95907 UNICO WILHELM VAN WASSENAER and the Recorder in the Low Countries ERIK BOSGRAAF FRANCESCO CORTI Unico Wilhelm van Wassenaer (1692–1766) Joseph Hector Fiocco (1703–1741) Sonata terza in G minor Four pieces from Pièces de clavecin, premier suite 1Recording Grave dates: 26-29 November 2018 2’53 18 Adagio 3’00 2Recording Allegro location: Kruiskerk, Burgum, The Netherlands2’26 19 Allegro 3’22 3 Sarabanda. Grave 2’23 20 Andante 1’57 4Engineering Giga presto and editing: Dirk Fischer 0’54 21 Vivace 4’13 Church warden: Alfred van der Land Jean-BaptistePhotography: Sjaak Loeillet Verboom de Gant (1688–c.1720) Unico Wilhelm van Wassenaer UNICO WILHELM VAN WASSENAER From: Sonata in G major Op.1 No.3 Sonata seconda in G minor 5Pitch: Largo a’ = 392 Hz, modifi ed 1/6 comma mean tone3’29 22 Grave 1’39 Recorders: 23 Allegro 1’14 Andreas Parcham (1643–1712) 24 Adagio 1’24 and the - Sopranino in g” by Christoph Trescher after early baroque models (TRACKS 36-38) Recorder in the Low Countries Sonata- Soprano in G in major d” by Ernst Meyer after Denner (6-9) 25 Giga presto 2’06 6 Poco allegro 0’56 und die Blockflöte in den Niederlanden - Alto in f’ by Ernst Meyer after Bressan (32-35) 7- Alto [Allegro] in f’ by Sebastian Meyer after Bressan (1-4,0’41 5, 22-25)Johann Christian Schickhardt (1682–1762) 8- Alto Adagio in e’ by– Allegro Ernst Meyer – Adagio after – Presto Bressan – (26-31) Sonata in E major Op.30 No.7 Adagio – Spicato – Largo – Allegro 2’06 26 Allegro 2’01 - Tenor (voice fl ute) in d’ by Ernst Meyer after Bressan (14-17) 9 Aria 1’31 27 Siciliano 3’00 - Bass in G by Küng / Ernst Meyer (10-13) 28 Allegro 2’22 Jean-Baptiste Loeillet de Gant 29 Allegro 2’10 SonataHarpsichord in A minor made Op.1 by SebastianoNo.1 Calì after Antoine Vater30 (1732),Giga kindly provided by Roland Schulze 1’45 10Harpsichord Adagio tuning and maintenance: Mikina Yamashita3’15 31 Allegro 1’31 11 Allegro 1’33 12 Adagio 1’49 Unico Wilhelm van Wassenaer 13Liner Giga. notes: Allegro Dr. Thiemo Wind 1’10 Sonata prima in F major English translation: Dr. Julia Muller 32 Grave 2’11 Jean-MarieGerman translation: Leclair (l’aîné) Esther (1697–1764) Dür 33 Allegro 2’43 Sonata in G major Op.9 No.7 34 Adagio 0’53 and the Recorder in the Low Countries 14Artwork: Andante Alexander van der Linden 3’02 35 Giga presto 1’07 15Production Allegro ma assistant: non troppo Wilma Rietdijk 2’45 16Financial Aria. Aff support: ettuoso Stichting – Altro Abrikoos 3’17 Sybrandus van Noordt (1659–1705) und die Blockflöte in den Niederlanden 17 Giga. Allegro moderato 2’02 Sonata in F major 36 Vivace 1’49 37 Adagio 1’07 38 Allegro 1’45 ℗ & © 2019 Brilliant Classics Erik Bosgraaf recorder/Blockfl öte Francesco Corti harpsichord/Cembalo Unico Wilhelm van Wassenaer (1692–1766) Joseph Hector Fiocco (1703–1741) Sonata terza in G minor Four pieces from Pièces de clavecin, premier suite 1Recording Grave dates: 26-29 November 2018 2’53 18 Adagio 3’00 2Recording Allegro location: Kruiskerk, Burgum, The Netherlands2’26 19 Allegro 3’22 3 Sarabanda. Grave 2’23 20 Andante 1’57 4Engineering Giga presto and editing: Dirk Fischer 0’54 21 Vivace 4’13 Church warden: Alfred van der Land Jean-BaptistePhotography: Sjaak Loeillet Verboom de Gant (1688–c.1720) Unico Wilhelm van Wassenaer UNICO WILHELM VAN WASSENAER From: Sonata in G major Op.1 No.3 Sonata seconda in G minor 5Pitch: Largo a’ = 392 Hz, modifi ed 1/6 comma mean tone3’29 22 Grave 1’39 Recorders: 23 Allegro 1’14 Andreas Parcham (1643–1712) 24 Adagio 1’24 and the - Sopranino in g” by Christoph Trescher after early baroque models (TRACKS 36-38) Recorder in the Low Countries Sonata- Soprano in G in major d” by Ernst Meyer after Denner (6-9) 25 Giga presto 2’06 6 Poco allegro 0’56 und die Blockflöte in den Niederlanden - Alto in f’ by Ernst Meyer after Bressan (32-35) 7- Alto [Allegro] in f’ by Sebastian Meyer after Bressan (1-4,0’41 5, 22-25)Johann Christian Schickhardt (1682–1762) 8- Alto Adagio in e’ by– Allegro Ernst Meyer – Adagio after – Presto Bressan – (26-31) Sonata in E major Op.30 No.7 Adagio – Spicato – Largo – Allegro 2’06 26 Allegro 2’01 - Tenor (voice fl ute) in d’ by Ernst Meyer after Bressan (14-17) 9 Aria 1’31 27 Siciliano 3’00 - Bass in G by Küng / Ernst Meyer (10-13) 28 Allegro 2’22 Jean-Baptiste Loeillet de Gant 29 Allegro 2’10 SonataHarpsichord in A minor made Op.1 by SebastianoNo.1 Calì after Antoine Vater30 (1732),Giga kindly provided by Roland Schulze 1’45 10Harpsichord Adagio tuning and maintenance: Mikina Yamashita3’15 31 Allegro 1’31 11 Allegro 1’33 12 Adagio 1’49 Unico Wilhelm van Wassenaer 13Liner Giga. notes: Allegro Dr. Thiemo Wind 1’10 Sonata prima in F major English translation: Dr. Julia Muller 32 Grave 2’11 Jean-MarieGerman translation: Leclair (l’aîné) Esther (1697–1764) Dür 33 Allegro 2’43 Sonata in G major Op.9 No.7 34 Adagio 0’53 and the Recorder in the Low Countries 14Artwork: Andante Alexander van der Linden 3’02 35 Giga presto 1’07 15Production Allegro ma assistant: non troppo Wilma Rietdijk 2’45 16Financial Aria. Aff support: ettuoso Stichting – Altro Abrikoos 3’17 Sybrandus van Noordt (1659–1705) und die Blockflöte in den Niederlanden 17 Giga. Allegro moderato 2’02 Sonata in F major 36 Vivace 1’49 37 Adagio 1’07 38 Allegro 1’45 ℗ & © 2019 Brilliant Classics Erik Bosgraaf recorder/Blockfl öte Francesco Corti harpsichord/Cembalo FrancescoThe Recorder Corti in the Dutch Republic around 1700 known to have lived and worked in the his famous repertoire found in Der Fluyten Republic. Jean-Baptiste Loeillet was born Lust-hof (also recorded by Erik Bosgraaf for Thiemo Wind in Ghent and worked in Lyon, but his Brilliant Classics). The Dutch instrument was FrancescoMusic fl ourished Corti (1984) in the wasDutch born Republic in Arezzo, Festspielewere published and Mozartwoche, by the Amsterdam the BachFest printing playedrecorder solo sonatas concertos were byall publishedBach, Händel, by guestthus suitable conductor for the of Il small Pomo hands d’Oro. of His children solo Italy,around into 1700, a musical even thoughfamily. He the studied country organ Leipzig,houses ofthe Estienne MusikFest Roger, Bremen Michel-Charles and the Le HaydnRoger inand Amsterdam. Mozart. He also performs with recordingsand is a frequent include attribute Louis Couperin in children’s suites, the andlacked harpsichord the splendour in Perugia, of a royal then court harpsichord and UtrechtCène and Early others. Music Although Festival. their He haspublications per- otherThe recorder prominent already early had music a long groups history such as partitasportraits. by The J. S. Dutch Bach, believed Haydn sonatas, in catching and inCalvinism, Geneva andallowing in Amsterdam. only psalm He singing, won an inhib- formedwere distributed in i.a. the internationally,Salle Pleyel in Paris, Dutch the news- Zefiat the ro, time the ofBach the Republic,Collegium whichJapan, partly Les Talens thethem two young. piano quartets and Piano Concerto awardited serious at the forms International of church Johann music. Sebastian Bozarpaper inadvertisements Brussels, the Konzerthaus show that they in Vienna,must Lyriques,explains the and popularity Le Concert of desthe instrument.Nations. He In K.488In the secondby Mozart half (recorded of the seventeenth on the original cen- BachThis trading Competition nation, in however, Leipzig (2006) had a wealthyand at thehave Tonhalle served inthe Zurich, local marketthe Mozarteum to a consider- and hascontradistinction regularly conducted to the surrounding Les Musiciens areas, du instrumenttury, the recorder owned underwent by the composer, a revolutionary now in theupper Bruges class, Harpsichord fond of making Competition music and (2007). with Hausable extent. für Mozart The inpresent Salzburg recording and the advances Louvrethe recorder since with2015, the in lowestrepertoire note that g‘ was spans not Salzburg).development He haswhich given turned master it into classes a sophisti- all Asthe a leisure soloist, to he pursue has appeared it, the recorder in recitals being Amsterdamthis repertoire. Concertgebouw. Sybrandus van He Noordt has been and a the periodusual solo from instrument Alessandro at Scarlattithe beginning to of overcated Europe, instrument. in Latin The America new kind and of inrecorder Asia. In andone concertsof its favorite all over instruments. Europe, in There the USA, is un- memberUnico Wilhelm of Les van Musiciens Wassenaer du Louvre are the (Marc only Mozart.the seventeenth He was invited century. as The a soloist smaller and instru- con- Septemberoriginated in 2016 French he courtwas appointed circles, specifi profes- - Latinequivocal America evidence and New to that Zealand. eff ect: He for has instance, ap- Minkowski)native Dutch since composers 2007. Corti represented. has done ductorment with by Hollandc“ as its Baroque,lowest note, the nowNederlandse usually sorcally of where harpsichord the Hotteterre and thorough family structurallybass at the pearedfi rst-class at festivals recorder including makers thewere Salzburger working in countlessAndreas Parcham, tours with Johann this ensemble Christian and has Bachverenigingcalled the soprano and recorder, B’Rock. Cortiwas. Thatis principal was Scholaaltered Cantorumthe design Basiliensis. of woodwind instruments. the Republic. A great many recorder sonatas Schickhardt and Jean-Marie Leclair are the type for which Jacob van Eyck conceived Whereas recorders had previously consisted Die Blockflöte in der niederländischen Republik um 1700 Jean-Marie Leclair haben in der Republik aus Der Fluyten Lust-hof (das Erik Bosgraaf Francesco Corti (1984) wurde in Arezzo Mozartwoche, das BachFest Leipzig, das gelebtMozart und gespielt.