SELECTED PRESS IMAGES Van Dyck: The Anatomy of Portraiture March 2, 2016, through June 5, 2016 The Frick Collection, New York PRESS IMAGE LIST Digital images are available for publicity purposes; please contact the Press Office at 212.547.0710 or [email protected]. 1. Anthony van Dyck (1599–1641) Queen Henrietta Maria with Her Dwarf, Jeffery Hudson, 1633 Oil on canvas National Gallery of Art, Washington; Samuel H. Kress Collection 2. Anthony van Dyck (1599–1641) The Princesses Elizabeth and Anne, Daughters of Charles I, 1637 Oil on canvas Scottish National Portrait Gallery 3. Anthony van Dyck (1599–1641) Mary, Lady van Dyck, née Ruthven, ca. 1640 Oil on canvas Museo Nacional del Prado, Madrid 4. Anthony van Dyck (1599–1641) Charles I and Henrietta Maria, 1632 Oil on canvas Archiepiscopal Castle and Gardens, Kroměříž 5. Anthony van Dyck (1599–1641) Prince William of Orange and Mary, Princess Royal, 1641 Oil on canvas Rijksmuseum, Amsterdam 6. Anthony van Dyck (1599–1641) Pomponne II de Bellièvre, ca. 1637–40 Oil on canvas Seattle Museum of Art 7. Anthony van Dyck (1599–1641) Margaret Lemon, ca. 1638 Oil on canvas Private collection, New York 8. Anthony van Dyck (1599–1641) Self-Portrait, ca. 1620–21 Oil on canvas The Metropolitan Museum of Art 9. Anthony van Dyck (1599–1641) Frans Snyders, ca. 1620 Oil on canvas The Frick Collection, New York 10. Anthony van Dyck (1599–1641) Margareta Snyders, ca. 1620 Oil on canvas The Frick Collection, New York 11. Anthony van Dyck (1599–1641) Lady Anne Carey, Later Viscountess Claneboye and Countess of Clanbrassil, ca. 1636 Oil on canvas The Frick Collection, New York 12. Anthony van Dyck (1599–1641) Lord and Lady Strange, Later Earl and Countess of Derby, with Their Daughter, ca. 1636 Oil on canvas The Frick Collection, New York 13. Anthony van Dyck (1599–1641) Sir John Suckling, ca. 1638 Oil on canvas The Frick Collection, New York 14. Anthony van Dyck (1599–1641) Portrait of a Genoese Noblewoman, 1625–27 Oil on canvas The Frick Collection, New York 15. Anthony van Dyck (1599–1641) Man Looking to the Right, ca. 1634 Oil on canvas Private collection 16. Anthony van Dyck (1599–1641) Nicolaes Rockox, 1636 Oil on panel Private collection 17. Anthony van Dyck (1599–1641) Frans Snyders, ca. 1625–37 Etching Fogg Museum, Harvard Art Museums, Cambridge 18. Anthony van Dyck (1599–1641) Portrait Study of Nicolas Lanier, ca. 1628 Black chalk, heightened with white chalk, on blue paper National Gallery of Scotland, Edinburgh 19. Anthony van Dyck (1599–1641) Portrait Study of a Man on Horseback with His Groom, verso: Three Studies of Figures, 1620–21 (or 1628–32?) Pen and brown ink; verso: pen and brown ink, black chalk The Metropolitan Museum of Art, New York 20. Anthony van Dyck (1599–1641) François Langlois Playing a Musette, 1641(?) Black chalk, heightened with white chalk, on buff paper Frits Lugt Collection, Fondation Custodia, Paris 21. Anthony van Dyck (1599–1641) Hendrick van Steenwijck the Younger,ca. 1632−38 Black chalk, gray wash; incised for transfer Städel Museum, Fankfurt am Main 22. Anthony van Dyck (1599–1641) Inigo Jones, 1632–36 Black chalk, pen and brown ink, squared for transfer in black chalk; laid down The Duke of Devonshire and the Trustees of the Chatsworth Settlement, Chatsworth, Derbyshire 23. Anthony van Dyck (1599–1641) Self-Portrait, ca. 1627–35 Etching (first state) Fitzwilliam Museum, Cambridge 24. Anthony van Dyck (1599–1641) Lucas Vorsterman, ca. 1631 (?) Etching (first state) Fitzwilliam Museum, Cambridge 25. Anthony van Dyck (1599–1641) Study of Queen Henrietta Maria with her Dwarf, Jeffery Hudson, 1633 Black chalk, red and yellow (fabricated?) chalks, heightened with white chalk, on blue paper; laid down École Nationale Supérieure des Beaux-Arts, Paris These jpegs are on loan exclusively for publicity purposes in conjunction with this exhibition. Please return any distributed disks to the Media Relations & Marketing Department/The Frick Collection/1 East 70th Street/New York, NY 10021. Permission for any other use of this material must be sought separately. * These photo materials may not be lent or used again for publication without prior permission. * Reproductions may not run off the edge of the paper. * Reproductions may not be superimposed with type matter or in any way defaced or altered. * The word “detail” must appear in the caption with the complete credit line in the event that a detail is used. * Required for publication: with each image, the collection and photo credits as indicated above must be included in print. * Publisher shall furnish a complimentary copy of the issue of the periodical or book in which the reproduction(s) appears. .