International Journal of Literature and Arts 2015; 3(5-1): 1-13 Published online June 17, 2015 (http://www.sciencepublishinggroup.com/j/ijla) doi: 10.11648/j.ijla.s.2015030501.11 ISSN: 2331-0553 (Print); ISSN: 2331-057X (Online) The Bulgarian Composer Pancho Vladigerov - Psychological Origin of His Creative Personality Krasimira Georgieva Fileva-Ruseva Faculty of Musical Education, Academy of Music, Dance and Fine Arts; Plovdiv, Bulgaria Email address: [email protected] To cite this article: Krasimira Georgieva Fileva-Ruseva. The Bulgarian Composer Pancho Vladigerov - Psychological Origin of His Creative Personality. International Journal of Literature and Arts . Special Issue: Musical Theory, Psychology, Pedagogy and Performing. Vol. 3, No. 5-1, 2015, pp. 1-13. doi: 10.11648/j.ijla.s.2015030501.11 Abstract: Pancho Vladigerov (1899-1978) is one of the most prominent Bulgarian composers. He has created 70 opuses of works with high aesthetic value and in a very extended range of genres. His works are performed all over the world, and every Bulgarian pianist has experienced his piano opuses. In the present study, I reveal the psychological prerequisites for his creative personality in the following order: typological characterization - evidence to classify the composer in a certain type, derived from his everyday life, from his performer's and pedagogical work and backed up by statements of his relatives, students and critics - the influence of the stated typological characterization on his artistic handwriting. Keywords: Composer, Work, Opus, Pancho Vladigerov, Bulgarian Music characterization - evidence to classify the composer in a 1. Introduction certain type, derived from his everyday life, from his Pancho Vladigerov (1899-1978) is one of the most performer's and pedagogical activity and backed up by prominent Bulgarian composers. He has created 70 opuses of statements of his relatives, students and critics - the influence compositions with high aesthetic value and in a very of the stated typological characterization on his artistic extended range of genres (among his works are: five handwriting. Admittedly, I do not deny that artistic concertos for piano and orchestra, two concertos for violin preferences have a very important and irrevocable role in the and orchestra; Concerto Fantasy for Violoncello and formation of an author's style, but for the formation of the Orchestra, op. 35; the ballet "Legend of the Lake"; the opera specific aesthetic inclinations and preferences, apart from "Tzar Kaloyan", "Symphonic Legend for Large Orchestra", social conditions, which are not the subject of the present op. 8, Symphony № 1, op. 33; Symphony № 2, "May study, the psychological characteristics of the creator are also symphony for String Orchestra“, op. 44; the Heroic overture of importance. "The Ninth of September" for large orchestra, op. 45; the concert overture "Earth", op. 27; "Jewish Poem", op. 47; the 2. Subject, Aims and Tasks of the Study dramatic poem "Song for Peace" for symphonic orchestra, op. 52; the symphonic suite for large orchestra "Lyulin The main goal of this study is to reveal the specific Impressions", op. 63; orchestra suites, theatre music, works characteristics of the creative appearance of the composer for chamber ensembles, solo opuses). Vladigerov is one of Pancho Vladigerov, on the basis of his psychological the founders of the Bulgarian national musical style and the characteristics. native school of composers; a virtuoso pianist and conductor, The subject of the study is the characteristic features of the who performed on stage in many European countries and left musical works, performer's specification and pedagogical a significant trace in the cultural life of several European style of the composer. capitals. His works are performed all over the world, and The object of my attention is the manifestations of the every Bulgarian pianist has experienced his piano opuses. In psychological qualities of Vladigerov in his musical activities the present study, I reveal the psychological prerequisites for and everyday life. his creative personality in the following order: typological The specific tasks are to: a) Prepare a characterization of the main psychic features 2 Krasimira Georgieva Fileva-Ruseva: The Bulgarian Composer Pancho Vladigerov - Psychological Origin of His Creative Personality of the tone artist. impede the performance of the activity), are related to the b) Study the musical heritage of the composer. accuracy of the activity, the sustainability of the interest c) Study the performer's style of the pianist Vladigerov. towards it, the duration of the concentration on one and the d) Explore the available information about the pedagogical same object. principles of the great Bulgarian musician. The great power of the activeness in the psychic activity of e) Compare and summarize the obtained findings. the composer is illustrated clearly by his enormous work The instrumentarium for the study includes: capacity and productiveness. The variety of activities in the a) Analysis and summarization of the existing information creative career of Vladigerov - he was a composer, conductor, about the life of the composer. concerting virtuoso pianist, successful accompanist, b) Formal-aesthetic and performer’s analysis of the works pedagogue (teacher in composing, piano, chamber music) - of Vladigerov. proves not only his multi-dimensional talent, but also his c) Critical analysis of the available records of ability to maintain simultaneously several bright areas of performances by the Bulgarian virtuoso. activeness in the brain sectors, responsible for each of these d) Study of the documentation about the pedagogic activities, i.e. for the immense power of the state of methods and aesthetic views of the composer. activeness. The incredible work capacity of the tone artist e) Comparison of the published musicological analyses could be illustrated with a story, told by his biographer, and critical articles about works of Vladigerov. Evgeni Pavlov: "In the home of Vladigerov, his friend, Dmitri Shostakovich, had come to visit, and our conversation led us to the Fourth Piano Concerto (at the time, it was the 3. The Creative Personality of Pancho latest). Pancho sat at the grand piano and did not stand back Vladigerov up until he had played all four concertos, in the order of their numbers. He was playing the solo part, marking the orchestra, 3.1. Temperament playing without removing the cigarette from his mouth, Since the composer is no longer among the living, I cannot stopping only for just a little bit, only to lit up a new one or to assess his temperament with the Keirsey test, because it take out his handkerchief, the ashes were scattering on his would not be possible to answer the 70 questions of the old work trousers.... and, after that, he did not stop, survey, used for diagnosis of the temperament. For that continuing to play also other orchestra works, following the reason, I limited myself to define according to the four musical score" [13, p. 20]. classical temperaments and analyze the manifestation in Indicative for the power of the processes of activeness is Vladigerov of the neurophysiologic traits, to which each of the bright impact, which such individuals have on others these four types is related. On the other hand, the specifics of around them. Everywhere he went, Pancho Vladigerov the brain functioning of a creative person have the most brought with him his presence of illuminating cheerfullness direct relation to his artistic product. Because of this, I place and optimism, his sincere humour. Especially catching was specific focus on the neurophysiologic traits of the tone artist his influence on the audience as a performer, often in the present study. commented by critics, as well. About a concerto of the Pancho Vladigerov could be described as a sanguine. This, Vladigerov brothers (Pancho Vladigerov had a twin brother - in neurophysiology, where the qualitative indicators of the Lyuben – a violinist) in Plovdiv, performed in 1919, Tz. states of activeness and inactiveness in the brain are Tzankov wrote: "... that wild, frantic passion, with which accounted for, is most resembling the description of a strong, Vladigerov captivates and holds in a high state of tension balanced, mobile type. In the interest of achieving greater even the most incapable of artistic immersion listener. It is as detail and argumentation of this important for the artistic if he is grasping flaming sounds with both of his hands and appearance characteristic, I will review its elements throwing them with a genius swoop into the soul of the separately. The strong type is defined by intensiveness, listener" [quote from 9, p. 46]. A concerto by Pancho saturation in the brain function of activeness and inactiveness. Vladigerov in Vienna from the 3th March, 1947, was Since these two states have temporal parameters - duration described by Joseph Marx including the following words: and dynamics (their intensiveness increases or decreases over "with captivating, blazing virtuosity" [quote from 9, p. 167]. time, or they pass one into the other) and since we can judge The performer's style, marked by the powerful impact on the their saturation also by a certain result of them, they can be listeners, shows clearly the incredible power of activeness in viewed as processes, too. the psychic activity of the tone sculptor. Vladigerov had a high emotional influence also on the 3.1.1. Strong State of Activeness soloists,