the questionnaire. 518 Appendix 37 Table 60 (additional). Amount of influencing comparison variables in the set of questions 1‐27. 522 Appendix 38 Table 61 (additional). Amount of variables in the set of questions 1‐27 that are influenced by a particular comparison question. 523 Appendix 39 Table 62 (additional). Comparison of means of questions ‘sacred text, illuminated by music’ (Q15); ‘meaningful texts’ (Q22); ‘a form of teaching about the Word of God’ with ‘Other than at church services, how often do you pray?’ (q147.1). 524 Appendix 41 Table 63 (additional). Amount of influencing comparison arguments in the set of questions 42‐71. 525 Appendix 42 Table 64 (additional). Amount of variables in the set of questions 42‐71 that are influenced by a particular comparison question. 526 Appendix 43 Table 65 (additional). Comparison of means of the comparison questions with the partition of selected nationalities (Q152). 527 Appendix 44 Guidelines for the Recording in English 528 Appendix 45 Guidelines for the Recording in Estonian 530 Appendix 46 Figure 18 (additional). Transcription of the Gradual Haec dies; numeration of notes is added by the transcriber. 532 Appendix 47 Histograms of different segments of 35 solo performances of the Gradual Haec dies: notes 1‐18; notes 1‐50; notes 1‐83; notes 1‐135; notes 99‐135. 533 Appendix 48 Table 206 (TAO). Lengths of the notes of the Gradual Haec dies in performance of 35 solo performers 569 Appendix 49 Table 68 (additional). Length of the piece with breaths (Length, br), groups according to previous column (Group), length of the piece without breaths (Length, no br), mean note value, and derived mean note value; sorted by length of the piece with breaths. All values, except ‘Group’ are in milliseconds. 583 387 Appendix 50 Table 69 (additional). Groups formed according to DNC (Group), number of different note categories (DNC), standard deviation (StDev), length of the piece without breaths (Length, no br), mean note value, and derived mean note value; sorted by DNC. 584 Appendix 51 Histograms 35 solo performances of the Gradual Haec dies in partitions of: all notes included; bins with less than three notes excluded; bins with less than five notes excluded. 585 Appendix 52 Table 70 (additional). Number of BNVs, StDev, and L+/L‐; sorted by ‘BNV’. 656 Appendix 53 Table 71. Groups of notes of equal duration as perceived by performers; notes 1‐18; sorted by ‘Gr’ (groups formed on similarity); all values are in milliseconds; sorted by groups that are formed according to similarity. 657 Appendix 54 Table 72 (additional). Performers who perceive notes 1 and 2 as of equal duration; ratio of 1 and 2 and deviation of 2 from 1; sorted by the ratio of 1 and 2; divided into three segments by different colours: (1) the second note is longer, (2) the first and the second notes are equal, (3) the first note is longer. 658 Appendix 55 Figure 52 (additional). Transcription of a fragment of the verse Confitemini Domino of the Gradual Haec dies from selected medieval and contemporary sources. 659 Appendix 56 Table 76 (additional). BNV and values describing the ratio of the first and the second musical sentences; sorted and grouped by F1. 660 Appendix 57 Table 77 (additional). BNV and values describing the ratio of the first and the second musical sentences with number of notes 50/85 for all performers who treat SNOP as one long note; sorted and grouped by F1. 661 Appendix 58 Table 78 (additional). BNV and values describing the ratio of the first and the second musical sentences with number of notes 50/85 for all performers who treat SNOP as one long note; all negative values in ‘F1’ are transformed into absolute values; sorted and grouped by F1.