2018 Programme Absolutely Final Draft.Indd

2018 Programme Absolutely Final Draft.Indd

MUSIC on the mind Little Venice Music Fesival 2018 Programme Become a Festival Friend Little Venice Music Festival Founded in 2002 by Sylvia Rhys- Honorary Patrons Thomas, the Little Venice Music Michael Berkeley, CBE Festival has always been indebted David Campbell to its friends and supporters, who Miss Joanna David donate what they can to help Edward Fox, OBE present an exhilarating annual Jill Gomez, Countess of Northesk weekend of chamber music. Sir Sydney Kentridge QC Festival curators the Berkeley Festival Friends Ensemble launched a new G Adams supporter scheme in 2016 to Mr I Adams ensure the festival‘s future, and Fr G Bradley as a registered charity, if you are Miss C Castle a registered UK tax payer we are J Lloyd-Davies able to make every donation go Mr M Green 25% further. M Lugon Mr R Pye Join as a Friend, Supporter or Mr A Reis e Sousa Benefactor today, from as little Mr & Mrs D Thompson as £35 a year, to help us develop Ms J Thompson and guarantee the future of this Mr M Wood uniquely community-focussed festival. In return for your The festival would like to thank: generosity, receive our thanks and Fr Gary, Karen Peakman and all at St. benefits to enhance your festival Saviour’s Church experience, including advance CAVATINA Chamber Music Trust information, priority booking and The Garrick Charitable Trust exclusive access to festival artists The Samuel Gardner Memorial Trust through open rehearsals and Westminster City Council Ward Trust receptions. The Berkeley Ensemble Trustees Gavin Compton For more information, see the Joy Lawson friends scheme leaflets, available David Motion at the ticket desk, or the festival Our team of festival volunteers, whose website littlevenice-mf.com. invaluable help makes the festival possible Festival Management John Slack General Manager (Berkeley Ensemble) Annabel Leakey Concerts & Administration Manager (Berkeley Ensemble) The Berkeley Ensemble is a registered charity, no. 1145392 2 Artistic Director’s welcome Nigel Luckhurst For the first time, the programme of this year’s Little Venice Music Festival is based around a central theme: Music on the Mind. The weekend brings together six musical events exploring a huge range of connections between the workings of the human brain and our musical experiences. Following last year’s sublime Schumann recital, we welcome back acclaimed baritone Benedict Nelson on Friday evening to present a lecture recital investigating how mental and emotional distress have affected composers’ work. Another vocal treat comes from outstanding mezzo-soprano Clare McCaldin, who gives the first performance of a new version of Stephen McNeff’s short opera, Vivienne, arranged for the same instruments as Olivier Messiaen’s extraordinary Quartet for the End of Time, written for the composer’s fellow prisoners of war in 1941. We’re thrilled to have as this year’s Festival Artist the award-winning guitarist Laura Snowden, who will give a late-night candlelit recital as well as appearing as the soloist in Malcolm Arnold’s jazzy concerto. A brand-new companion piece by Tim Watts has been written for our opening concert, continuing our annual tradition of festival commissions, and we celebrate our patron Michael Berkeley’s 70th birthday with his Catch Me If You Can – a study of the complex psychology of children’s playtime. Our festival finale includes a sequence of memorials as well responses to classical masterpieces by living composers. We hope you will find much to enjoy in this year’s festival and welcome your feedback. Paul Cott Artistic Director, Berkeley Ensemble 3 Jules Lawrence Laura Snowden was the first guitarist to graduate from the world-renowned Yehudi Menuhin School, where guitar tuition was made possible be a donation from the Rolling Stones. Whilst subsequently studying at the Royal College of Music, she was selected for the Tillett Trust, St John’s Smith Square, International Guitar Foundation, Worshipful Company of Musicians and ‘Making Music Philip and Dorothy Green’ young artist schemes, and was invited by guitarist John Williams to perform at Shakespeare’s Globe with her folk ensemble Tir Eolas. As a composer, Laura won First Prize at the Volos International Guitar Composition Competition and has been commissioned by VIDA Guitar Quartet, the Park Lane Group with support from the RVW Trust and the International Guitar Foundation; her song Live Free was performed at over 300 simultaneous concerts in 60 countries for the charity Voices for Hospices. 4 Hailed as ‘an instinctive collective’ (The Strad) the Berkeley Ensemble was formed with the aim of exploring little-known twentieth- and twenty first-century British chamber music alongside more established repertoire. It now enjoys a busy concert schedule performing throughout the UK and abroad, and is much in demand for its inspiring work in education. Its recordings have attracted critical acclaim, with Lennox Berkeley: Stabat Mater nominated for a Gramophone award in 2017. The ensemble is an enthusiastic champion of new music and has commissioned composers including Michael Berkeley, John Woolrich and Misha Mullov-Abbado. Engaging new audiences, most importantly through education, is central to the ensemble’s activities. It is currently collaborating with PRS for Music and Tŷ Cerdd on support schemes for emerging composers. The group is also ensemble-in-residence at the University of Hull and Ibstock Place School, and runs an annual chamber music course in Somerset. Nigel Luckhurst 5 All Berkeley Ensemble / Nigel Luckhurst All Berkeley Sophie Mather is originally from Wigan in Lancashire and studied with Richard Deakin on the joint course between the University of Manchester and the Royal Francesca Barritt graduated from the Northern College of Music. She moved to Royal Academy of Music in 2012 and London in 2008 when she was awarded has gone on to forge an exciting career a scholarship to study at the Royal comprising solo recital and concerto Academy of Music with Clio Gould. Here performances, chamber ensemble work she was principal second violin of the freelance orchestral playing. She is the Academy Soloists and was also accepted leader of Multi-Story Orchestra, Covent onto the LSO String Scheme. She began Garden Sinfonia and English Touring working with several professional groups Opera as well as being a member of whilst still at the Academy, including City of London Sinfonia. Francesca is a the Scottish Ensemble and the Royal member of the instrumental teaching Philharmonic Orchestra, and has been a faculty at Royal Holloway University member of Manchester Camerata since and Royal Academy of Music junior 2009. She now enjoys a busy musical life, department. playing with a variety of groups across the country, teaching and recording for As a soloist Francesca has given film and television. performances of concertos by Brahms, Beethoven, Bruch, Mendelssohn, Sibelius, Mozart and Bach. In addition to her work with the wonderful Berkeley Ensemble she is a member of the Del Mar Piano Trio and Ensemble Matisse and has given chamber music performances at Wigmore Hall, Purcell Room, Kings Place, the Aldeburgh and Spitalfields festivals and live on BBC Radio 3. 6 Gemma Wareham is a devoted chamber musician, performing with a diverse range of ensembles throughout the UK and abroad. She is a founding member of the Berkeley Ensemble and, as a dedicated educator, is responsible for devising much of the ensemble’s education and outreach programme. Dan Shilladay read music at the University of Birmingham before Gemma studied as an undergraduate completing a master’s degree in at the University of Manchester and contemporary music studies at the subsequently graduated with a master’s University of York. Following study at the in music with distinction from the Royal Royal College of Music and a year with Northern College of Music in 2007. She Southbank Sinfonia, he is now a London- moved to London shortly after her studies based freelance musician and has worked in order to take up her place in Britain’s with, among others, the Hanover Band young professional orchestra, Southbank (with whom he is co-principal viola) the Sinfonia. Orchestra of the Age of Enlightenment, the English Chamber Orchestra and the As an orchestral cellist Gemma now English Baroque Soloists. works for Bournemouth Symphony Orchestra, London Philharmonic Alongside period instrument Orchestra, and Royal Philharmonic performance, he is especially interested Orchestra. She also greatly enjoys the in contemporary music, and has played in opportunity to work in the theatre and the York and Cheltenham festivals. With has appeared in Macbeth with the Royal Southbank Sinfonia he has taken part in Shakespeare Company and All’s Well That acclaimed productions at the National Ends Well at the National Theatre. Theatre of Every Good Boy Deserves Favour and Amadeus. Dan is also in demand as a conductor and educator and directs Imperial College String Ensemble, Stoneleigh Youth Training Orchestra and the Nonesuch Orchestra. 7 Lachlan Radford completed his music degree with first class honours at Auckland University in New Zealand. After being awarded The Elman Poole Music Paul Cott studied at the Guildhall School Fellowship he was able to accept a ten- of Music and Drama with Richard Bissill, month position with Southbank Sinfonia, Jonathan Lipton and Jeffrey Bryant, which prompted a permanent relocation graduating with a master’s degree to London. Lachlan has worked with in 2007. The following year he was a several world-class orchestras, including member of Southbank Sinfonia, with the BBC Concert Orchestra, BBC National whom he appeared as a soloist in Mozart’s Orchestra of Wales, BBC Philharmonic, Sinfonia Concertante, and during which Metropole Orkest, the Philharmonia time he founded the Berkeley Ensemble Orchestra, and New Zealand Symphony with John, Gemma and Dan. Since then, Orchestra. Outside of the classical world, in addition to playing with and artistically Lachlan‘s trio, More Like Trees, blends a directing the ensemble, he has appeared fusion of flamenco and drum’n’bass on with the Royal Philharmonic Orchestra, acoustic instruments and has played BBC Symphony, Philharmonic, and festivals across the UK and Europe.

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